Tagged: Western Wear
Sam Shepard’s Denim Western-wear in Fool for Love
Sam Shepard in Fool for Love (1985)
Vitals
Sam Shepard as Eddie, rodeo stunt rider
Mojave Desert, Spring 1985
Film: Fool for Love
Release Date: December 6, 1985
Director: Robert Altman
Wardrobe Credit: Kristine Flones
WARNING! Spoilers ahead!
Background
Today marks eight years since the death of 10-time Obie Award-winning actor, director, and writer Sam Shepard, who died July 17, 2017 at the age of 73.
As someone who loves movies set in motels and thinks that Shepard and Harry Dean Stanton were two of the coolest guys to have walked on this planet, I had long been intrigued by Robert Altman’s 1985 adaptation of Shepard’s own play Fool for Love, starring Shepard and Stanton opposite Kim Basinger. Continue reading
Robert Ryan in The Wild Bunch
Robert Ryan as Deke Thornton in The Wild Bunch (1969)
Vitals
Robert Ryan as Deke Thornton, conflicted bounty hunter and ex-bandit
Texas to Mexico, Spring 1913
Film: The Wild Bunch
Release Date: June 18, 1969
Director: Sam Peckinpah
Costume Designer: James R. Silke
WARNING! Spoilers ahead!
Background
Released today in 1969, The Wild Bunch reimagined the American frontier on screen. The New Hollywood movement ushered in a new level of brutality with films like Bonnie and Clyde (1967), which—along with his frustration over the Vietnam War and the lack of realism in earlier depictions of the Old West—inspired director Sam Peckinpah to return behind the lens.
Based on a screenplay co-written by Peckinpah, Walon Green, and Roy N. Sickner, The Wild Bunch follows an aging gang led by the grizzled Pike Bishop (William Holden), pursued into Mexico by a posse of ragtag bounty hunters led by Pike’s former partner, Deke Thornton (Robert Ryan), against the backdrop of the nation’s decade-long revolution. Continue reading
Hour of the Gun: James Garner’s “Vendetta Ride” Wardrobe as Wyatt Earp
James Garner as Wyatt Earp in Hour of the Gun (1967)
Vitals
James Garner as Wyatt Earp, taciturn Deputy U.S. Marshal
Arizona Territory to Mexico, Spring 1882
Film: Hour of the Gun
Release Date: November 1, 1967
Director: John Sturges
Wardrobe Credit: Gordon T. Dawson
WARNING! Spoilers ahead!
Background
A decade after he released Gunfight at the O.K. Corral in 1957, director John Sturges returned to the legendary gunfight at Tombstone, Arizona for his continuation of the story, Hour of the Gun. While Gunfight at the O.K. Corral fictionalized the events leading up to the titular confrontation, Hour of the Gun begins with the showdown followed by a slightly more fact-based retelling of the “vendetta ride” led by Wyatt Earp, who died 96 years ago today on January 13, 1929. Continue reading
Lee Van Cleef as “Angel Eyes” in The Good, the Bad, and the Ugly
Lee Van Cleef in The Good, the Bad, and the Ugly (1966)
Vitals
Lee Van Cleef as “Angel Eyes”, ruthless mercenary
New Mexico Territory, Spring 1862
Film: The Good, the Bad, and the Ugly
(Italian title: Il Buono, il brutto, il cattivo)
Release Date: December 23, 1966
Director: Sergio Leone
Costume Designer: Carlo Simi
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of Lee Van Cleef, the actor whose Golden Boot Award-winning contributions to the Western genre began with his debut performance in the iconic High Noon (1952) but remains arguably best known for his back-to-back roles in the latter two films of Sergio Leone’s “Dollars trilogy” that established the spaghetti Western subgenre.
Born January 9, 1925 in New Jersey, Van Cleef served in the U.S. Navy aboard a minesweeper during World War II. Following his debut in High Noon, Van Cleef’s distinctive appearance and sinister mannerisms resulted in a string of supporting—and often villainous—roles in crime stories and Westerns until his breakout role as Colonel Douglas Mortimer in Leone’s For a Few Dollars More (1965), which resulted in his sole Golden Globe nomination.
Leone followed For a Few Dollars More with the Civil War-set The Good, the Bad, and the Ugly—the final installment of his so-called “Dollars trilogy”—which also prominently co-starred Van Cleef opposite Clint Eastwood’s stoic “Man with No Name”. As opposed to the more heroic Colonel Mortimer whose violent quest was driven by a sense of justice, Van Cleef’s character in The Good, the Bad, and the Ugly embodied the eponymous “Bad”—a sadistic assassin who kills for money… and occasionally pleasure. Continue reading
Midnight Cowboy: Jon Voight as Joe Buck
Jon Voight as Joe Buck in Midnight Cowboy (1969)
Vitals
Jon Voight as Joe Buck, naïve Texan wannabe gigolo and Army veteran
New York City, Summer through Winter 1968
Film: Midnight Cowboy
Release Date: May 25, 1969
Director: John Schlesinger
Costume Designer: Ann Roth
WARNING! Spoilers ahead!
