Tagged: Donegal tweed
Lloyd Bridges’ Donegal Tweed Jacket in Airplane!
Lloyd Bridges as Steve McCroskey in Airplane! (1980)
Vitals
Lloyd Bridges as Steve McCroskey, air traffic controller who picked the wrong week to quit smoking, drinking, amphetamines, and sniffing glue
Chicago, Spring 1980
Film: Airplane!
Release Date: July 2, 1980
Directed by: Jim Abrahams, David Zucker, and Jerry Zucker
Costume Designer: Rosanna Norton
Film: Airplane II: The Sequel
Release Date: December 10, 1982
Director: Ken Finkleman
Costume Designer: Rosanna Norton
WARNING! Spoilers ahead!
Background
If you’re anything like me, you’ve had the kind of week that’s sending you right back to smoking, drinking, amphetamines, and sniffing glue. Luckily, we have a kindred spirit in Steve McCroskey—the frazzled Chicago air traffic control chief in ZAZ’s comedy classic Airplane! who signaled Lloyd Bridges’ shift from drama to comedy.
And Bridges didn’t just nail his line deliveries, he also served sartorial gold as I noted during a recent rewatch of Airplane! and its sequel Airplane II: The Sequel, decked out in a Donegal tweed jacket, loosened tie, and dive watch. Continue reading
The Two Jakes: Jack Nicholson’s Gray Donegal Tweed Jacket
Jack Nicholson as J.J. Gittes in The Two Jakes (1990)
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Jack Nicholson as J.J. “Jake” Gittes, world-weary private investigator and ex-policeman
Los Angeles, Fall 1948
Film: The Two Jakes
Release Date: August 10, 1990
Director: Jack Nicholson
Costume Designer: Wayne A. Finkelman
WARNING! Spoilers ahead!
Background
I had only just turned one when The Two Jakes was released 35 years ago today on August 10, 1990, so I can’t say whether anyone was really asking for a sequel to Roman Polanski’s 1974 neo-noir masterpiece Chinatown. What I can say is that there’s been surprisingly steady interest from BAMF Style readers in how Jack Nicholson’s wardrobe evolved from Anthea Sylbert’s Oscar-nominated designs for the 1930s-set Chinatown to suit the sequel’s setting in the fall of 1948. Continue reading
The Andy Griffith Show: Barney Fife’s Return to Mayberry in an Aloha Shirt and Cardigan
Don Knotts as Barney Fife on The Andy Griffith Show (Episode 6.17: “The Return of Barney Fife”)
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Don Knotts as Barney Fife, bumbling Raleigh detective and former deputy sheriff
Mayberry, North Carolina, Fall 1965
Series: The Andy Griffith Show
Episode: “The Return of Barney Fife” (Episode 6.17)
Air Date: January 10, 1966
Director: Alan Rafkin
Creator: Sheldon Leonard
Costume Designer: Stanley Kufel
Background
Today would have been the 100th birthday of Don Knotts, born July 21, 1924 in Morgantown, West Virginia. The comedian who shares my birthday (though 68 years older) remains arguably best known for his celebrated role as the overly officious country deputy Barney Fife on The Andy Griffith Show, though he also appeared across the latter seasons of Three’s Company as wannabe swinger landlord Ralph Furley.
Knotts’ five Primetime Emmy Awards for Outstanding Supporting Actor in a Comedy Series remains a record-setting amount in that category and was also the most wins for a performer in the same role in the same series until Julia Louis-Dreyfus’ sixth and final win for Veep in 2017. In addition, his characterization of Barney Fife was ranked ninth on TV Guide‘s 1999 list of the 50 Greatest TV Characters of All Time.
Despite the accolades, Knotts amicably left The Andy Griffith Show at the end of the fifth season to pursue his film career, but the in-universe explanation that Barney was hired as a detective in Raleigh allowed for the actor to occasionally return to the series, including his Emmy-winning performance in the sixth season’s “The Return of Barney Fife”. Continue reading
John Forsythe’s Autumn Attire in The Trouble with Harry
John Forsythe as Sam Marlowe in The Trouble with Harry (1955)
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John Forsythe as Sam Marlowe, touchy artist who scores the town with his belting baritone
Vermont, Fall 1954
Film: The Trouble with Harry
Release Date: September 30, 1955
Director: Alfred Hitchcock
Costume Designer: Edith Head
Background
As we settle into what looks like a comfortable autumn—at least for fallphiles like me—I want to highlight what must be one of the earliest movies to truly capture the season’s striking colors.
Though regarded as the “Master of Suspense”, Alfred Hitchcock had long incorporated humor into his movies. The Trouble with Harry differentiates itself among Hitch’s more earnest thrillers and mysteries by emphasizing the comedy, resulting in what may be among of the director’s least suspenseful outfit but still entertaining and certainly aesthetically satisfying. Continue reading
L.A. Confidential: Ed Exley in Donegal Tweed
Guy Pearce as Ed Exley in L.A. Confidential (1997)
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Guy Pearce as Ed Exley, by-the-book LAPD detective-lieutenant
Los Angeles, Spring 1953
Film: L.A. Confidential
Release Date: September 19, 1997
Director: Curtis Hanson
Costume Designer: Ruth Myers
WARNING! Spoilers ahead!
Background
Today is the 25th anniversary since the official release of L.A. Confidential, which premiered at Cannes in May 1997 but would finally hit theaters four months later on September 19, introducing audiences to James Ellroy’s murky world of corrupt cops, crooks, celebrities, and courtesans in ’50s Los Angeles.
