Tagged: Blue Shirt
The Little Drummer Girl: Gadi’s Blue Beach Shirt
Alexander Skarsgård as Gadi Becker in The Little Drummer Girl (2018)
Vitals
Alexander Skarsgård as Gadi Becker, aka “Peter”, mysterious Mossad agent
Naxos, Greece, Spring 1979
Series: The Little Drummer Girl (Episode 1)
Air Date: October 28, 2018
Director: Park Chan-wook
Costume Design: Sheena Napier & Steven Noble
Background
Between his breakthrough role on True Blood and his recent excellent turn as obnoxious tech entrepreneur Lukas Mattson on the last two seasons of Succession, Alexander Skarsgård’s credits included a starring role as Israeli agent Gadi Becker in Park Chan-wook’s six-episode BBC adaptation of John le Carré’s 1983 espionage novel The Little Drummer Girl.
Gadi has been re-recruited by spymaster chief Martin Kurtz (Michael Shannon) to follow an amateur acting troupe from England during their spring vacation through the Greek islands, specifically to make contact with the charismatic and flight wannabe radical Charmian “Charlie” Ross (Florence Pugh). Continue reading
The Last of Sheila: Richard Benjamin’s Safari Jacket
Richard Benjamin and Joan Hackett in The Last of Sheila (1973)
Vitals
Richard Benjamin as Tom Parkman, spaghetti western screenwriter
French Riviera, Late summer 1972
Film: The Last of Sheila
Release Date: June 14, 1973
Director: Herbert Ross
Costume Designer: Joel Schumacher
WARNING! Spoilers ahead!
Background
I’ll bet you haven’t seen the last of Sheila! (Okay, so maybe you have seen this movie, but I can’t resist a pun.)
Released 50 years ago today on Flag Day 1973, The Last of Sheila was penned by Stephen Sondheim and Anthony Perkins, inspired by the real-life scavenger hunts and murder parties that they used to organize for fellow friends in show business, from actors to agents like Sue Mengers. Director Herbert Ross had been part of the festivities at one point, telling Sondheim and Perkins to collaborate on a screenplay based on their parlor games, and it was Ross who ended up helming The Last of Sheila.
(It’s been reported that Mengers was actually offered a role in The Last of Sheila, but she turned it down as she wasn’t a professional actress and wanted to avoid taking work she felt her clients deserved, and she talked a characteristically effervescent Dyan Cannon into playing the part she inspired.)
The Last of Sheila has been the subject of renewed attention in recent years, thanks in part to Rian Johnson citing it as inspiration for Knives Out and its sequel, Glass Onion, both of which clearly share Sheila‘s DNA with their star-studded casts, plot complexity, and the balance of comic light-heartedness and deadly suspense, as well as specific plot elements like misinterpreted manners of death, a Mediterranean Sea full of red herrings, and an eccentric host welcoming a coterie of famous friends for a mystery party.
The film begins after colorful producer Clinton Greene (James Coburn) lost his wife Sheila in a mysterious hit-and-run accident. To commemorate the one-year anniversary of Sheila’s death, Clinton invites his friends—”six hungry failures”—to spend a week in the Ligurian Sea on the yacht he had named for her, including vivacious talent agent Christine (Dyan Cannon), washed-up director Philip Dexter (James Mason), in-demand actress Alice Wood (Raquel Welch) and her shady husband and promoter Anthony (Ian McShane), and desperate screenwriter Tom Parkman (Richard Benjamin) and his cautious, witty wife Lee (Joan Hackett). Continue reading
The Professional: Belmondo’s Blue Leather Jacket
Jean-Paul Belmondo as Joss Beaumont in The Professional/Le Professionnel (1981)
Vitals
Jean-Paul Belmondo as Josselin “Joss” Beaumont, vengeful French secret agent specializing in “espionage and brawls”
Paris, Spring 1981
Film: The Professional
(French title: Le Professionnel)
Release Date: October 21, 1981
Director: Georges Lautner
Costume Designer: Paulette Breil
WARNING! Spoilers ahead!
Background
Today would have been the 90th birthday of Jean-Paul Belmondo, the prolific and popular French star who rose to fame during the New Wave cinematic movement in movies like Breathless and Pierrot le Fou before he was established as a dynamic hero of action and adventure movies. Belmondo actually appeared in a 1984 movie titled Happy Easter, but—despite the egg-cellent holiday today—let’s refocus to three years earlier and Bébel’s iconic action role in The Professional, released in France as Le Professionnel. Continue reading
The Ivy Newlywed — Robert Redford’s Gray Suit in Barefoot in the Park
Robert Redford as Paul Bratter in Barefoot in the Park (1967)
Vitals
Robert Redford as Paul Bratter, newlywed lawyer
New York City, February 1967
Film: Barefoot in the Park
Release Date: May 25, 1967
Director: Gene Saks
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
With Valentine’s Day a few days behind us, I want to focus on a movie that takes a lighthearted look at that awkward period in a new marriage between the “honeymoon phase” and the hard truths of reality setting in. Adapted from Neil Simon’s play of the same name, Barefoot in the Park was an early star-making role for Robert Redford, reprising the role of Paul Bratter that he had played in more than 1,500 performances over nearly four years on Broadway. Continue reading
Elf: James Caan in Camelhair for Christmas
James Caan as Walter Hobbs in Elf (2003)
Vitals
James Caan as Walter Hobbs, workaholic children’s book publisher
New York City, December 2003
Film: Elf
Release Date: November 7, 2003
Director: Jon Favreau
Costume Designer: Laura Jean Shannon
Background
Happy December!