Background
Harry Nilsson recorded his cover of Fred Neil’s “Everybody’s Talkin'” 57 years ago this week on November 13, 1967. This Grammy-winning folk hit has since become inextricably linked with the 1969 drama Midnight Cowboy—which celebrated its 55th anniversary in May—after director John Schlesinger chose it as the film’s theme song.
Adapted by Waldo Salt from James Leo Herlihy’s 1965 novel of the same name, Midnight Cowboy received a controversial if critically acclaimed response upon its release. Six months earlier, the MPAA implemented its voluntary rating system to classify age suitability for major releases, replacing the increasingly outdated “Hays Code” that had been enforced since the early 1930s. Midnight Cowboy was one of the first mainstream movies to be rated “X”, which forbade any audience members under age 17 to be admitted and was reserved for movies demonstrating the most extreme sexual themes, graphic violence or language. Despite the stigma of this dramatically restrictive rating, Midnight Cowboy was the third highest-grossing American movie released in 1969 and won three of the seven Oscars for which it was nominated—Best Picture, Best Director, and Best Adapted Screenplay—and it remains the only movie with an X (or equivalent NC-17) rating to win the Academy Award for Best Picture. Continue reading
Legends of the Fall: Brad Pitt’s Tan Leather Car Coat
Brad Pitt in Legends of the Fall (1994)
Vitals
Brad Pitt as Tristan Ludlow, tough bootlegger and World War I veteran
Montana, Fall 1925
Film: Legends of the Fall
Release Date: December 23, 1994
Director: Edward Zwick
Costume Designer: Deborah Lynn Scott
WARNING! Spoilers ahead!
Background
Legends of the Fall may be a biblical title, but the style is autumnal, set amidst the network of the fictional Ludlow ranch in Montana across the first quarter of the 20th century.
Family patriarch William Ludlow (Anthony Hopkins) had been a decorated Army colonel before leaving the service in protest of the government’s treatment of Native Americans, raising his sons Alfred (Aidan Quinn), Tristan (Brad Pitt), and Samuel (Henry Thomas) on their remote ranch, where they learn to be the self-sufficient types that can survive bear confrontations… and if they don’t survive them, at least put up enough of a fight to earn “a good death.”
Portraying the tough but troubled Tristan Ludlow provided a breakthrough opportunity for Pitt, continuing the momentum he’d built in a similar role two years earlier in A River Runs Through It, though Tristan is arguably a more rugged character than Paul Maclean. By the mid-1920s, Tristan had seen and done it all, as a cowboy, soldier, big-game hunter, and now a bootlegger whose rumrunning runs him afoul of his own Volstead-voting brother Alfred and his nemeses, the crooked O’Banion brothers. As blood spills on both sides of the conflict, Tristan fears that those he love most are damned to die before him, only to be saved by the bonds of his family. Continue reading
Robert Mitchum’s Western Wear in River of No Return
Robert Mitchum with Marilyn Monroe in River of No Return (1954)
Vitals
Robert Mitchum as Matt Calder, taciturn farmer, widowed father, and convicted back-shooter
Pacific Northwest, Summer 1875
Film: River of No Return
Release Date: April 30, 1954
Director: Otto Preminger
Costume Designer: Travilla
WARNING! Spoilers ahead!
Background
The first week of August would contain major milestones in the lives of Robert Mitchum and Marilyn Monroe, two of the biggest stars of the ’50s, as Mitchum was born August 6, 1917, and Monroe died August 4, 1962. Mitchum and Monroe shared the screen just once, as the leads in Otto Preminger’s western River of No Return.
Released 70 years ago at the end of April 1954, River of No Return was a refreshingly small-scaled, personal, and generally non-violent story in contrast to the classic westerns associated with John Wayne and John Ford at the time. Indeed, Frank Fenton’s screenplay was adapted from a story by Louis Lantz that had itself been inspired by the 1948 Italian film Bicycle Thieves. Most was filmed on location in Calgary through the summer of 1953, followed by studio shots in L.A. and long shots in Idaho, where the Salmon River doubled for the eponymous waterway.
