Tagged: 1950s
Gene Hackman’s Leather Jacket in Hoosiers
Gene Hackman in Hoosiers (1986)
Vitals
Gene Hackman as Norman Dale, controversial high school basketball coach and Navy veteran
Indiana, Fall 1951
Film: Hoosiers
Release Date: November 14, 1986
Director: David Anspaugh
Costume Designer: Jane Anderson
WARNING! Spoilers ahead!
Background
Welcome to Indiana basketball…
The legendary late actor Gene Hackman was born 96 years ago today on January 30, 1930. On the first anniversary of his birthday since his death last February, today’s post centers around Hackman’s celebrated performance in the 40-year-old sports drama Hoosiers as Norman Dale, hired to coach a small Indiana town’s basketball team whose roster includes names like Merle, Rade, Strap, and Whit—which I think is just great.
Though set in the fictional town of Hickory, Hoosiers was loosely inspired by the true story of the Milan High School basketball team’s victory against Muncie Central High School to win the 1954 state championship. And if you don’t think that’s a big deal, just take it from Norm himself:
I thought everybody in Indiana played basketball.
The Menswear of Clue
Film: Clue
Release Date: December 13, 1985
Director: Jonathan Lynn
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
Today marks the 40th anniversary since the release of Clue, which overcame an underwhelming initial release to become perhaps the most successful cinematic adaptation of a board game. The Parker Brothers classic formed the foundation for John Landis and Jonathan Lynn’s zany murder mystery, framed against the backdrop of the post-World War II “Red Scare” though, ultimately, communism was just a red herring.
Clue was released with three separate endings (a fourth was dropped during production), intended to be varied at each showing. In addition to reflecting the spirit of the original game, Landis had hoped that multiple endings would bring audiences back for multiple showings, but the gimmick unfortunately backfired as the public. It wasn’t until Clue was released to home video with all three endings presented sequentially that it gained a cult following.
The movie is set over a rainy New England night in June 1954, as the game’s six colorfully named suspects—Mr. Green (Michael McKean), Colonel Mustard (Martin Mull), Mrs. Peacock (Eileen Brennan), Professor Plum (Christopher Lloyd), Miss Scarlet (Lesley Ann Warren), and Mrs. White (Madeline Kahn)—are summoned to dinner at the foreboding Hill House mansion, where each are greeted by the butler Wadsworth (Tim Curry). Continue reading
Back to the Future: Doc Brown’s Snakeskin Robe for a Scientific Breakthrough
Christopher Lloyd as Doc Brown in Back to the Future (1985)
Vitals
Emmett “Doc” Brown, eccentric inventor and amateur chronophysicist
Hill Valley, California, November 5, 1955
Film: Back to the Future
Release Date: July 3, 1985
Director: Robert Zemeckis
Costume Designer: Deborah Lynn Scott
WARNING! Spoilers ahead!
Background
If my calculations are correct… 70 years ago today was a red-letter date in the history of science: November 5, 1955. For those who haven’t seen Back to the Future, this was the day that Hill Valley’s resident mad scientist Emmett “Doc” Brown slipped from standing on his toilet to hang a clock, hitting his head on the bathroom sink—triggering his concept of the flux capacitor, which would make time travel possible.
Even a freshly bandaged Doc (Christopher Lloyd) seems unaware of that day’s significance when he’s visited by Marty McFly (Michael J. Fox)—not a space man from Pluto but a high school student from 1985 who was flung thirty years into the past by the DeLorean that Doc had transformed into a time machine. Continue reading
Sinatra’s Navy Striped Suit and Bow Ties in Guys and Dolls
Frank Sinatra and Vivian Blaine in Guys and Dolls (1955)
Vitals
Marlon Brando as Sky Masterson, smooth gambler
New York, Spring 1955
Film: Guys and Dolls
Release Date: November 3, 1955
Director: Joseph L. Mankiewicz
Costume Designer: Irene Sharaff
Background
Five years after its Broadway premiere, Guys and Dolls danced onto the silver screen 70 years ago today when Joseph L. Mankiewicz’s film adaptation of Frank Loesser’s hit Tony-winning musical was released on November 3, 1955. Of the four principal roles, only Vivian Blaine was retained from the original Broadway cast while Marlon Brando, Jean Simmons, and Frank Sinatra replaced Robert Alda, Isabel Bigley, and Sam Levene, respectively.
