Tagged: Shirt & Slacks

Don Draper’s Teal-and-Turquoise Shirt in “Tomorrowland”

Jon Hamm as Don Draper on Mad Men (Episode 4.13: "Tomorrowland")

Jon Hamm as Don Draper on Mad Men (Episode 4.13: “Tomorrowland”)

Vitals

Jon Hamm as Don Draper, Madison Avenue ad man

Anaheim, California, October 1965

Series: Mad Men
Episode: “Tomorrowland” (Episode 4.13)
Air Date: October 17, 2010
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead!

Background

During my latest Mad Men rewatch while on lockdown due to the coronavirus pandemic, I found myself so intrigued by the fourth season finale that I watched the episode back-to-back. For a show set so far into the past, it’s amazing how effective Mad Men can be at stirring a viewer’s enthusiasm for the future.

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The Snows of Kilimanjaro: Gregory Peck’s White Riviera Resortwear

Gregory Peck as Harry Street in Ernest Hemingway's The Snows of Kilimanjaro (1952)

Gregory Peck as Harry Street in Ernest Hemingway’s The Snows of Kilimanjaro (1952)

Vitals

Gregory Peck as Harry Street, expatriate writer and former newspaper reporter

French Riviera (Côte d’Azur), Summer 1936

Film: The Snows of Kilimanjaro
Release Date: September 17, 1952
Director: Henry King
Wardrobe Supervisor: Charles Le Maire

Background

Despite its wintry title, The Snows of Kilimanjaro was expanded significantly from Ernest Hemingway’s original short story for Henry King’s lush 1952 cinematic adaptation, featuring plenty of summertime fun in Côte d’Azur during its prewar heyday.

The rest of the world may have been suffering from the Great Depression, but Papa surrogate Harry Street has risen to literary stardom and is now living la belle vie, adrift in the Mediterranean while his latest paramour “Frigid Liz, the semi-iceburg of the semi-tropics” frolics in the warm sea around him. Though lovely, Countess Elizabeth (Hildegard Knef) is hardly the treasured Cynthia (Ava Gardner), and Harry admits he’s only attracted to Liz for her elusive qualities, describing in Papa-esque prose that “she was something to hunt down and trap and capture.”

In addition to today being the birthday of Ernest Hemingway, who entered the world July 21, 1899, today is also my 31st birthday!

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Fear and Loathing in Las Vegas: Raoul Duke’s Terrycloth Acapulco Shirt

Johnny Depp as Raoul Duke in Fear and Loathing in Las Vegas (1971)

Johnny Depp as Raoul Duke in Fear and Loathing in Las Vegas (1971)

Vitals

Johnny Depp as Raoul Duke, “doctor of journalism” and alter ego of Hunter S. Thompson

Las Vegas, Spring 1971

Film: Fear and Loathing in Las Vegas
Release Date: May 22, 1998
Director: Terry Gilliam
Costume Designer: Julie Weiss

Background

We were somewhere around Barstow on the edge of the desert when the drugs began to take hold…

…and, with the scream of a bright fireapple red Chevy convertible speeding through the desert scored by Big Brother and the Holding Company’s manic “Combination of the Two”, we’re off and running with Raoul Duke and Dr. Gonzo on their way to a hallucinogenic weekend romp in Sin City. Johnny Depp’s opening narration as the notorious Dr. Duke transcribes verbatim the opening lines of Hunter S. Thompson’s landmark roman à clef Fear and Loathing in Las Vegas.

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Humphrey Bogart in Key Largo

Humphrey Bogart and Lauren Bacall on the set of Key Largo (1948)

Humphrey Bogart and Lauren Bacall on the set of Key Largo (1948)

Vitals

Humphrey Bogart as Frank McCloud, taciturn war veteran and former newspaperman

Key Largo, Florida, Summer 1948

Film: Key Largo
Release Date: July 16, 1948
Director: John Huston
Wardrobe Credit: Leah Rhodes

WARNING! Spoilers ahead!

Background

Released today in 1948, John Huston’s moody noir Key Largo marked the fourth and final of Bogie and Bacall’s on-screen collaborations, closing out their celluloid romance the way it began in To Have and Have Not (1944) with a talent-packed cast (including Dan Seymour as a heavy heavy) in a tropical locale shrouded in shadows, storms, and gunplay. The claustrophobia of our characters’ forced isolation against the looming summer storm outside and the raging tension inside made it particularly impactful viewing during months in lockdown.

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Pierrot le Fou: Belmondo’s Striped Shirt by the Sea

Jean-Paul Belmondo and Anna Karina in Pierrot le Fou (1965)

Jean-Paul Belmondo and Anna Karina in Pierrot le Fou (1965)

Vitals

Jean-Paul Belmondo as Ferdinand Griffon, runaway husband

French Riviera, Summer 1965

Film: Pierrot le Fou
Release Date: November 5, 1965
Director: Jean-Luc Godard

WARNING! Spoilers ahead!

Background

Five years after their collaboration in À bout de souffle that established many of the unconventional conventions that would define French New Wave, director Jean-Luc Godard reteamed with charismatic star Jean-Paul Belmondo for a surreal and colorful classic with its scenes and themes of seclusion that make it feel all the more relevant during this strange summer that still finds many in self-isolation.

Life may always be sad, but it’s always beautiful.

