Tagged: 1960s
Milton Berle in It’s a Mad, Mad, Mad, Mad World
Vitals
Milton Berle as J. Russell Finch, seaweed salesman and beleaguered son-in-law
Southern California, Summer 1962
Film: It’s a Mad, Mad, Mad, Mad World
Release Date: November 7, 1963
Director: Stanley Kramer
Costume Designer: Bill Thomas
Background
Car Week continues with a look at a road movie very close to my heart, Stanley Kramer’s 1963 epic comedy It’s a Mad, Mad, Mad, Mad World, released 60 years ago this November. I used to spend many weekends at my grandma’s house watching this cavalcade of comics—many of whom had died even before I was born—as they sped, flew, and chased each other through southern California in pursuit of a $350,000 payday.
The movie begins as a black two-door Ford Fairlane recklessly snakes its way along Seven Level Hill, a mountainous segment of California State Route 74 just south of Palm Desert, honking as it weaves through traffic. The Fairlane shakes its way past an Imperial Crown convertible, but the driver loses control of the car and the Fairlane goes careening—no, sailing—off a cliff. The four carloads of people behind it all pull to a stop and get out—surely no one could survive such a fatal tumble. But alas, the significantly schnozzed driver Smiler Grogan (Jimmy Durante) hasn’t kicked the bucket yet, sprawled out among the rocky hillside.
In his dying moments, Smiler tells the gathered men of a hidden fortune, the $350,000 proceeds from a 15-year-old tuna factory robbery, buried under “a big W!” in Santa Rosita Park. He indeed kicks the bucket (and how!) before he can elaborate on the admission, leaving the witnesses to debate its veracity amongst themselves and as a group. When it becomes abundantly clear that, no matter what way they figure it, “it’s every man—including the old bag—for himself”, the four groups run back to their respective automobiles and tear off for the fictional Santa Rosita.
Though they’d been leading traffic when the Fairlane went sailing right past them off the cliff, the Imperial Crown is now trailing the others. At the wheel of the Imperial is mild-mannered J. Russell Finch (Milton Berle), an edible-seaweed entrepreneur from Fresno on his way to Lake Meade with his prim wife Emeline (Dorothy Provine) and her brash mother (Ethel Merman).
On the 115th anniversary of Uncle Milty’s July 12, 1908 birthday, let’s dig into this iconic entertainer’s wardrobe from It’s a Mad, Mad, Mad, Mad World. Continue reading
Dennis Quaid in Frequency
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Dennis Quaid as Frank Sullivan, Sr., firefighter and family man
New York, Fall 1969
Film: Frequency
Release Date: April 28, 2000
Director: Gregory Hoblit
Costume Designer: Elisabetta Beraldo
WARNING! Spoilers ahead!
Background
Frequency might be one of those movies that doesn’t get discussed much these days, but I remember being intrigued when I caught it on TNT a few years after it came out. Flash forward to a few months ago when I saw it was among the movies leaving HBO Max that month, and I decided to revisit.
Without spoiling too much, the plot centers on a ham radio-driven multiverse without the added complication of a serial killer seemingly inspired by one part Richard Speck, one part Ted Bundy, while Frequency‘s most significant emotional impact comes from the intragenerational bond between a father and son—hence my posting about it on Father’s Day weekend. Continue reading
Jimmy Stewart in The Flight of the Phoenix
Vitals
James Stewart as Frank Towns, experienced cargo pilot and war veteran
Libyan desert, Spring 1965
Film: The Flight of the Phoenix
Release Date: December 15, 1965
Director: Robert Aldrich
Costume Designer: Norma Koch
Background
James Maitland Stewart had to fly. His earliest memories of flight involved colorful covers of Literary Digest depicting the Great War, then in progress, and the incredible use of air power by both sides. Jim tacked up each magazine cover on the wall in his bedroom. “Airplanes were the last thing I thought of every night and the first thing I thought of every morning,” he would say as an adult.
