Tagged: Humphrey Bogart

Dead End: Humphrey Bogart’s Dandy Gangster Suit

Humphrey Bogart in Dead End (1937)

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Humphrey Bogart as Hugh “Baby Face” Martin, gangster

New York City, Summer 1937

Film: Dead End
Release Date: August 27, 1937
Director: William Wyler
Costume Designer: Omar Kiam

WARNING! Spoilers ahead!

Background

After his breakthrough screen role as the menacing Duke Mantee in The Petrified Forest (1936), Humphrey Bogart followed it up the next year as another swaggering gangster in Dead End (1937), adapted from Sidney Kingsley’s hit play—which had premiered 90 years ago today, on October 2, 1935.

The play had run for 687 performances on Broadway, so bringing it to the screen became a passion project for producer Samuel Goldwyn and director William Wyler. Goldwyn spent a then-staggering $165,000 for the rights, bracing himself for battles with the Hays Office to keep the play’s thematic grit intact. He even hired the “Dead End Kids”, the scrappy young actors from the stage version, though their chaotic behavior on set soon had Goldwyn regretting it and he later sold their contract to Warner Brothers, where—under names like the East Side Kids and Bowery Boys—they made more than 60 films across the next two decades. Despite his dedication to replicating the realism that made the play a success, the famously fastidious Goldwyn also clashed with Wyler, who had the set decorated with actual garbage to recreate an actual slum atmosphere.

Goldwyn first hoped to cast James Cagney or George Raft as the central gangster “Baby Face” Martin, but the role ultimately went to Humphrey Bogart—already 37 years old at the time, though it still feels like watching a “young” Bogie. Continue reading

Humphrey Bogart’s Blazer at Sea in Sabrina

Humphrey Bogart and Audrey Hepburn in Sabrina (1954)

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Humphrey Bogart as Linus Larrabee, industrious businessman

Long Island, New York, Summer 1954

Film: Sabrina
Release Date: September 3, 1954
Director: Billy Wilder
Costume Supervisor: Edith Head

WARNING! Spoilers ahead!

Background

The talent-laden Sabrina was released in the United States 70 years ago today on September 23, 1954, debuting in New York and Los Angeles twenty days after its Toronto premiere on September 3rd. Directed by the prolific Billy Wilder, the romantic comedy stars Audrey Hepburn as the titular Sabrina Fairchild who finds herself romanced by the opposing Larrabee brothers: playboy David (William Holden) and workaholic Linus (Humphrey Bogart). Continue reading

In a Lonely Place: Bogie’s Twill Sports Coat and Turtleneck

Humphrey Bogart as Dix Steele in In a Lonely Place (1950)

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Humphrey Bogart as Dixon “Dix” Steele, frustrated screenwriter

Los Angeles, Fall 1949

Film: In a Lonely Place
Release Date: May 17, 1950
Director: Nicholas Ray
Costume Designer: Jean Louis (credited for gowns only)

WARNING! Spoilers ahead!

Background

Today’s post wraps up #Noirvember on what would have been the 100th birthday of silver screen icon Gloria Grahame. Born November 28, 1923, Grahame’s film noir credits include Crossfire (1947) and The Big Heat (1953), though my favorite is In a Lonely Place (1950), directed by her then-husband Nicholas Ray and starring Humphrey Bogart.

Some of Bogie’s friends and acquaintances have described the character of cynical screenwriter Dixon Steele to be the closest that the actor ever came to projecting his true charismatic yet insecure persona onto the screen. Continue reading

Humphrey Bogart in The Desperate Hours

Humphrey Bogart in The Desperate Hours (1955)

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Humphrey Bogart as Glenn Griffin, menacing fugitive

Indianapolis, Fall 1955

Film: The Desperate Hours
Release Date: October 5, 1955
Director: William Wyler
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

Noirvember continues with The Desperate Hours, a 1955 drama that was Humphrey Bogart’s penultimate silver screen performance. Bogie remains significantly associated with film noir, thanks to genre-defining movies like High Sierra (1941), The Maltese Falcon (1941), The Big Sleep (1946), Key Largo (1948), and In a Lonely Place (1950).

