Tagged: Ankle Boots
Zodiac: Paul Avery’s Layered Corduroy and Denim
Robert Downey Jr. as Paul Avery in Zodiac (2007)
Vitals
Robert Downey Jr. as Paul Avery, San Francisco Chronicle crime reporter
San Francisco, Fall 1969 to Fall 1970
Film: Zodiac
Release Date: March 2, 2007
Director: David Fincher
Costume Designer: Casey Storm
WARNING! Spoilers ahead!
Background
Last week, the volunteer investigative group The Case Breakers released their research suggesting the identity of the infamous Zodiac Killer was Gary Francis Poste, adding a new suspect to a list that includes Arthur Leigh Allen, Rick Marshall, and Ted Cruz. While many experts have been quick to disprove the Poste theory, the current zeitgeist of fascination with true crime and every other podcast inspiring waves of amateur detectives encouraged me to revisit Zodiac, David Fincher’s extensively researched thriller that has been considered one of the best movies of the 21st century… despite being outgrossed by Wild Hogs during its opening weekend.
In addition to its eponymous killer, Zodiac centers around three real-life figures—San Francisco police inspector Dave Toschi (Mark Ruffalo), San Francisco Chronicle cartoonist Robert Graysmith (Jake Gyllenhaal), and Chronicle crime writer Paul Avery (Robert Downey Jr.)—each driven to obsession by their relentless parallel pursuits to uncover the serial murderer’s identity. Continue reading
Sinatra’s Cannonball Run II Cameo
To kick off this year’s summer #CarWeek series (and on #SinatraSaturday, no less), today’s post explores the Chairman and his car as he joins a star-studded cast for a cross-country race in one of the most famous “car movie” series this side of Fast and the Furious.
Frank Sinatra, joined by Burt Reynolds, Dean Martin, Sammy Davis Jr., and Shirley MacLaine on the set of Cannonball Run II (1984)
Vitals
Frank Sinatra as himself, entertainment legend
Las Vegas, Summer 1983
Film: Cannonball Run II
Release Date: June 29, 1984
Director: Hal Needham
Costume Design: Kathy O’Rear, Norman Salling, and Don Vargas
Background
Look, we’re all aware that Cannonball Run II isn’t Frank Sinatra’s best movie. (And, let’s face it, even if it was his only movie, it still wouldn’t be his best!) But, after observing the fun that his Rat Pack pallies Dean Martin and Sammy Davis, Jr., had in the first installment, FS arranged for a short cameo that would yield him second billing in the cast and a $30,000 payday, which he donated to charity.
According to Hal Needham, three versions of the script were written to accommodate the Chairman of the Board: one that would require one week of work, a second that would require two days, and a third version where Frank would only be needed on the set for one day. Perhaps aware that this wasn’t exactly The Manchurian Candidate, Frank wisely chose the latter option, showing up for his day on screen behind the wheel of his own red Dodge Daytona Turbo Z.
Bob & Carol & Ted & Alice: Robert Culp’s Swingin’ Navy Suit and Jabot
Robert Culp as Bob Sanders in Bob & Carol & Ted & Alice (1969)
Vitals
Robert Culp as Bob Sanders, swinging documentary filmmaker
Las Vegas, Summer 1969
Film: Bob & Carol & Ted & Alice
Release Date: September 17, 1969
Director: Paul Mazursky
Costume Designer: Moss Mabry
Background
“Bob and Carol and Ted and Alice!” is the subject of the titular toast Alice (Dyan Cannon) delivers in a shared suite at the Riviera in Las Vegas, where the foursome—so to speak—has gathered for a weekend of gambling and a Tony Bennett concert.
A discussion of “I Left My Heart In San Francisco” leads to a newly open-minded Alice questioning where Bob (Robert Culp) and Carol (Natalie Wood) have been leaving more than just their hearts. The swinging couple’s admissions lead to a peanut-munching Ted (Elliott Gould) confessing his own recent affair to Alice who, following her initial outrage, has the most unpredictable reaction of any of the spouses as she begins to undress and declares that the four need to have an orgy.