Among its ensemble cast, L.A. Confidential centers around three LAPD officers: the tough but unsophisticated “Bud” White (Russell Crowe), the smooth yet morally compromised Jack Vincennes (Kevin Spacey), and the ambitious and stubbornly upright Ed Exley (Guy Pearce). Not to spoil too much of the plot for those who have missed this gem in the last quarter-century, but one of my favorite Letterboxd reviews—submitted by user David Sims—compares the movie to The Wizard of Oz as “Bud gets a brain, Jack gets a heart, Ed gets the courage.” Continue reading
Risky Business: Tom Cruise in Donegal Tweed
Tom Cruise and Rebecca De Mornay in Risky Business (1983). Photo by Steve Schapiro.
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Tom Cruise as Joel Goodson, ambitious high school student-turned-pimp
Chicago, Fall 1983
Film: Risky Business
Release Date: August 5, 1983
Director: Paul Brickman
Costume Designer: Robert De Mora
WARNING! Spoilers ahead!
Background
As we enter “Back to School” season, I want to look at one of the most famous cinematic intersections of style and scholastics, a dark coming-of-age comedy starring a young Tom Cruise as a high school student whose desire to compete in the modern materialistic marketplace leads to his engaging in some perilous pursuits… or Risky Business, if you will.
Out of the Past: Robert Mitchum’s Trench Coat and Tweed Suit
Robert Mitchum as Jeff Markham in Out of the Past (1947)
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Robert Mitchum as Jeff Markham, aka Jeff Bailey, laconic gas station owner and former private detective
Bridgeport, California, to San Francisco via Lake Tahoe, Fall 1946
Film: Out of the Past
Release Date: November 25, 1947
Director: Jacques Tourneur
Costume Credit: Edward Stevenson
WARNING! Spoilers ahead!
Background
Regarded among the best of classic film noir, Out of the Past showcases the genre’s quintessential elements: shadowy cinematography (thanks to Nicholas Musuraca), a story of double-cross and intrigue told in flashback, a charismatic antagonist, an alluring and ultimately deadly femme fatale, and—of course—a tough-talking, chain-smoking private eye light on words and sentiment:
Baby, I don’t care.
Lassiter: Tom Selleck’s Tweed Jacket
Tom Selleck as Nick Lassiter in Lassiter (1984)
Vitals
Tom Selleck as Nick Lassiter, debonair jewel thief
London, June 1939
Film: Lassiter
Release Date: February 17, 1984
Director: Roger Young
Costume Designer: Barbara Lane
Background
While we’re still in the midst of tweed-friendly weather, I’d like to respond to a few requests I’ve had to focus on Tom Selleck’s gentlemanly style in Lassiter as an American thief in England, a far cry from the Aloha shirts he was famously wearing on Magnum, P.I. at the same time.
Released today in 1984, Lassiter starred Selleck as the titular jewel thief—Nick Lassiter—crafted in the daring and debonair tradition of cinematic cat burglars like Cary Grant in To Catch a Thief and David Niven’s “Phantom” in The Pink Panther. Much like his previous film, High Road to China, this movie compensated for the fact that Selleck had to pass on the role of Indiana Jones by giving him the role of a charismatic, resourceful, and risk-averse rogue facing danger from under the brim of a fedora in the years leading up to World War II.
Willi Cicci in The Godfather
Joe Spinell as Willi Cicci in The Godfather (1972)
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Joe Spinell as Willi Cicci, slick Corleone mob family “button man”
New York City, August 1955
Film: The Godfather
Release Date: March 15, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
Background
When the boss says push the button on a guy, I push the button, see, Senator?
Today’s #MafiaMonday post focuses on one of the more celebrated minor characters of The Godfather, Corleone family enforcer Willi Cicci, who stands out with his slick sense of style and laidback demeanor. Imagine if Dean Martin had grown a mustache and joined the mob… that’s Willi Cicci for ya.
Cicci best gets the opportunity to explain his short yet memorable role in The Godfather when testifying in front of a Senate committee in the film’s sequel. When we first meet him in The Godfather, Cicci is getting a shave in a hotel barbershop with an unflappable, can’t-be-bothered attitude that may trick first-time viewers into thinking he is one of the many targets that Michael Corleone has marked for death on this transformative day for the New York Mafia.
True Detective – Ray Velcoro’s Dark Western-Yoked Jacket
Colin Farrell as Ray Velcoro on the second season of True Detective (after ditching the mustache and bolo tie that defined the character’s early-season look.)
Vitals
Colin Farrell as Ray Velcoro, troubled and crooked Vinci PD detective
Ventura County, California, fall 2014 to spring 2015
Series: True Detective
Season: 2
Air Dates: June 21, 2015 – August 9, 2015
Creator: Nic Pizzolatto
Costume Designer: Alix Friedberg
WARNING! Spoilers ahead!
Background
The second season of HBO’s True Detective is, in my opinion, better judged when on its own than against its masterful and delightfully idiosyncratic first season. The second season brought together Colin Farrell, Rachel McAdams, Taylor Kitsch, and Vince Vaughn in an acid neo-noir more in the pulp crime tradition of Dashiell Hammett and Raymond Chandler’s worlds than that of Rust Cohle and Marty Hart.
Even the show’s fictional and corrupt berg of Vinci, California, shares some undeniable similarities with the Bay City of Chandler’s Philip Marlowe novels, though it was indeed based on the rough industrial city of Vernon, where it was partially filmed.
Our self-destructive, repressed, and expendable cop protagonists, portrayed by the Farrell-McAdams-Kitsch triad, practice maverick techniques that border on impropriety but their ideals and values align them with the incorruptible Philip Marlowe and Sam Spade… naturally leading to the straight-out-of-pulp “last stand” holed up in a secluded motel room with seemingly endless bottles of whiskey. Continue reading