Tagged: OCBD Shirt
Paul Newman’s 1967 Fishing Trip
Paul Newman, photographed by Mark Kauffman, 1967.
Vitals
Paul Newman, acclaimed actor, activist, and Navy veteran
Florida Keys, Summer 1967
Photographs by Mark Kaufmann
Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars rather than from specific productions.
Background
June 18 is annually celebrated as “National Go Fishing Day”, an observance encouraging Americans to take some time to take a break and cast a line.
Following his acclaimed performance in Cool Hand Luke, Paul Newman turned to the comfort of rod and reel on a friend’s fishing boat off the Florida Keys. The actor was in the midst of his directorial debut—directing his wife Joanne Woodward in Rachel, Rachel—but looks as stress-free as it gets as he stands top side with a beer in one hand and rod in the other.
Goodbye, Columbus: Neil’s Date Night Seersucker
Richard Benjamin as Neil Klugman in Goodbye, Columbus (1969)
Vitals
Richard Benjamin as Neil Klugman, listless library employee and Army veteran
Westchester, New York, Summer 1968
Film: Goodbye, Columbus
Release Date: April 3, 1969
Director: Larry Peerce
Costume Designer: Gene Coffin
Background
In addition to today being the birthday of star Richard Benjamin—born on this day in 1938—today also marks three years since the death of Philip Roth, who died of congestive heart failure on May 22, 2018. Roth’s novella Goodbye, Columbus provided the source material for Ali MacGraw’s major screen debut acting opposite Benjamin.
Goodbye, Columbus has been favorably compared to The Graduate, inviting parallels with its similar-looking leads: a somewhat awkward, naive, and listless young man romancing a dark-haired “princess” against her parents’ wishes (though for a dramatically different reason than the Robinsons had), scored against the backdrop of a hip band from the late ’60s, in this case The Association as opposed to Simon & Garfunkel’s famous soundtrack for The Graduate.
Psycho: Norman Bates in Corduroy
Anthony Perkins as Norman Bates in Psycho (1960)
Vitals
Anthony Perkins as Norman Bates, mother-obsessed motel proprietor and amateur bird taxidermist
Fairvale, California, Fall 1959
Film: Psycho
Release Date: September 8, 1960
Director: Alfred Hitchcock
Costume Designer: Rita Riggs (uncredited)
Costume Supervisor: Helen Colvig
WARNING! Spoilers ahead!
Background
A boy’s best friend is his mother…
Alfred Hitchcock would probably find some dark humor in choosing Mother’s Day to focus on Psycho, the story of a young man’s complicated relationship with his mother.
Out of Sight: George Clooney’s Glen Plaid Suit
On George Clooney’s 60th birthday, I’m delighted to present a guest post contributed by my new friend, Ken Stauffer, featuring one of Clooney’s most stylish roles to date.
George Clooney as Jack Foley in Out of Sight (1998)
Photo credit: Merrick Morton
Vitals
George Clooney as Jack Foley, charismatic bank robber
Miami, Summer 1998
Film: Out of Sight
Release Date: June 26, 1998
Director: Steven Soderbergh
Costume Designer: Betsy Heimann
WARNING! Spoilers ahead!
Background
Happy Birthday, George Clooney! Today, the actor/director/writer/producer/activist/Italian villa owner/father of twins turns 60, and to celebrate we’ll be looking at his first costume in Steven Soderbergh’s underrated 1998 crime comedy, Out of Sight.
Following the success of Get Shorty, screenwriter Scott Frank and producer Danny DeVito set out to bring another recent Elmore Leonard novel to life. The resulting film sees our birthday boy as the ever-charming Jack Foley, a thrice-incarcerated bank robber who “robbed more than anyone in the computer.” Continue reading
Miami Blues: Pink Blazer and Pastel Plaid Pants
Alec Baldwin in Miami Blues (1990)
Vitals
Alec Baldwin as Frederick J. Frenger Jr., sociopathic ex-con
Miami, Fall 1989
Film: Miami Blues
Release Date: April 20, 1990
Director: George Armitage
Costume Designer: Eugenie Bafaloukos
WARNING! Spoilers ahead!
Background
I wanted to write about some pastels leading up to Easter and stumbled upon this chaotic look from Miami Blues, an adaptation of Charles Willeford’s 1984 novel that was the first in his Hoke Moseley series. “Nobody writes a better crime novel,” Elmore Leonard had once said of Willeford, who died in March 1988, two years before the novel made it to the screen. Miami Blues was only the second cinematic adaptation of a Willeford novel, following the 1974 release of Cockfighter starring Warren Oates.
Fred Ward—who also served as executive producer—starred as Moseley while Alec Baldwin (who celebrates his 63rd birthday today) played the sociopathic Frederick J. Frenger Jr., wreaking havoc through the Magic City with a badge stolen from Moseley. Continue reading
Blood Simple: M. Emmet Walsh’s Yellow Leisure Suit
M. Emmet Walsh as Loren Visser in Blood Simple (1984)
Vitals
M. Emmet Walsh as Loren Visser, sleazy private detective
Texas, Fall 1982
Film: Blood Simple
Release Date: January 18, 1985
Director: Joel & Ethan Coen
Costume Designer: Sara Medina-Pape
WARNING! Spoilers ahead!
