Tagged: Mafia
Michael Corleone’s Black Three-Piece Suit
Vitals
Al Pacino as Michael Corleone, cold and calculating Mafia boss
Long Island, Las Vegas, and Lake Tahoe, Winter 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
Background
For #MafiaMonday, I’m exploring Michael Corleone at his most iconic, coldly receiving his siblings and family while holding court at his mother’s funeral. Continue reading
Willi Cicci in The Godfather
Vitals
Joe Spinell as Willi Cicci, slick Corleone mob family “button man”
New York City, August 1955
Film: The Godfather
Release Date: March 15, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
Background
When the boss says push the button on a guy, I push the button, see, Senator?
Today’s #MafiaMonday post focuses on one of the more celebrated minor characters of The Godfather, Corleone family enforcer Willi Cicci, who stands out with his slick sense of style and laidback demeanor. Imagine if Dean Martin had grown a mustache and joined the mob… that’s Willi Cicci for ya.
Cicci best gets the opportunity to explain his short yet memorable role in The Godfather when testifying in front of a Senate committee in the film’s sequel. When we first meet him in The Godfather, Cicci is getting a shave in a hotel barbershop with an unflappable, can’t-be-bothered attitude that may trick first-time viewers into thinking he is one of the many targets that Michael Corleone has marked for death on this transformative day for the New York Mafia.
Get Shorty: Chili’s Black Striped Suit and Rust Polo
Vitals
John Travolta as Chili Palmer, Miami loan shark and aspiring filmmaker
Los Angeles, Winter 1995
Film: Get Shorty
Release Date: October 20, 1995
Director: Barry Sonnenfeld
Costume Designer: Betsy Heimann
Background
December is here, and while you may not be in the mood yet for that “bold” Christmas sweater with working lights (these exist!), a nice warm long-sleeve polo in a reddish, rustic shade is the perfect layer for transitioning from the fall harvest season into the chilly first weekend of the holiday month.
Of course, in the L.A. of Get Shorty, the sun is brightly shining on Chili Palmer and his new acquaintances in the film industry as he takes a meeting with the eccentric pint-sized superstar Martin Weir (Danny DeVito), supposedly based on Dustin Hoffman after Elmore Leonard’s experiences working with him in the ’80s. Continue reading
Scarface (1932) – Tony’s Fancy Basketweave Suit
Vitals
Paul Muni as Tony Camonte, ruthless Italian-born bootlegger and mob enforcer
Chicago, Summer 1927
Film: Scarface
Release Date: April 9, 1932
Director: Howard Hawks
Background
I’m wrapping up what turned out to be a week focused on classic gangster style with a look at one of my favorite mob movies, the original Scarface released in 1932. Both the film and its source novel of the same name by Armitage Trail (Maurice R. Coons) were undoubtedly inspired by the rise and fall of Chicago kingpin Al Capone, who reportedly grew to love the film so much that the owned his own print of it.