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Blue Hawaii: Elvis’ Brown Tapa Shirt

Elvis Presley in Blue Hawaii (1961)

Elvis Presley in Blue Hawaii (1961)

Vitals

Elvis Presley as Chadwick “Chad” Gates, young tour guide and U.S. Army veteran

Honolulu, Hawaii, Summer 1961

Film: Blue Hawaii
Release Date: November 22, 1961
Director: Norman Taurog
Costume Designer: Edith Head

Background

Summer kicks off this weekend in the Northern Hemisphere with beaches and warm destinations slowly reopening around the world after months of lockdown during the early phases of the coronavirus pandemic. Whatever your summer plans include, I hope all BAMF Style readers enjoy a safe, healthy, and happy season whether enjoying time at home or safely traveling.

Travel or no travel, this is also the season for summer shirts and summer movies. The tenth top-grossing movie of 1961, Blue Hawaii was the first of three movies that Elvis filmed in the “paradise of the Pacific” and remains one of his most popular for its tropical style and memorable soundtrack, which includes dusted-off classics like the title track “Blue Hawaii” (originally written for Bing Crosby in 1937), “Hawaiian Wedding Song” as well as introducing “Can’t Help Falling in Love”, which would become a new standard for the King.

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Tony Soprano’s Aloha Panel-Print Shirt in “Irregular Around the Margins”

James Gandolfini as Tony Soprano on The Sopranos (Episode 5.05: "Irregular Around the Margins")

James Gandolfini as Tony Soprano on The Sopranos (Episode 5.05: “Irregular Around the Margins”)

Vitals

James Gandolfini as Tony Soprano, New Jersey mob boss

Newark, New Jersey, Spring 2004

Series: The Sopranos
Episode: “Irregular Around the Margins” (Episode 5.05)
Air Date: April 4, 2004
Director: Allen Coulter
Creator: David Chase
Costume Designer: Juliet Polcsa

WARNING! Spoilers ahead!

Background

Memorial Day weekend has traditionally been the unofficial start of the summer season with cookouts and amusement park openings, despite the solstice itself still being a month away. (Today also concludes Mental Health Awareness Week in the UK, highlighting a topic that anchors to The Sopranos‘ central narrative.)

Many spent time during self-isolation this spring to catch up on classic TV shows, with The Sopranos frequently cited as a show that people were re-watching or discovering for the first time. As we’re hopefully moving away from the weeks and months of social distancing, I want to take a look at one of many summer-friendly looks from the show’s central character, conflicted Jersey mob boss Tony Soprano played by James Gandolfini, who deservedly racked up three Emmy Awards among other accolades for his portrayal. Tony brings a summery sartorial spirit to a moment of isolated indoor frivolity in “Irregular Around the Margins”, the memorable fifth episode of The Sopranos‘ fifth season.

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From Here to Eternity: Montgomery Clift’s Aloha Shirts

Montgomery Clift as Private Prewitt in From Here to Eternity (1953)

Montgomery Clift as Private Prewitt in From Here to Eternity (1953)

Vitals

Montgomery Clift as Private Robert E. Lee Prewitt, U.S. Army bugler and “thirty-year man”

Honolulu, Hawaii, Summer through Fall 1941

Film: From Here to Eternity
Release Date: August 5, 1953
Director: Fred Zinnemann
Costume Designer: Jean Louis

WARNING! Spoilers ahead!

Background

April showers are said to bring May flowers, so let’s get into the spirit of the season with the classic floral shirts in From Here to Eternity, an adaptation of James Jones’ novel set on a U.S. Army infantry base in Hawaii during the months leading up to the attack on Pearl Harbor.

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Gary Cooper’s Picnic Blazer and Day Cravat in Love in the Afternoon

Gary Cooper and Audrey Hepburn in Love in the Afternoon (1957)

Gary Cooper and Audrey Hepburn in Love in the Afternoon (1957)

Vitals

Gary Cooper as Frank Flannagan, wealthy playboy industrialist

Yvelines, France, Summer 1957

Film: Love in the Afternoon
Release Date: May 29, 1957
Director: Billy Wilder
Costume Designer: Jay A. Morley, Jr. (uncredited)

Background

April 23 is celebrated as National Picnic Day, an observance that can still be observed in relative isolation for those willing and able to safely venture outdoors. The word “picnic” derives from the late 17th century French word pique-nique that had originally described restaurant diners who brought their own wine, essentially an early form of BYOB. In the years following the French revolution, the word took on its more familiar connotation as the country’s royal parks were opened to the greater public, who would spend hours and even days preparing lavish luncheons for outdoor dining. Given this French association, let’s check in on two classic film stars enjoying a picnic near Château de Vitry in the 1957 romantic comedy Love in the Afternoon.

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Tony Soprano’s Yachting Clothes in “Funhouse”

James Gandolfini as Tony Soprano on The Sopranos (Episode 2.13: "Funhouse")

James Gandolfini as Tony Soprano on The Sopranos (Episode 2.13: “Funhouse”)

Vitals

James Gandolfini as Tony Soprano, New Jersey mob boss

New Jersey, Spring 2000

Series: The Sopranos
Episode: “Funhouse” (Episode 2.13)
Air Date: April 9, 2000
Director: Alan Taylor
Creator: David Chase
Costume Designer: Juliet Polcsa

WARNING! Spoilers ahead!

Background

Things are good. What the fuck?

Tony Soprano can’t quite seem to believe his luck at the outset of “Funhouse”, the iconic second season finale that aired 20 years ago tonight and is considered to be among The Sopranos‘ finest hours.

All of Tony’s enemies have been vanquished in one way or another, he’s making boatloads of cash due to a lucrative calling card scam, and his daughter is graduating from high school with a promising future at a number of prestigious colleges. And yet, there’s something nagging at Tony Soprano… and it isn’t just the unfamiliar combination of a full Indian dinner followed by Artie Bucco’s potentially tainted zuppa di mussels that’s troubling his stomach.

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