The late James Caan effectively subverted his screen image when he starred in Elf, a family-friendly comedy that’s already established as a modern holiday classic. Of course, as one of the big screen’s most famous tough guys, Caan’s Walter Hobbs begins the story on Santa Claus’ notorious “naughty list” as a children’s book publisher too focused on his bottom line to care about his family or even the minutae of his job, overlooking the last two pages of his latest book that leave the fate of a beloved puppy and pigeon too ambiguous for its young readers. Continue reading
Cary Grant in Father Goose
Cary Grant as Walter Eckland in Father Goose (1964)
Vitals
Cary Grant as Walter Eckland, crude and reluctant wartime coast-watcher
Pacific Islands, Spring 1942
Film: Father Goose
Release Date: December 10, 1964
Director: Ralph Nelson
Costume Designer: Ray Aghayan (uncredited)
Background
Last month, I reflected on the elegant white suit that Cary Grant wore at the start of his stylish career in the pre-Code drama Hot Saturday. More than 30 years later, Grant was firmly established as one of the most charming—and enduringly best-dressed—stars of the era, subverting his screen reputation for his penultimate movie, the World War II-set comedy Father Goose opposite Leslie Caron. Continue reading
Goodfellas: Tommy’s Gray Suit for Mob Mayhem and Mom Visits
Joe Pesci as Tommy DeVito in Goodfellas (1990)
Vitals
Joe Pesci as Tommy DeVito, volatile and violent Mafia associate
New York, Spring 1970
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Happy Mother’s Day! One of my favorite cinematic sequences depicting the relationship between a son and his mother comes by way of my favorite movie, in which master auteur Martin Scorsese cast his own mother Catherine as the charming Mrs. DeVito, mother to the psychotic gangster Tommy (Joe Pesci) who brings his cohorts Henry (Ray Liotta) and Jimmy (Robert De Niro) seeking a shovel in a covert night-time stop to fetch a shovel… only to be sweet-talked into an early breakfast.
Catherine Scorsese endearingly embodies the familiar archetype of the aging Italian-American matriarch with her plastic-covered furniture, the gift to effortlessly slip between American English and Italian dialects, and the fierce desire to feed her children and their friends… regardless of whether they’re hungry or not. Continue reading
The Gambler: James Caan’s Houndstooth Cardigan
James Caan as Axel Freed in The Gambler (1974)
Vitals
James Caan as Axel Freed, gambling-addicted English professor
New York City, Fall 1973
Film: The Gambler
Release Date: October 2, 1974
Director: Karel Reisz
Costume Designer: Albert Wolsky
WARNING! Spoilers ahead!
Background
A meditation on self-destruction, The Gambler was based on James Toback’s semi-autobiographical script that was the first to be produced from the soon-to-be-prolific screenwriter. Toback had incorporated his own gambling addiction that plagued him while he lectured at City College of New York. Robert De Niro was an early contender for the leading role of Axel Freed, but director Karel Reisz opted to cast another Corleone: James Caan, who explained the challenge of the role that would reportedly be one of his favorites from own his filmography: “It’s not easy to make people care about a guy who steals from his mother to pay gambling debts.” Continue reading
Wall Street: Meeting Gordon Gekko in Shirt Sleeves and Suspenders
Michael Douglas as Gordon Gekko in Wall Street (1987)
Vitals
Michael Douglas as Gordon Gekko, smug and successful corporate raider
New York City, Spring 1985
Film: Wall Street
Release Date: December 11, 1987
Director: Oliver Stone
Costume Designer: Ellen Mirojnick
Tailor: Martin Greenfield
Background
Happy birthday to Michael Douglas, the actor, producer, and activist born September 25, 1944, who may be most famous for his iconic Academy Award-winning performance as ruthless financier Gordon Gekko in Wall Street.
Body Heat: William Hurt’s Lawyerly Seersucker
William Hurt as Ned Racine in Body Heat (1981)
Vitals
William Hurt as Ned Racine, unscrupulous attorney
Palm Beach, Florida, Summer 1981
Film: Body Heat
Release Date: August 28, 1981
Director: Lawrence Kasdan
Costume Designer: Renié
WARNING! Spoilers ahead!
Background
I couldn’t let the hottest summer of my lifetime end without talking about Body Heat, especially as Lawrence Kasdan’s sweaty directorial debut will celebrate the 40th anniversary of its release in two days.
The term “neo-noir” has often been used—and, indeed, overused—to describe stylish, shadowy, and sexy crime dramas with elements recalling film noir’s golden era in the ’40s and ’50s, though Body Heat struck me as one of the prized handful of movies most deserving of the description, perfectly balancing the spirit of classic noir with contemporary cinematic expectations without falling too far in either direction. Continue reading
You must be logged in to post a comment.