Tagged: Summer
The White Lotus: Walton Goggins’ Linen Dandy Del Mar Beach Set
Walton Goggins and Aimee Lou Wood on The White Lotus, Episode 3.08: “Amor Fati”. Photo by Fabio Lovino.
Vitals
Walton Goggins as Rick Hatchett, troubled tourist and “victim of [his] own decisions”
Koh Samui, Thailand, Spring 2024
Series: The White Lotus
Episode: “Amor Fati” (Episode 3.08)
Air Date: April 6, 2025
Director: Mike White
Creator: Mike White
Costume Designer: Alex Bovaird
WARNING! Spoilers ahead!
Background
It seems like every month I’m checking in on my man Walton Goggins, but I can’t help myself after seeing how Alex Bovaird’s Emmy-nominated costume design dressed Rick Hatchett exactly in my summer aesthetic on The White Lotus. Whether he’s in wild tropical-printed shirts and cargo pants or a chic matching set from Dandy Del Mar, Rick’s vacation wardrobe hits all the right notes.
I first discovered the Cali-based brand Dandy Del Mar back in 2020 through their retro-informed swimwear and terry-forward loungewear, and as the brand’s collection of leisurewear has grown, so has my personal stash. (This isn’t a sponsored post, I swear—I’m just a big fan!) Naturally, I was thrilled when I saw Rick sporting one of their matching sets during his emotional reunion with Chelsea on the beach in Koh Samui during the latest season finale.
As this summer draws closer to an end, let’s look back at how Rick Hatchett dressed toward the end of his fateful stay at the White Lotus this year. Continue reading
Robert Redford’s Flight Jacket as The Great Waldo Pepper
Robert Redford in The Great Waldo Pepper (1975)
Vitals
Robert Redford as Waldo Pepper, daring stunt pilot
Midwest United States, Summer 1926 through Spring 1928
Film: The Great Waldo Pepper
Release Date: March 13, 1975
Director: George Roy Hill
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
One year after portraying the titular Great Gatsby, Robert Redford starred in The Great Waldo Pepper as the fictional eponymous aviator—loosely inspired by several real-life daredevil flying aces of the Roaring ’20s—making it a fitting focus ahead of National Aviation Day tomorrow.
Born 89 years ago today on August 18, 1936, Redford was one of the biggest stars of the 1970s, thanks in part to his performances opposite Paul Newman in George Roy Hill’s hit comedies Butch Cassidy and the Sundance Kid (1969) and The Sting (1973). Released 50 years ago this March, The Great Waldo Pepper reunited Redford with Hill for a more lighthearted counterpoint to the actor’s contemporaneous political thrillers like Three Days of the Condor (1975) and All the President’s Men (1976).
We first meet barnstormer Waldo Pepper in the summer of 1926, landing his bright yellow Standard J-1 in a Nebraska field to sell plane rides to curious locals. Continue reading
Purple Noon: Alain Delon’s Blue Ivy-Style OCBD, Cream Jeans, and Loafers
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, charming American con artist
Italy, Summer 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
French screen and style icon Alain Delon died one year ago this week on August 18, 2024. One of the actor’s most celebrated and stylish roles remains his portrayal of Tom Ripley in Purple Noon, René Clément’s adaptation of Patricia Highsmith’s psychological thriller The Talented Mr. Ripley.
The French/Italian co-production (released in France as Plein soleil) was the first cinematic adaptation of Highsmith’s novel, followed by Anthony Minghella’s 1999 film The Talented Mr. Ripley and Steven Zaillain’s 2024 Netflix miniseries Ripley. Clément was inspired to cast Delon after spotting the young actor in the 1959 comedy Women are Weak, and his enigmatic performance as Tom Ripley eventually launched him to wider global recognition.
Highsmith’s own opinion about the film ranged from cheers for Henri Decaë’s stunning cinematography to jeers against Clément’s bastardized ending, though the author fully praised Delon’s “excellent” portrayal of her devious creation. Continue reading
Tough Guys Don’t Dance: Ryan O’Neal’s Party Sweater
Ryan O’Neal in Tough Guys Don’t Dance (1987)
Vitals
Ryan O’Neal as Tim Madden, ex-convict and aspiring writer prone to blackouts
Provincetown, Massachusetts, Summer 1986
Film: Tough Guys Don’t Dance
Release Date: September 18, 1987
Director: Norman Mailer
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
My family’s vacation in New England this week has me reflecting on my questionable decision last year to watch Norman Mailer’s self-directed adaptation of his own Cape Cod-set novel Tough Guys Don’t Dance.