Background
Spring is officially here, the season of warmer weather and bright colors… though a tacky yellow leisure suit may not be exactly what you had in mind! On the 86th birthday of prolific character actor M. Emmet Walsh, today’s post explores his eccentric but dangerous private eye in Blood Simple, the directorial debut of brothers Joel and Ethan Coen.
Mister Rogers
Fred Rogers on the set of Mister Rogers’ Neighborhood
Vitals
Fred Rogers, America’s favorite neighbor
Pittsburgh, late 1960s through early 2000s
Series: Mister Rogers’ Neighborhood
Air Dates: February 19, 1968 through August 31, 2001
Created by: Fred Rogers
Background
I’ve written plenty about characters and figures who may have influenced my fashion sense and lifestyle, but today I want to recognize someone who (I hope!) had one of the most significant impacts on my personality during my formative years. Fred Rogers was born 93 years ago today on March 20, 1928 in Latrobe, Pennsylvania, just about an hour east of where I currently live. For more than thirty years, he celebrated acceptance, inclusiveness, curiosity, emotional intelligence, open-mindedness, and love as the warm host of the Emmy Award-winning series Mister Rogers’ Neighborhood, filmed at WQED Studios in Pittsburgh.
Gene Barry’s Fawn Suit as Dr. Ray Flemming in Prescription: Murder
Gene Barry as Dr. Ray Flemming on Prescription: Murder, the TV pilot movie that led to Columbo
Vitals
Gene Barry as Dr. Ray Flemming, smarmy psychiatrist
Los Angeles, Spring 1967
Film: Prescription: Murder
Original Air Date: February 20, 1968
Director: Richard Irving
Costume Designer: Burton Miller
Background
This week in 1968, TV audiences were introduced to an unassuming yet indefatigable homicide detective in a wrinkled raincoat whose humble mannerisms and appearance belied an uncanny ability to bring murderers to justice. Oh, and just one more thing… that detective was named Columbo.
Peter Falk wasn’t the first to play the detective, nor was he even the first choice when Richard Levinson and William Link’s stage play was adapted for TV as Prescription: Murder, the first episode of what would become the long-running series Columbo. Bert Freed had originated the role in a 1960 episode of The Chevy Mystery Show, to be followed by Thomas Mitchell when Levinson and Link debuted the play Prescription: Murder two years later in San Francisco.
Prescription: Murder establishes many trademark elements of Columbo, including the delayed introduction of the shrewd but shabbily dressed lieutenant himself until after we watch the murderer of the week commit his—or her—crime.
Gene Barry set a standard in Prescription: Murder that the killers foiled by Columbo would follow for decades to come: arrogant, well-dressed, and clever enough to pull together a murder scheme that keeps them above suspicion… from all but Lieutenant Columbo, of course. Continue reading
Love Story: Ryan O’Neal’s Sheepskin Shearling Coat
Ryan O’Neal as Oliver Barrett IV in Love Story (1970)
Vitals
Ryan O’Neal as Oliver Barrett IV, preppy Harvard student
New England, Winter 1966, and New York City, Winter 1970
Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner
Background
Happy Valentine’s Day! In the spirit of the season of romance, it felt appropriate to explore the preppy style in one of the most famous cinematic love stories of all time… the perhaps uncleverly titled Love Story.
I went into my inaugural Love Story viewing this year familiar only with Larry Siegel and Mort Drucker’s Mad magazine parody and the movie’s reviled thesis that “love means never having to say you’re sorry,” so I was a little surprised to find myself non-ironically enjoying it more than I expected. Sure, my friend @berkeley_breathes had primed me to expect some standout Ivy-inspired style worn by Ryan O’Neal as our romantic hero Oliver, but I guess the half-century since Love Story has yielded considerably cornier products with the odd effect that this aged… relatively well? Or maybe I’m just speaking from behind the blinders of my enduring crush on early ’70s Ali MacGraw. Continue reading
Sammy Davis Jr.’s Brown Suit in Ocean’s 11
Sammy Davis Jr. in Ocean’s Eleven (1960)
Vitals
Sammy Davis Jr. as Josh Howard, casino heister, sanitation worker, and World War II veteran
Las Vegas, January 1960
Film: Ocean’s Eleven
Release Date: August 10, 1960
Director: Lewis Milestone
Costume Designer: Howard Shoup
Tailor: Sy Devore
WARNING! Spoilers ahead!
Background
Sammy Davis Jr. was born 95 years ago today in Harlem. Nicknamed “Mr. Show Business” in recognition of his vast talents, Davis had gotten an early start to performing when he joined his father and uncle to create the Will Mastin Trio, named after his uncle. Following his service in World War II, Davis cultivated his career as a singer, dancer, actor, and comedian.
Davis’ natural talent, stage presence, and quick wit brought him into the orbit of pallies Frank Sinatra and Dean Martin, who were forming the seeds of what would become immortalized as the Rat Pack. (Sinatra wisely followed Davis’ suggestion that the group not call themselves “the Clan”, instead referring to themselves as “the Summit.”)
1960 was the high watermark for the Summit, when they pulled together an ensemble cast to make Ocean’s 11, a stylish heist film set in Las Vegas. Continue reading
You must be logged in to post a comment.