Mitchum stars as Matt Calder, a widower recently released from prison who seeks his virtually unknown nine-year-old son Mark (Tommy Rettig) who had been left in them care of saloon singer Kay Weston (Marilyn Monroe) in a rowdy northwestern boomtown. After the reunited father and son save Kay and her fiancé Harry (Rory Calhoun) from the dangerous rapids near their homestead, Harry attacks Matt and absconds with his horse while Kay remains with the Calders.
Eventually, Matt, Kay, and Mark take Harry’s log craft to embark on a journey down the treacherous river to confront Harry in Council City. “The Indians call it the River of No Return,” Matt explains to Kay and Mark. “From here on, you’ll find out why.” Continue reading
Russell Crowe in 3:10 to Yuma
Russell Crowe as Ben Wade in 3:10 to Yuma (2007)
Vitals
Russell Crowe as Ben Wade, cunning bandit leader
Arizona Territory, Fall 1884
Film: 3:10 to Yuma
Release Date: September 7, 2007
Director: James Mangold
Costume Designer: Arianne Phillips
WARNING! Spoilers ahead!
Background
The remake of the classic 1957 Western 3:10 to Yuma, based on Elmore Leonard’s short story of the same name, was released 15 years ago this week during a renaissance year for Western-themed movies, including the respective masterpieces No Country for Old Men, There Will Be Blood, and The Assassination of Jesse James by the Coward Robert Ford. I have fond memories of seeing each one in theaters with my dad including this one, which we saw one weekend early in my first semester of college and particularly resonated with its themes of fatherhood.
Russell Crowe was James Mangold’s first choice for the role of Ben Wade, the introspective and thoughtful yet still ultimately ruthless outlaw leader who had been originated on screen by Glenn Ford fifty years earlier. With a fear-and-awe-inspiring reputation akin to the real-life Jesse James (who was born today in 1847, 160 years to the day before this version of 3:10 to Yuma was released), Wade defies bandit stereotypes by seemingly preferring quietly sketching to shootouts… but that doesn’t mean he’ll hesitate to shoot fast, straight, and with wicked accuracy when he feels compelled. “I wouldn’t last five minutes leadin’ an outfit like that if I wasn’t as rotten a hell,” Wade reassures us. Continue reading
Once Upon a Time in the West: Charles Bronson as Harmonica
Charles Bronson in Once Upon a Time in the West (1968)
Vitals
Charles Bronson as “Harmonica”, vengeful drifter
Arizona, circa 1875
Film: Once Upon a Time in the West
(Italian title: C’era una volta il West)
Release Date: December 21, 1968
Director: Sergio Leone
Costume Designer: Carlo Simi
Background
After establishing the spaghetti Western with the popular “Dollars trilogy”, Sergio Leone had intended to move away from the genre until Paramount Pictures compelled him to follow up his success with another Western. With Paramount’s substantial budget in his coffers, Leone reteamed with iconic composer Ennio Morricone and cinematographer Tonino Delli Colli, working with Dario Argento and Bernardo Bertolucci (and, once production began, also Sergio Donati) to conceptualize the vengeance-driven epic that would become Once Upon a Time in the West.
Unlike the Dollars trilogy, which invariably starred Clint Eastwood among a mostly Italian and Spanish cast (with the rare exception for Lee Van Cleef and Eli Wallach), Once Upon a Time in the West featured a cast well-known to Americans, led by Henry Fonda playing one of the few villains of his career. The cast also included Claudia Cardinale (who was a Tunisian-born Italian actress but known to Americans thanks to films like The Pink Panther), Jason Robards, Keenan Wynn, American Western regulars like Jack Elam and Woody Strode, and Charles Bronson, who was recruited after Eastwood turned down the role. Continue reading
Willie Nelson’s Fringe Jacket in The Electric Horseman
Willie Nelson as Wendell Hickson in The Electric Horseman (1979)
Vitals
Willie Nelson as Wendell Hickson, trusty talent manager and cowboy singer
Las Vegas, Fall 1978
Film: The Electric Horseman
Release Date: December 21, 1979
Director: Sydney Pollack
Costume Designer: Bernie Pollack
Background
Happy 90th birthday, Willie Nelson! Best known as a country singer/songwriter and prolific stoner, Nelson made his screen acting debut in The Electric Horseman as Wendell Hickson, the laidback and loyal yet understandably weary manager to Sonny Steele (Robert Redford), an increasingly erratic ex-rodeo star who has been reduced to PR appearances promoting cereal for his corporate overlords.
Naturally, Willie also contributed three songs for the film’s soundtrack, including the outlaw standards “Mammas Don’t Let Your Babies Grow Up to Be Cowboys”, “Midnight Rider”, and “My Heroes Have Always Been Cowboys”. Continue reading