— Robert Matzen, Mission: Jimmy Stewart and the Fight for Europe, Chapter 1
Born 115 years ago today on May 20, 1908, Jimmy Stewart had a lifelong passion for flight that followed him through his career, from the model airplane he lovingly constructed with Henry Fonda during their salad days on Broadway through his celebrated service flying dangerous combat missions as a U.S. Army Air Forces officer during World War II. Reticent to discuss his service after the war, Stewart flew B-24 Liberators on 20 combat missions over Europe and, by war’s end, was one of only a handful of Americans to rise from the rank of private to colonel in only four years.
Aviation continued to be a theme of Stewart’s life during his postwar film career, often starring in flight-themed dramas like No Highway in the Sky (1951), The Glenn Miller Story (1954), Strategic Air Command (1955), and The Spirit of St. Louis (1957), playing famed aviator Charles Lindbergh.
One of the last—and perhaps best—of Stewart’s aviation-centered films is The Flight of the Phoenix, Robert Aldrich’s 1965 survival drama based on Elleston Trevor’s novel of the same name. Stewart plays civilian cargo pilot Frank Towns, described by his navigator Lew Moran (Richard Attenborough) as “one of the few really great pilots left in this push-button world of yours.” Continue reading
Jack Nicholson in Easy Rider
Vitals
Jack Nicholson as George Hanson, civil rights attorney
New Mexico to Louisiana, February 1968
Film: Easy Rider
Release Date: July 14, 1969
Director: Dennis Hopper
WARNING! Spoilers ahead!
Background
Today is the 86th birthday of Jack Nicholson, the screen icon who recently [sort of] made headlines—and more than a few memes—after being photographed for the first time in 18 months, proving that not even an octogenarian retiree is spared superficial judgements about appearance.
Nicholson’s prolific career spanned six decades, and his 12 Academy Award nominations establish him as the most nominated male acting nominee in Oscar history. His first nomination recognized his memorable turn in Easy Rider as George Hanson, the easygoing lawyer who joins countercultural bikers Wyatt (Peter Fonda) and Billy (Dennis Hopper) on their freewheeling trek across America. Continue reading
Mad Men: Kinsey’s 420-Friendly Mohair Cardigan
Vitals
Michael Gladis as Paul Kinsey, blowhard advertising copywriter
New York City, Spring 1963
Series: Mad Men
Episode: “My Old Kentucky Home” (Episode 3.03)
Air Date: August 30, 2009
Director: Jennifer Getzinger
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Background
Though Mad Men is typically associated with alcohol, especially in the early seasons set early in the 1960s, the series still included a handful of memorable 420 moments, from Don Draper’s flashback-inducing toke at a Bohemian shindig to when Pete Campbell finally chills out with a much-needed spliff to the tune of Janis Joplin toward the end of the sixth season. But before we get to that point, we have a trio of Sterling Cooper creatives spending their Saturday afternoon trying to smoke their way to success on the Bacardi account in the third-season episode “My Old Kentucky Home”, set sixty years ago in the spring of 1963.
While the senior staff are invited to “work disguised as a party” hosted by Roger Sterling and his new wife Jane, copywriter Paul Kinsey (Michael Gladis) is among the Sterling Cooper skeleton crew of Smitty Smith (Patrick Cavanaugh) and Peggy Olson (Elisabeth Moss) stranded in the office on this sunny spring weekend. Continue reading
The Birds: Mitch’s Donegal Tweed Suit
Vitals
Rod Taylor as Mitch Brenner, defense lawyer
Bodega Bay, California, Summer 1962
Film: The Birds
Release Date: March 28, 1963
Director: Alfred Hitchcock
Wardrobe Supervisor: Rita Riggs
WARNING! Spoilers ahead!
Background
Today is the 60th anniversary of the release of The Birds, Alfred Hitchcock’s avian horror yarn adapted from Daphne du Maurier’s 1952 novella and a real-life incident in August 1961 as scores of birds crashed into the streets and rooftops of the central California town of Capitola.