The New York-born actor rose to prominence playing villains, perhaps most notably his breakthrough role of snarling Dillinger-esque gangster Duke Mantee in the stage and screen productions of The Petrified Forest. As exemplified by his masterful but hardly glamorous performance in movies like The Treasure of the Sierra Madre (1948), Bogart never let his popularity get in the way of darker roles—even after winning the Academy Award for Best Actor for The African Queen (1951).

Adapted by Joseph Hayes from his own novel and play of the same name (itself loosely based on true events), The Desperate Hours cast Bogart as the dangerous Glenn Griffin, the leader of a trio of three escaped convicts who seek refuge by forcing their way into the suburban Indiana home of Daniel (Frederic March) and Ellie Hilliard (Martha Scott). Continue reading

Humphrey Bogart in The Treasure of the Sierra Madre

Humphrey Bogart as Fred C. Dobbs in The Treasure of the Sierra Madre (1948)

Humphrey Bogart as Fred C. Dobbs in The Treasure of the Sierra Madre (1948)

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Humphrey Bogart as Fred C. Dobbs, desperate drifter-turned-treasure hunter

Mexico, Spring to Summer 1925

Film: The Treasure of the Sierra Madre
Release Date: January 6, 1948
Director: John Huston
Wardrobe: Robert O’Dell & Ted Schultz (uncredited)

WARNING! Spoilers ahead!

Background

On the 65th anniversary of when Humphrey Bogart died on January 14, 1957, I wanted to visit one of his most lasting—if not exactly best-dressed—roles.

“Wait until you see me in my next picture,” Bogie had proclaimed to a New York Post critic outside 21 one night. “I play the worst shit you ever saw!” Indeed, unlike his previous protagonists like Sam Spade, Rick Blaine, and Philip Marlowe, who were primarily heroes marred by a cynical streak, there are few redeeming factors to Fred C. Dobbs, the panhandling prospector whose treacherous greed leads him well past the point of no return. Continue reading

Humphrey Bogart in The Maltese Falcon

Humphrey Bogart as Sam Spade in The Maltese Falcon (1941)

Humphrey Bogart as Sam Spade in The Maltese Falcon (1941)

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Humphrey Bogart as Sam Spade, smooth private detective and “a chap worth knowing”

San Francisco, Spring 1941

Film: The Maltese Falcon
Release Date: October 3, 1941
Director: John Huston
Costume Designer: Orry-Kelly (credited for gowns)

Background

Now considered a seminal film noir, The Maltese Falcon celebrated its 80th anniversary last month. Dashiell Hammett’s excellent 1930 detective novel had already been adapted twice for the screen—once as a “lewd” pre-Code thriller and recycled as a zanier mid-’30s vehicle for Bette Davis—before Warner Bros. finally got it right.

The Maltese Falcon was the directorial debut for John Huston, who had faithfully adapted Hammett’s source material for his sharp script and demonstrated his sense of methodical efficiency, resulting in a masterpiece that benefited from the formula of director of photography Arthur Edelson’s low-key cinematography and a perfect cast led by Humphrey Bogart as the wisecracking gumshoe who “don’t mind a reasonable amount of trouble.” Continue reading

Humphrey Bogart in The Petrified Forest

Humphrey Bogart as Duke Mantee in The Petrified Forest (1936)

Humphrey Bogart as Duke Mantee in The Petrified Forest (1936)

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Humphrey Bogart as “Duke” Mantee, violent desperado and “the last great apostle of rugged individualism”

Black Mesa, Arizona, January 1936

Film: The Petrified Forest
Release Date: February 6, 1936
Director: Archie Mayo
Costume Designer: Orry-Kelly (uncredited)

WARNING! Spoilers ahead!