Fresh from the Academy Award win that marked his flourishing career comeback, Sinatra was cast as Nathan Detroit over the protestations of both Loesser and Mankiewicz, who both wanted to keep the lesser-known but better-suited Levene. For his part, Sinatra wasn’t too happy to be Nathan Detroit either—as he had coveted the larger Sky Masterson role which eventually went to Brando.
Despite the on-set drama among the cast and crew, Guys and Dolls found quick success among audiences and critics alike, becoming the top-grossing movie of 1956 and earning four Academy Award nominations, including Best Costume Design for Irene Sharaff. Continue reading
Killer’s Kiss: Jamie Smith’s Nailhead Jacket and Knitwear
Jamie Smith as Davey Gordon in Killer’s Kiss (1955)
Vitals
Jamie Smith as Davey Gordon, washed-up welterweight boxer
New York City, Fall 1954
Film: Killer’s Kiss
Release Date: October 1, 1955
Director: Stanley Kubrick
WARNING! Spoilers ahead!
Background
Stanley Kubrick’s independently produced sophomore film Killer’s Kiss was released 70 years ago this fall—premiering in New York City on September 21, 1955, followed by a wider release on October 1st.
Pittsburgh-born Jamie Smith stars as burned-out ex-boxer Davey Gordon, whose growing romantic involvement with his neighbor—the alluring blonde taxi dancer Gloria Price (Chris Chase, credited as Irene Kane)—sets him dangerously at odds with her shady employer, Vincent Rapallo (Frank Silvera). Inventively shot and economically packaged (if somewhat underwritten) on a $75,000 budget, this tight thriller clocks in just under 70 minutes, benefiting from on-location shooting across New York from Penn Station and Times Square to the Brooklyn waterfront and “Hell’s Hundred Acres” in SoHo.
As Davey and Gloria plot their escape from the neon-lit nights of 1950s New York, the storyline and atmosphere read like a blend of Detour (1945) and Sweet Smell of Success (1957), making this little-known landmark noir an ideal starting point for Noirvember! Continue reading
Vincent Price’s Suit in House on Haunted Hill
Vincent Price in House on Haunted Hill (1959)
Vitals
Vincent Price as Frederick Loren, eccentric millionaire
Los Angeles, Fall 1958
Film: House on Haunted Hill
Release Date: February 17, 1959
Director: William Castle
Men’s Wardrobe: Roger J. Weinberg
WARNING! Spoilers ahead!
Background
I am Frederick Loren, and I have rented the house on Haunted Hill tonight so that my wife can give a party. She’s so amusing. There’ll be food and drink and ghosts, and perhaps even a few murders. You’re all invited. If any of you will spend the next twelve hours in this house, I will give you each ten thousand dollars… or your next of kin in case you don’t survive.
Vincent Price leaned into his villainous screen persona for the camp horror classic House on Haunted Hill as Frederick Loren, a wealthy but sinister host who offers a $10,000 cash prize to whichever of the seven guests he invites can last the night in a haunted mansion. Continue reading
Purple Noon: Alain Delon’s Blue Ivy-Style OCBD, Cream Jeans, and Loafers
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, charming American con artist
Italy, Summer 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
French screen and style icon Alain Delon died one year ago this week on August 18, 2024. One of the actor’s most celebrated and stylish roles remains his portrayal of Tom Ripley in Purple Noon, René Clément’s adaptation of Patricia Highsmith’s psychological thriller The Talented Mr. Ripley.