Bob Dylan’s Black Leather Jacket at Newport 1965: Timothée Chalamet in A Complete Unknown
Timothée Chalamet as Bob Dylan in A Complete Unknown (2024). Photo by Macall Polay.
Vitals
Timothée Chalamet as Bob Dylan, folk singer-songwriter
Newport, Rhode Island, Summer 1965
Film: A Complete Unknown
Release Date: December 25, 2024
Director: James Mangold
Costume Designer: Arianne Phillips
Jacket Maker: Jimmy McBride
WARNING! Spoilers ahead!
Background
Sixty years ago tonight, Bob Dylan closed out his third consecutive appearance at the annual Newport Folk Festival by taking the stage with a backing band, signaling a seismic shift in music that stunned and polarized the attendees.
The controversial Sunday night set became the climactic scene in James Mangold’s acclaimed A Complete Unknown, starring Timothée Chalamet as Dylan alongside Ed Norton as Pete Seeger and Monica Barbaro as Joan Baez. Continue reading
Walton Goggins on The White Lotus: Storytelling Through Pattern Play
The White Lotus just earned 23 Emmy nominations for its third season, including Outstanding Drama Series, Outstanding Contemporary Costumes, and seven acting nods—among them Walton Goggins, recognized for his turn as Rick Hatchett.
While I’m on vacation this week, it feels like the perfect time to share this guest article focused on the style of a man on vacation—Goggins’ very own Rick—written by Katherine Manweiler, founder of Montage, the storefront for media and culture that turns on-screen style into personalized fashion discovery.
The White Lotus: Storytelling Through Pattern Play
What memory do floral patterned shirts conjure? Tom Selleck on Magnum P.I.? Your dad at a Sandals all-inclusive? How about the breakout style icon of summer 2025?
Walton Goggins as Rick Hatchett on The White Lotus (Episode 3.04: “Hide or Seek”)
At Montage, we’re curating a shoppable collection of styles from beloved television shows and films. From activity on our Instagram page to a global user base on our shopping app, we had a front row seat to the commentary, crazes, and clicks driven by costume designer Alex Bovaird’s eclectic wardrobing of The White Lotus‘ third season. Continue reading
La Collectionneuse: Patrick Bauchau’s Slate Sweater and Swimwear
Patrick Bauchau and Haydée Politoff in La Collectionneuse (1967)
Vitals
Patrick Bauchau as Adrien, art gallery owner
French Riviera, Summer 1966
Film: The Collector
(French title: La Collectionneuse)
Release Date: March 2, 1967
Director: Éric Rohmer
WARNING! Spoilers ahead!
Background
Bastille Day feels like a fitting occasion to celebrate French director Éric Rohmer’s first color film, the 1967 drama La Collectionneuse, which has recently resurfaced across summer mood boards. No surprise, given its sun-drenched palette courtesy of cinematographer Néstor Almendros, a frequent Rohmer collaborator who also shot aesthetically satisfying masterpieces like Days of Heaven.
Considered the fourth entry in Rohmer’s “Six Moral Tales”, La Collectionneuse was made with extreme efficiency while the director waited for Jean-Louis Trintignant’s availability to shoot My Night at Maud’s. Rohmer and Almendros worked with a minimal crew, relying on natural light and long takes to ground the characters in their idyllic—and quietly volatile—setting.
La Collectionneuse was also the first starring role for Belgian actor Patrick Bauchau, who had appeared uncredited in Rohmer’s La Carrière de Suzanne four years earlier and would later be known to 007 fans as the henchman Scarpine in Roger Moore’s final James Bond film, A View to a Kill. Here, he plays the narcissistic gallery owner Adrien, who intends to take advantage of the monastic conditions at his rich friend Rodolphe’s rented villa near Saint-Tropez to enjoy “a real vacation” in peace and solitude:
I even tried not to think. I was face-to-face alone with the sea, far from cruises and beaches, fulfilling a childhood dream put off year after year. I lost myself completely in the play of shadow and light, sinking into a lethargy heightened by the water. That state of passivity, of complete availability, promised to last much longer than the euphoria of one’s first summer dip into the ocean. I could easily see myself spending a whole month this summer this way.