Tony Camonte’s rise through the underworld is depicted by a Thompson submachine gun blowing through the pages of a calendar, stopping somewhere around Friday, August 26, for the action to begin. (August 26 fell on a Friday in 1927 and 1932; as the events that inspired the film occurred throughout the 1920s and production wrapped in mid-1931, it’s safe to assume that this scene picks up the action around the late summer of 1927. Anyway…)
Spectacularly attired in a bold new suit, Tony runs into Poppy (Karen Morley), his boss’s platinum blonde moll, who is getting a little warmer to Tony’s form after his repeated attempts at seduction. Continue reading
Charles Bronson’s Blue Suit in The Valachi Papers
Vitals
Charles Bronson as Joe Valachi, Mafia soldier
Apalachin, New York, November 1957
Film: The Valachi Papers
Release Date: January 6, 1972
Director: Terence Young
Costume Design: Giorgio Desideri & Ann Roth
Background
“It was a glorious time, before Apalachin,” recalls Ray Liotta’s voice-over as Henry Hill in Goodfellas. For readers not mired in the history of organized crime, Henry was referring to a now-legendary meeting of the American Mafia at the Apalachin, New York home of mobster Joseph Barbara. The summit was organized by powerful New York mob boss Vito Genovese and found more than 100 mobsters from across the country gathering at Barbara’s home on November 14, 1957… sixty years ago tomorrow. Continue reading
Tony Soprano’s Brown Tattersall Sportcoat
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Fall 2007
Series: The Sopranos
Episodes:
– “Moe n’ Joe” (Episode 6.10, dir. Steve Shill, aired May 14, 2006)
– “Cold Stones” (Episode 6.11, dir. Tim Van Patten, aired May 21, 2006)
– “Walk Like a Man” (Episode 6.17, dir. Terence Winter, aired May 6, 2007)
– “The Second Coming” (Episode 6.19, dir. Tim Van Patten, aired May 20, 2007)
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers (and a rather graphic screenshot) ahead! Continue reading
Tony Soprano’s Gray Suit in “Meadowlands”
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Fall 1998
Series: The Sopranos
Episode: “Meadowlands” (Episode 1.04)
Air Date: January 31, 1999
Director: John Patterson
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
Happy birthday to James Gandolfini, born September 18, 1961. The celebrated late actor revolutionized television with his portrayal of troubled mob boss Tony Soprano on HBO’s The Sopranos from 1999 to 2007.
“My uncle, he’s got me in a box where I gotta do something I don’t want to do,” bemoans Tony at the outset of “Meadowlands”, the fourth episode of The Sopranos and the first without an on-screen murder. “Then there’s my mother. I pay four grand a month for this place, and she acts like I’m an eskimo pushing her out to sea.” Continue reading
Bugsy Siegel’s Glen Plaid Double-Breasted Suit
Vitals
Warren Beatty as Benjamin “Bugsy” Siegel, “celebrity” gangster and casino builder
New York, Summer 1945, and
Beverly Hills, December 1946
WARNING! Spoilers ahead!
Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky
Background
Bugsy is an entertaining and stylish drama penned by James Toback, transforming the violent mobster in a suave and romantic visionary much as the real life gangster himself tried to reinvent his persona after moving out to the West Coast, choosing to rub elbows with the likes of George Raft, Gary Cooper, and Cary Grant rather than his old associates like Dutch Schultz, Lucky Luciano, and Joe Adonis. Continue reading
Casino – De Niro in Dark Navy and Pink
Vitals
Robert De Niro as Sam “Ace” Rothstein, Vegas casino executive and mob associate
Las Vegas, Spring 1973
Film: Casino
Release Date: November 22, 1995
Director: Martin Scorsese
Costume Design: Rita Ryack & John A. Dunn
Background
Ever have one of those days where you just feel like you’re surrounded by idiots?
Welcome to the life of Sam “Ace” Rothstein, the meticulous gambler tasked by the Chicago mob with running the Tangiers casino in Las Vegas. Of course, Rothstein is a fictional interpretation of the real-life Frank “Lefty” Rosenthal, but the issues faced by Casino‘s Ace were all too real.
Despite the complications of running a Vegas casino, Ace still found the time to be a hell of a dresser, borrowing a sartorial approach from the real-life Lefty Rosenthal to create ensembles like this creative mix of somber charcoal and bold pastel pink. Continue reading
Goodfellas: Joe Pesci in Glen Plaid
Vitals
Joe Pesci as Tommy DeVito, volatile and violent Mafia associate
New York, Spring 1979
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
We always called each other “good fellas.” Like you said to somebody, “You’re gonna like this guy. He’s all right. He’s a good fella. He’s one of us.” You understand? We were good fellas. Wiseguys.
The line may have been an afterthought to explain the new Goodfellas title after Scorsese was unable to use the book’s original Wiseguy title, but it provides the perfect context and framework for Tommy DeVito prepping for his “made man” ceremony, especially against the optimistic driving piano exit of Derek and the Dominoes’ “Layla”.
Of course, little does Tommy know that he’s in for the ultimate case of the [Mafia] Mondays… Continue reading










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