The French/Italian co-production (released in France as Plein soleil) was the first cinematic adaptation of Highsmith’s novel, followed by Anthony Minghella’s 1999 film The Talented Mr. Ripley and Steven Zaillain’s 2024 Netflix miniseries Ripley. Clément was inspired to cast Delon after spotting the young actor in the 1959 comedy Women are Weak, and his enigmatic performance as Tom Ripley eventually launched him to wider global recognition.
Highsmith’s own opinion about the film ranged from cheers for Henri Decaë’s stunning cinematography to jeers against Clément’s bastardized ending, though the author fully praised Delon’s “excellent” portrayal of her devious creation. Continue reading
The Godfather, Part II: Fredo Corleone’s Pink in Havana
John Cazale as Fredo Corleone in The Godfather Part II (1974)
Vitals
John Cazale as Fredo Corleone, insecure mob family sibling
Havana, Cuba, December 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
John Cazale was born 90 years ago today on August 12, 1935 in Suffolk County, Massachusetts. Though his career was heartbreakingly brief, John Cazale—born 90 years ago today on August 12, 1935 in Suffolk County, Massachusetts—remains considered as one of the finest actors of his generation. Incredibly, all five feature films he appeared in during the 1970s were nominated for Best Picture at the Academy Awards.
Among these unforgettable roles, his most enduring may be Fredo Corleone—the insecure, overmatched middle brother of the Corleone crime family. Cazale first played Fredo in The Godfather (1972), but it was The Godfather Part II (1974) that gave him the tragic spotlight as Fredo, desperate for power and recognition, betrays his younger and more successful brother Michael (Al Pacino), setting off a slow-burning familial powder keg that mirrors the revolutionary unrest simmering around them in the streets of Havana. Continue reading
Daniel Craig’s Cream Linen Suit in Queer
Daniel Craig as William Lee in Queer (2024)
Vitals
Daniel Craig as William Lee, dissolute American expatriate
Mexico City, Spring 1951 and 1953
Film: Queer
Release Date: November 27, 2024
Director: Luca Guadagnino
Costume Designer: Jonathan Anderson
WARNING! Spoilers ahead!
Background
Following the success of Challengers earlier in the year, director Luca Guadagnino kept his 2024 momentum going with Queer, adapted from the 1985 novella by Beat Generation icon William S. Burroughs—who died 28 years ago today, on August 2, 1997. Daniel Craig stars as William Lee, a clear stand-in for Burroughs, complete with the author’s distinctive wardrobe, substance issues, and ever-present handgun—albeit with some of the rougher edges sanded down for the screen. Continue reading
The Loveless: Willem Dafoe as Leather-clad Biker Vance
Willem Dafoe in The Loveless (1981)
Vitals
Willem Dafoe as Vance, lone biker and ex-convict
Rural Georgia, Summer 1959
Film: The Loveless
Release Date: August 7, 1981
Directed by: Kathryn Bigelow & Monty Montgomery
WARNING! Spoilers ahead!
Background
Happy 70th birthday to Willem Dafoe, the versatile actor born July 22, 1955, in Appleton, Wisconsin—not far from Sheboygan, where I just spent the weekend!
After an uncredited part cut from Michael Cimino’s ambitious 1980 Western epic Heaven’s Gate, Dafoe made his credited screen debut as the lead in The Loveless, which also marked the directorial debut of Kathryn Bigelow and Monty Montgomery, who co-wrote the screenplay.
Dafoe stars as Vance, a brooding biker who describes himself as “what you’d call… ragged,” joining up with his small gang at a truck stop off U.S. Highway 17 in Georgia, en route to Daytona to catch the NASCAR races. The year’s never stated, but context clues—like the cars, music, and 10¢ Cokes—suggest the summer of 1959, the same year Lee Petty won the first Daytona 500.
As in the film’s spiritual predecessor The Wild One (1953), the gang sparks mixed reactions from the townspeople: suspicion and fear from the older generation, curiosity and desire from the younger. As the sun sets and the tension rises, both visitors and locals grow increasingly drunk… and increasingly armed. Continue reading
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