Although it was Bob’s breakthrough at Esalen that got the ball (or, uh, balls) rolling in exploring this degree of openness, it’s both men who require the most convincing, particularly Ted, who finally gives in after deciding: “We’ll have an orgy, and then we’ll go see Tony Bennett.” Continue reading
Warren Beatty’s Blue Levi’s Jacket in The Parallax View
Warren Beatty as Joe Frady in The Parallax View (1974)
Vitals
Warren Beatty as Joe Frady, maverick political reporter
Rural Washington state, Spring 1974
Film: The Parallax View
Release Date: June 14, 1974
Director: Alan J. Pakula
Costume Designer: Frank L. Thompson
Background
Happy birthday to Warren Beatty, born 84 years ago today on March 30, 1937. A rising star through the ’60s, Beatty established himself as a forced to be reckoned with when he spearheaded production of Bonnie & Clyde in 1967, not only starring in but producing the acclaimed gangster film. Following his innovative success with Bonnie & Clyde, Beatty slowed down his career to only occasional movies, frequently going several years without acting while putting much of his energy into political activism and—more notoriously—dating his way through many of Hollywood’s hottest before marrying Annette Bening after the two co-starred in Bugsy.
One of Beatty’s most notable post-Bonnie & Clyde films was The Parallax View, the second in a trio of Alan J. Pakula’s paranoid political thrillers of the ’70s. Continue reading
The Sound of Music: Christopher Plummer’s Flap-Pocket Country Suits
Christopher Plummer as Captain Georg von Trapp in The Sound of Music (1965)
Vitals
Christopher Plummer as Captain Georg von Trapp, widowed ex-Imperial Austro-Hungarian Navy officer
Salzburg, Austria, Spring 1938
Film: The Sound of Music
Release Date: March 2, 1965
Director: Robert Wise
Costume Designer: Dorothy Jeakins
Background
Happy birthday, Christopher Plummer! Born 91 years ago in Toronto, the distinguished actor continues to be a familiar face on screen, most recently as the doomed mystery writer at the center of Knives Out (2019). Plummer’s most recognizable performance remains arguably that of Georg von Trapp, the Austro-Hungarian patriarch whose family of young singers was depicted in The Sound of Music.
Telly Savalas as Blofeld: Trachten Clothes at Christmas
Telly Savalas as Ernst Stavro Blofeld in On Her Majesty’s Secret Service (1969)
Vitals
Telly Savalas as Ernst Stavro Blofeld, aka Comte Balthazar de Bleuchamp, megalomaniac terrorist
Piz Gloria, Switzerland, December 1969
Film: On Her Majesty’s Secret Service
Release Date: December 18, 1969
Director: Peter R. Hunt
Costume Designer: Marjory Cornelius
Background
‘Twas Christmastime at Piz Gloria, when all through the clinic
Not a creature was stirring, not even the agent from MI6.
The Angels of Death were snuggled in bed with care
in hopes that Sir Hilary’s bezants soon would be there.
As of 2020, On Her Majesty’s Secret Service remains the only James Bond movie prominently set during yuletide, as 007 (George Lazenby) disguises himself as genealogist Sir Hilary Bray in order to get close to SPECTRE chief Ernst Stavro Blofeld (Telly Savalas), under the pretense of investigating Blofeld’s claim to the title of Count Balthazar de Bleuchamp.
On the 00-7th of December, let’s see how one of Bond’s most iconic nemeses dresses for the holidays.
Continue reading
The Friends of Eddie Coyle: Jackie Brown’s Gun-Running Road Runner and Rollnecks
Steven Keats as Jackie Brown in The Friends of Eddie Coyle (1973)
Vitals
Steven Keats as Jackie Brown, swaggering street-level arms dealer
Boston, Fall 1972
Film: The Friends of Eddie Coyle
Release Date: June 26, 1973
Director: Peter Yates
Costume Designer: Eric Seelig
WARNING! Spoilers ahead!
Background
A year after The Godfather introduced the cinematic world to the prestigious “honor among thieves” world of the Corleone crime family, The Friends of Eddie Coyle shined a gritty spotlight on the other side of the criminal spectrum: the unscrupulous robbers, rats, and gun-runners who would just as soon double-cross an erstwhile partner-in-crime if it meant an extra twenty bucks in their pocket.