The Birds centers around Melanie Daniels (Tippi Hedren), an attractive travelers’ aid secretary from San Francisco whose flirtatious pranks with the charming attorney Mitch Brenner (Rod Taylor) lead about an hour north to the idyllic seaside village of Bodega Bay. Melanie’s surprise visit isn’t ultimately unwelcome, and Mitch invites her to join his little sister Cathy’s 11th birthday parry the following day. Continue reading
Walk the Line: Johnny Cash in Black for an On-Stage Engagement
Vitals
Joaquin Phoenix as Johnny Cash, country rock star
London, Ontario, February 1968
Film: Walk the Line
Release Date: November 18, 2005
Director: James Mangold
Costume Designer: Arianne Phillips
Tailor: Pam Lisenby
Background
Fifty-five years ago on February 22, 1968, Johnny Cash surprised both the audience and perhaps also his frequent performing partner, June Carter, by proposing to her in the middle of a performance in London, Ontario. The pair had been friends—and eventually lovers—for nearly a decade, as depicted in the 2005 biopic Walk the Line, which culminated with Cash’s on-stage proposal following their performance of “Ring of Fire”, the song June had composed with Merle Kilgore four years earlier to meditate on her own emotions about their relationship. Continue reading
The Ivy Newlywed — Robert Redford’s Gray Suit in Barefoot in the Park
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Robert Redford as Paul Bratter, newlywed lawyer
New York City, February 1967
Film: Barefoot in the Park
Release Date: May 25, 1967
Director: Gene Saks
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
With Valentine’s Day a few days behind us, I want to focus on a movie that takes a lighthearted look at that awkward period in a new marriage between the “honeymoon phase” and the hard truths of reality setting in. Adapted from Neil Simon’s play of the same name, Barefoot in the Park was an early star-making role for Robert Redford, reprising the role of Paul Bratter that he had played in more than 1,500 performances over nearly four years on Broadway. Continue reading
Don’t Worry Darling: Harry Styles’ Blue Suit
Vitals
Harry Styles as Jack Chambers, “technical engineer”
The Victory Project, an American desert utopia modeled after late 1950s Palm Springs
Film: Don’t Worry Darling
Release Date: September 23, 2022
Director: Olivia Wilde
Costume Designer: Arianne Phillips
Tailor: Jack Kasbarian
WARNING! Spoilers ahead!
Background
I had been among those who were anticipating the release of Don’t Worry Darling since long before the gossip, mostly excited to catch my faves Florence Pugh and Nick Kroll—supporting though his role may have been—against the lush ’50s-inspired style from costumes to cars as seen in leaked photos from the production in Palm Springs.
Much of the film’s attention has since been mired in controversy between behind-the-scenes issues and frustration over its plot execution, but I’d argue that credit is still considerably due to its showcasing the most aspirational aspects of mid-century life, including natty wardrobes, naughty cocktail parties, and Detroit’s chrome-detailed finest in every driveway. Indeed, you could say a little too much attention was paid to *clears throat* Styles over substance.
Okay, that was a cheap shot. While I won’t deny that I was frustrated by what felt like unnecessary red herrings and logistical storytelling holes that didn’t even last my trip to the fridge, Don’t Worry Darling was a dazzling spectacle anchored by a solid performance from the always-excellent Florence Pugh, who celebrates her 27th birthday today.
Catch Me If You Can: Frank’s Fair Isle-Style Christmas Sweater
Vitals
Leonardo DiCaprio as Frank Abagnale, Jr., suburban high-schooler
New Rochelle, New York, Christmas 1963
Film: Catch Me If You Can
Release Date: December 25, 2002
Director: Steven Spielberg
Costume Designer: Mary Zophres
Background
Merry Christmas!
Based on the now mostly debunked claims of fraudster Frank Abagnale Jr., Catch Me If You Can was released 20 years ago today on Christmas 2002, an appropriate opening date for a movie that benchmarks its protagonist’s status by how he spends each yuletide.
When we first meet Frank in late 1963, he’s a relatively well-adjusted teen with plenty of charisma if perhaps a bit precociously streetwise for a 15-year-old in the suburbs of New Rochelle, no doubt a byproduct of his artful father Frank Sr. (Christopher Walken), depicted passing on several lessons in minor larceny to his son. Before Frank Jr.’s first Pan Am uniform fitting or check forgery, we spend one last idyllic holiday with the Abagnale family in their New Rochelle home during Christmas 1963, as both Frank and his father take turns dancing with his Algerian-born mother Paula (Nathalie Baye), reminiscing about Frank Sr.’s courtship of the “blonde bombshell” Paula while he was serving in France during World War II. Continue reading











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