Background

This is Duke Mantee, the world-famous killer, and he’s hungry…

Indeed, Humphrey Bogart was hungry. The 36-year-old actor had spent more than a dozen years honing his craft on the stage and had spent the last five going nowhere as a $750-a-week bit player for the Fox Film Corporation.

It wasn’t until a decade after his debut that Hollywood would start opening the front door for the New York-born actor, starring in Raoul Walsh’s crime flick High Sierra as a tough bank robber clearly modeled after real-life outlaw John Dillinger. It’s only fitting that this character be Bogie’s shot at the big time that he should have earned years earlier as yet another Dillinger surrogate, Duke Mantee.

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Humphrey Bogart in High Sierra

Humphrey Bogart as Roy Earle in High Sierra (1941)

Humphrey Bogart as Roy Earle in High Sierra (1941)

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Humphrey Bogart as Roy “Mad Dog” Earle, professional armed robber on parole

Sierra Nevada Mountains, California, Spring 1940

Film: High Sierra
Release Date: January 21, 1941
Director: Raoul Walsh
Wardrobe Credit: Leah Rhodes

WARNING! Spoilers ahead!

Background

Tomorrow marks the 80th anniversary of the release of High Sierra, arguably the movie that launched Humphrey Bogart from a Warner Bros. background player in the ’30s to superstardom in the ’40s. A violent criminal with an earnest streak, Roy Earle was the ideal role for Bogie to transition from the secondary sniveling bastard in movies like The Petrified Forest and The Roaring Twenties to the tilted-hat heroes we love in The Maltese FalconCasablanca, and more.

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Humphrey Bogart in Key Largo

Humphrey Bogart and Lauren Bacall on the set of Key Largo (1948)

Humphrey Bogart and Lauren Bacall on the set of Key Largo (1948)

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Humphrey Bogart as Frank McCloud, taciturn war veteran and former newspaperman

Key Largo, Florida, Summer 1948

Film: Key Largo
Release Date: July 16, 1948
Director: John Huston
Wardrobe Credit: Leah Rhodes

WARNING! Spoilers ahead!

Background

Released today in 1948, John Huston’s moody noir Key Largo marked the fourth and final of Bogie and Bacall’s on-screen collaborations, closing out their celluloid romance the way it began in To Have and Have Not (1944) with a talent-packed cast (including Dan Seymour as a heavy heavy) in a tropical locale shrouded in shadows, storms, and gunplay. The claustrophobia of our characters’ forced isolation against the looming summer storm outside and the raging tension inside made it particularly impactful viewing during months in lockdown.

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In a Lonely Place: Bogie’s Dark Suit and Bow Tie

Humphrey Bogart as Dixon "Dix" Steele in In a Lonely Place (1950)

Humphrey Bogart as Dixon “Dix” Steele in In a Lonely Place (1950)

Vitals

Humphrey Bogart as Dixon “Dix” Steele, frustrated screenwriter who’s “been out of circulation too long”

Los Angeles, Summer 1949

Film: In a Lonely Place
Release Date: May 17, 1950
Director: Nicholas Ray
Costume Designer: Jean Louis (credited for gowns only)

WARNING! Spoilers ahead!

Background

As #Noirvember continues, we shift our sartorial focus to a seminal figure in the development and enduring popularity of film noir: Humphrey Bogart. In movies like The Maltese Falcon (1941) and The Big Sleep (1946), Bogie cemented the wisecracking private eye persona often driving the heart of this subgenre, but he did not play a detective in the suspenseful thriller considered to be among his best, In a Lonely Place.

This 1950 noir co-starred Gloria Grahame and directed by Nicholas Ray, her husband at the time, though both Bogie and screenwriter Edmund North had envisioned the then-Mrs. Bogart, Lauren Bacall, to take the role of the “sultry and smooth… striking-looking girl with high cheek bones and tawny hair” as the character of Laurel Gray was described in the North’s screenplay. While Warner Brothers refused to lend Bacall to Bogart’s Santana Productions, Bogie was able to keep the leading role to deliver one of the most explosive and authentic performances of his prolific career.

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