There are no wood-paneled mansions, dramatic monologues, or swanky long-wheelbase limousines in Eddie Coyle’s world, a polluted Boston where our profane crooks conduct their business in dive bars and out of the trunks of the latest Detroit gas guzzler. At the surprising epicenter of these enterprises sits Eddie “Fingers” Coyle (Robert Mitchum), a long-in-the-tooth three-time loser far more at home warming his favorite saloon stool than helming an ambitious heist.
Enter Jackie Brown, an opportunistic twentysomething arms dealer motoring through the Beantown suburbs in a Plymouth Road Runner, dropping platitudes of “wisdom” about how hard life is to any of the scumbag suppliers or customers who will buy his guns. He prides himself on his caution but doesn’t recognize the irony of touting his illegal wares from his hardly unobtrusive electric green muscle car while boasting about his success to crooks all just one pinch away from spilling the proverbial beans to Boston’s finest.
Once a Thief: Alain Delon’s Sheepskin Coat and Ford Model A
Alain Delon as Eddie Pedak in Once a Thief (1965)
Vitals
Alain Delon as Eddie Pedak, reformed thief
San Francisco, Spring 1965
Film: Once a Thief
Release Date: September 8, 1965
Director: Ralph Nelson
WARNING! Spoilers ahead!
Background
On the last day of #Noirvember (and Alain Delon’s birthday month) and the first day of this winter’s #CarWeek series, it felt like the perfect time to explore Once a Thief, Ralph Nelson’s moody black-and-white crime drama starring Delon as a reformed criminal-turned-family man.
The jazzy opening credits depict a night at Big Al’s, a smoky den laden with drug pushers and beatniks, including author Zekial Marko, whose novel Scratch a Thief provided the movie’s source material. We follow a young man swaddled in sheepskin as he leaves the club and takes the wheel of a vintage “Model A Ford” roadster, which then becomes his getaway car after a swift but deadly closing-time stickup at a liquor store in Chinatown.
We then learn that the car and coat are a trademark of Eddie Pedak, a reformed armed robber making an honest living as a truck driver with his wife Kristine (Ann-Margret) and their daughter. The arrival of Eddie’s criminal brother Walter (Jack Palance), a syndicate hotshot, brings complications in the form of a proposition for one night’s criminal work—the proverbial “one last job”—which Eddie initially refuses, despite the $50,000 payout.
Devil in a Blue Dress: Denzel Washington’s Gabardine Windbreaker
Denzel Washington as Easy Rawlins in Devil in a Blue Dress (1995)
Vitals
Denzel Washington as Ezekiel “Easy” Rawlins, former aircraft mechanic and World War II veteran
Los Angeles, Summer 1948
Film: Devil in a Blue Dress
Release Date: September 29, 1995
Director: Carl Franklin
Costume Designer: Sharen Davis
WARNING! Spoilers ahead!
Background
#Noirvember continues with Devil in a Blue Dress, adapted from Walter Mosley’s excellent 1990 novel of the same name introducing readers to Ezekiel “Easy” Rawlins, an Army veteran making his way in postwar Los Angeles. Though he would later transform into a full-time private detective, Devil in a Blue Dress establishes Easy as a neo-Hitchockian hero, an everyman who finds himself at the center of a dangerous mystery after losing his job at an aircraft assembly plant.
Targets: Boris Karloff in Tweed
Boris Karloff as Byron Orlok in Targets (1968)
Vitals
Boris Karloff as Byron Orlok, aging horror actor
Los Angeles, Summer 1967
Film: Targets
Release Date: August 15, 1968
Director: Peter Bogdanovich
Production and Costume Design: Polly Platt
WARNING! Spoilers ahead!
Background
“Everybody’s dead… I feel like a dinosaur,” former horror icon Byron Orlok describes himself in a candid moment with Sammy Michaels (Peter Bogdanovich), an ambitious director and screenwriter played by Targets‘ own director and co-writer himself. Bogdanovich had written Orlok as a thinly disguised version of Boris Karloff, the elder statesman of horror cinema who was pushing 80 at the time of the film’s production. An embittered Byron shares with Sammy that his old-fashioned cinematic monsters—i.e. Frankenstein’s monster—are hardly the stuff to scare contemporary audiences as the local news horrifying enough with tales of senseless murder and random violence.