Tagged: Red Shirt

Boogie’s Birdseye Jacket and ’57 Chevy in Diner

Mickey Rourke as "Boogie" in Diner (1982).

Mickey Rourke as “Boogie” in Diner (1982).


Mickey Rourke as Robert “Boogie” Sheftell, part-time law student, hair stylist, and degenerate gambler

Baltimore, Christmas 1959

Film: Diner
Release Date: March 5, 1982
Director: Barry Levinson
Costume Designer: Gloria Gresham


This Car Week segment ends with a holiday-focused look at the ’57 Chevy driven by Mickey Rourke in Diner. Continue reading


Magic City: Stevie’s Red Striped Shirt

Steven Strait as Stevie Evans on Starz's Magic City (2012-2013).

Steven Strait as Stevie Evans on Starz’s Magic City (2012-2013).


Steven Strait as Stevie Evans, swaggering and impulsive hotel lounge manager

Miami Beach, spring 1959

Series: Magic City
– “The Year of the Fin” (Episode 1.01, dir: Carl Franklin, aired March 30, 2012)
– “Time and Tide” (Episode 1.08, dir: Ed Bianchi, aired June 1, 2012)
Creator: Mitch Glazer
Costume Designer: Carol Ramsey


As the summer begins winding down, BAMF Style is channeling the effortlessly cool attire in warm weather that the men of Magic City showed off in each episode. This Casual Friday seemed like a perfect time for the inaugural post on Stevie Evans, an unapologetic womanizer who still has some maturing to do before becoming securely comfortable in his own role in the world of the Miramar Playa.

Though his role as manager of the Atlantis Lounge makes him little more than a glorified bartender who’s reduced to making a few extra bucks on the side as a pimp, Stevie seems satisfied with his role – and its many perks – until the events of New Year’s Eve 1958 send him down a collision-course with the most dangerous gangster in Miami Beach. Continue reading

Casino – Ace’s Ivory Western Suit with Red-on-Red Silk

Robert De Niro as Sam "Ace" Rothstein in Casino (1995).

Robert De Niro as Sam “Ace” Rothstein in Casino (1995).


Robert De Niro as Sam “Ace” Rothstein, Vegas casino executive and mob associate

Las Vegas, Summer 1977

Film: Casino
Release Date: November 22, 1995
Director: Martin Scorsese
Costume Design: Rita Ryack & John A. Dunn


By the mid-1970s, Frank “Lefty” Rosenthal appeared to have it all. Having tried his hardest to leave his mob affiliations behind him back east, he was now running the Stardust Hotel and Casino in Las Vegas with a beautiful ex-showgirl wife and a massive wardrobe pull of bespoke suits and sport coats.

Unfortunately, his mob affiliations were chasing him to Vegas in the form of vicious Chicago enforcer Tony “the Ant” Spilotro; he still didn’t have a license to legally be managing his casino; and his troubled wife Geri was still in contact with her shitty ex, Lenny Marmor. Continue reading

Scarface: Tony’s Tan Suit and Cadillac

Al Pacino stands next to a bright '63 Caddy convertible as Tony Montana in Scarface (1983).

Al Pacino stands next to a bright ’63 Caddy convertible as Tony Montana in Scarface (1983).


Al Pacino as Tony Montana, hotheaded Cuban-American cocaine dealer

Miami, August 1981

Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris


BAMF Style is continuing Car Week with the second grand American convertible from the automotive golden era – the 1963 Cadillac Series 62 owned by Tony Montana in 1983’s Scarface. Ironically, we first see this Caddy while Tony is actually shopping for a different luxury car, the silver 1979 Porsche 928 4.5L that he adds to his growing collection.

The ’63 Caddy convertible is clearly Tony’s favorite, though, driving it to show off his status even though Elvira pointedly tells him:

It looks like somebody’s nightmare.

Continue reading

The Sopranos: Christopher’s Red Sport Coat

Michael Imperioli as Christopher Moltisanti in "A Hit is a Hit", episode 1.10 of The Sopranos.

Michael Imperioli as Christopher Moltisanti in “A Hit is a Hit”, episode 1.10 of The Sopranos.


Michael Imperioli as Christopher Moltisanti, Jersey mob associate and aspiring screenwriter

New York City, Spring 1998

Series: The Sopranos
Episodes: “A Hit is a Hit” (Episode 1.10) and “D-Girl” (Episode 2.07)
Air Dates: March 14, 1999 (1.10) and February 27, 2000 (2.07)
Directors: Matthew Penn (1.10) and Allen Coulter (2.07)
Costume Designer: Juliet Polcsa


Although a bit late for this Valentine’s Day (and my self-proclaimed #MafiaMonday), this post explores a creative integration of red into a man’s outfit. While some – and, likely, most – will consider it over-the-top, the character in question isn’t exactly known for his good taste.

For date nights in New York City with Adriana, Chris likes to show off his gangster status by donning his two favorite wardrobe colors: red and black. The pairing of a red sport coat with black trousers and shirt evokes a look made famous by Robert De Niro in Casino. Given Christopher’s obsession with mob movies (and Martin Scorsese), it would make sense that he would choose to mimic an outfit from one of the best-known mob movies sported by the genre’s undisputed maestro. Continue reading

Scarface: Tony’s White Pinstripe Suit

Al Pacino as Tony Montana in Scarface (1983).

Al Pacino as Tony Montana in Scarface (1983)


Al Pacino as Tony Montana, ambitious Cuban-American cocaine dealer

Miami (and Colombia), Summer 1981

Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Tailor: Tommy Velasco


One of the few sartorial rules actually practiced in the United States is adherence to the “no white after Labor Day” rule. While it’s technically outdated, having been decided after the Civil War by snobbish housewives who wanted to establish their place in society, it makes sense that light-colored attire would find its place in the summer. Further enhancing the arbitrary rule, the snobbish housewives’ society determined that Memorial Day would mark the first day for white clothing to be appropriate in polite society.

While he may not be the prime example of “polite society” in the eyes of postbellum America, Tony Montana redefined drug dealer chic in 1983’s Scarface with his numerous sharp suits and incomparable swagger while wearing them. Continue reading

Lethal Weapon: Riggs’ Gray Jacket and Jeans

Mel Gibson as Det. Martin Riggs in Lethal Weapon.

Mel Gibson as Det. Martin Riggs in Lethal Weapon (1987).


Mel Gibson as Martin Riggs, suicidal LAPD detective

Los Angeles, Christmas 1987

Film: Lethal Weapon
Release Date: March 6, 1987
Director: Richard Donner
Costume Designer: Mary Malin


In a way, Lethal Weapon is too entertaining for its own good. It’s a bit corny, it’s a bit ’80s, and it’s a bit over-the-top, but it set the standard for the “buddy cop comedy” with its bizarre but efficient mix of neo-noir (a sax soundtrack in L.A.) and The Three Stooges. Over the years, it has been constantly compared to Die Hard, often unfavorably. While they both involve “loose cannon” left-handed cops in L.A. at Christmas, both armed with Beretta 92F pistols, the two films are radically different.

Lethal Weapon‘s main character (partnership be damned) is Martin Riggs, an LAPD narc who is very good at his job, mostly because he doesn’t care if he lives or dies. The film follows Riggs as he is partnered with the older and wiser Sgt. Roger Murtaugh. They both learn from each other and manage to solve the case by throwing smoke grenades in the desert, getting electroshocked, and beating the shit out of Gary Busey. Now if that doesn’t sound entertaining, what does? Continue reading