However, this peace and solitude are threatened by the feisty young Haydée (Haydée Politoff), unexpectedly staying at the villa. Adrien and his friend Daniel (Daniel Pommereulle) are initially distrustful of the girl who brings a different lover to the villa every night, but he gradually comes to appreciate her company when she joins him on his early morning swims. Continue reading
Point Break: Keanu Reeves’ Purple Skydiving Shirt and Jeans
Keanu Reeves as Johnny Utah in Point Break (1991)
Vitals
Keanu Reeves as Johnny Utah, ambitious FBI agent
Los Angeles, Summer 1991
Film: Point Break
Release Date: July 12, 1991
Director: Kathryn Bigelow
Costume Supervisors: Colby P. Bart & Louis Infante
WARNING! Spoilers ahead!
Background
Not only was Point Break widely released 34 years ago today on July 12, 1991, but the second Saturday in July is also World Skydiving Day, so of course we’ll be following OSU quarterback-turned-FBI agent Johnny Utah (Keanu Reeves) as this one radical son-of-a-bitch jumps from a plane with the gang of bank-robbing surfers led by the enigmatic Bodhi (Patrick Swayze)… twice! Continue reading
Duster: Josh Holloway’s Black Zip Polo and 1970 Plymouth
Josh Holloway as Jim Ellis in the pilot episode of Duster. Photo credit: James Van Evers.
Vitals
Josh Holloway as Jim Ellis, getaway driver and Army veteran
American Southwest, Summer 1972
Series: Duster
Episode: “Baltimore Changes Everything” (Episode 1.01)
Air Date: May 15, 2025
Director: Steph Green
Created by: J.J. Abrams & LaToya Morgan
Costume Designer: Dayna Pink
WARNING! Spoilers ahead!
Background
One of the most fun new shows of 2025 is Duster, a breezy-yet-badass crime thriller that screeched onto HBO Max this spring and just wrapped its first season last week. Despite my current enthusiasm for the series, its initial announcement prompted what can only be described as deeply conflicted car-guy feelings—equal parts excited (a ’70s-set crime series starring my dream car? yes, please) and irrationally anxious (what if this makes Dusters too popular for me to afford one?)
Once I decided that this was a ridiculous basis for resentment, I locked into Duster—and I’m glad I did! Duster delivers plenty of stylish retro fun, complete with a swaggering soundtrack, Dayna Pink’s period-perfect costume design, and a rubber-burning parade of car stunts performed by both veteran stuntman Corey Eubanks and series star Josh Holloway.
Set against the dusty backdrop of the American southwest in 1972, Duster stars Holloway as a talented getaway driver who gets recruited by the FBI’s first Black woman agent Nina Hayes (Rachel Hilson) to turn against his employer, Phoenix crime boss Ezra “Sax” Saxton (Keith David)—described by one of Nina’s new colleagues as “the Southwest Al Capone.” (The FBI didn’t actually hire its first Black woman agent until four years later, when 27-year-old Sylvia Mathis graduated from the FBI Academy in June 1976.)
As one of the few who had never seen Lost, I was unfamiliar with Holloway before the series, but he’s terrific as the ruggedly charming Jim Ellis, sharing an easy chemistry with the excellent Rachel Hilson as the two work against a characteristically cool-as-hell Keith David. And of course, we’re treated to plenty of Mopar muscle action, scratching my Vanishing Point-sized itch.
Following the first-season finale last week, let’s wrap up this summer’s Car Week with our introduction to Jim as he tears through Arizona’s desert highways with his precocious niece Luna (Adriana Aluna Martinez) in that sharp red-and-black V8-powered ’70 Duster. Continue reading
Reservoir Dogs — Michael Madsen’s Black Suit and Cadillac as Mr. Blonde
Michael Madsen as Vic Vega (“Mr. Blonde”) in Reservoir Dogs (1992)
Vitals
Michael Madsen as Vic Vega, cold-blooded professional thief
Los Angeles, Summer 1992
Film: Reservoir Dogs
Release Date: October 9, 1992
Director: Quentin Tarantino
Costume Designer: Betsy Heimann
WARNING! Spoilers ahead!
Background
Many have been sharing tributes to the late Michael Madsen (1957-2025), who died just days ago on Thursday, July 3, of cardiac arrest at age 67.
Following the start of his career in the early 1980s with films like WarGames (1983) and The Natural (1984), Madsen performed his arguably most iconic role as the psychopathic Vic Vega—aka “Mr. Blonde”—in Quentin Tarantino’s breakthrough 1992 directorial debut, Reservoir Dogs. Continue reading
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