Tagged: Tweed Suits and Jackets

Ryan Reynolds’ Tweed Jacket in Mississippi Grind

Ryan Reynolds as Curtis Vonn in Mississippi Grind (2015)

Vitals

Ryan Reynolds as Curtis Vonn, charismatic drifter and gambler

Iowa to New Orleans, March 2014

Film: Mississippi Grind
Release Date: January 24, 2015
Director: Anna Boden & Ryan Fleck
Costume Designer: Abby O’Sullivan

Background

I was honored to correspond with Abby O’Sullivan, the talented costume designer who worked on Mississippi Grind, to learn firsthand insight about the inspiration, concept, and execution of the costumes that gave the film its distinctive look.

Abby recalls Mississippi Grind as “a special film” that stands out on her impressive resume due to the talents of the creative team, particularly directors Anna Boden and Ryan Fleck and cinematographer Andrij Parekh, who all contributed to developing the “distinctive 1970s Americana road movie” attitude that radiates off the screen like neon bar lights through Marlboro smoke. Continue reading →

McQ’s Striped Tweed Sportcoat

John Wayne as Det.-Lt. Lon “McQ” McHugh in McQ (1974)

Vitals

John Wayne as Lon “McQ” McHugh, taciturn Seattle PD lieutenant

Seattle, Fall 1973

Film: McQ
Release Date: February 6, 1974
Director: John Sturges
Wardrobe Credit: Luster Bayless

WARNING! Spoilers ahead!

Background

What do you get when you mix Dirty Harry’s attitude with Bullitt’s cinematic style and a twist of neo-noir influence? Why, you get McQ, the 1974 crime drama that marked one of Wayne’s few non-Western and non-war movies in his storied career. Continue reading →

George Bailey’s Birdseye Tweed Christmas Suit

James Stewart (as George Bailey) with Donna Reed (as Mary Bailey) and Karolyn Grimes (as Zuzu) in It's a Wonderful Life (1946)

James Stewart (as George Bailey) with Donna Reed (as Mary Bailey) and Karolyn Grimes (as Zuzu) in It’s a Wonderful Life (1946)

Vitals

James Stewart as George Bailey, banker and depressed family man

Bedford Falls, NY, Christmas Eve 1945

Film: It’s a Wonderful Life
Release Date: December 20, 1946
Director: Frank Capra
Costume Designer: Edward Stevenson

Background

Jimmy Stewart and director Frank Capra have both called It’s a Wonderful Life the favorite film of each of their prolific careers. Stewart cites George Bailey as his favorite character that he’s played, and Capra would annually screen the film for his own family each Christmas.

First released 60 years ago this week, the film earned mixed reviews and was ultimately considered a financial disappointment, earning only $3.3 million during its initial box office run against its considerably expensive $3.7 million budget. (It also earned the ire of the FBI for its “Communist tricks” of “represented rather obvious attempts to discredit bankers by casting Lionel Barrymore as a ‘scrooge-type’ so that he would be the most hated man in the picture,” but that’s a whole different story.) Continue reading →

007’s Brown Tweed Suit as Sir Hilary Bray

George Lazenby and Diana Rigg as James Bond and Tracy di Vicenzo in On Her Majesty's Secret Service (1969).

George Lazenby and Diana Rigg as James Bond and Tracy di Vicenzo in On Her Majesty’s Secret Service (1969).

Vitals

George Lazenby as James Bond, British secret agent posing as heraldry expert Sir Hilary Bray

Swiss Alps, Christmas 1969

Film: On Her Majesty’s Secret Service
Release Date: December 18, 1969
Director: Peter R. Hunt
Tailor: Dimi Major
Costume Designer: Marjory Cornelius

Background

For the 00-7th of December, I’m reflecting on James Bond’s first Christmas season on-screen, which he spends in the Swiss Alps under the guise of Sir Hilary Bray (a different Hilary than the Hillary that has been so frequently in the news… although one could technically call his outfit here a “pantsuit” as well.)

On Her Majesty’s Secret Service sends James Bond in search of his long-time rival, megalomaniac Ernst Stavro Blofeld (Telly Savalas). In his inaugural and ultimately lone outing as 007, George Lazenby’s Bond spends a major portion of the film disguised as Sir Hilary Bray, a brilliant but banal “sable basilisk” from the College of Arms in London. Continue reading →

Jimmy Darmody’s Tweed Norfolk Suit

Michael Pitt as Jimmy Darmody on the set of Boardwalk Empire while filming "The Ivory Tower" (Episode 1.02).

Michael Pitt as Jimmy Darmody on the set of Boardwalk Empire while filming “The Ivory Tower” (Episode 1.02).

Vitals

Michael Pitt as Jimmy Darmody, ambitious war veteran and “half a gangster”

Atlantic City, January 1920

Series: Boardwalk Empire
Episodes:
* “Boardwalk Empire” (Episode 1.01, aired September 19, 2010, dir. Martin Scorsese)
* “The Ivory Tower” (Episode 1.02, aired September 26, 2010, dir. Tim Van Patten)
* “Broadway Limited” (Episode 1.03, aired October 3, 2011, dir. Tim Van Patten)
* “Anastasia” (Episode 1.04, aired October 10, 2011, dir. Jeremy Podeswa)
Creator: Terence Winter
Costume Designer: John A. Dunn

WARNING! Spoilers ahead! Continue reading →

Michael Caine as Alfie – Brown Tweed Sportcoat

Michael

Michael Caine as Alfie Elkins in Alfie (1966).

Vitals

Michael Caine as Alfie Elkins, caddish Cockney car service driver and playboy

London, Fall 1962 through Spring 1965

Film: Alfie
Release Date: March 24, 1966
Director: Lewis Gilbert
Wardrobe Supervisor: Jean Fairlie
Tailor: Douglas Hayward

Background

Brown tweed is a great look for fall, so BAMF Style is focused on this outfit sported by Michael Caine in Alfie (as suggested by frequent blog commentor Ryan Hall) for this early October post.

Caine wears this outfit in several major scenes in Alfie: during an argument with Gilda (Julia Foster) following the birth of their son and when he meets the vivacious Ruby (Shelley Winters) while out hocking photographs on the streets of London. Continue reading →

Harrison Ford’s Tweed Jacket in The Fugitive

Harrison Ford as Dr. Richard Kimble in The Fugitive (1993).

Harrison Ford as Dr. Richard Kimble in The Fugitive (1993).

Vitals

Harrison Ford as Dr. Richard Kimble, fugitive and former doctor trying to clear his name

Chicago, Spring 1993

Film: The Fugitive
Release Date: August 6, 1993
Director: Andrew Davis
Costume Designer: Aggie Guerard Rodgers

WARNING! Spoilers ahead!

Background

In addition to being one of the best modern thrillers, The Fugitive is also one of the best TV-to-movie adaptations, seamlessly updating the characters and story to transform four seasons of a 1960s TV show into a compelling and suspenseful 1990s action flick. Continue reading →

And Then There Were None (2015): Philip Lombard’s Tweed Herringbone Jacket

Maeve Dermody and Aidan Turner as Vera Claythorne and Philip Lombard in And Then There Were None (2015).

Maeve Dermody and Aidan Turner as Vera Claythorne and Philip Lombard in And Then There Were None (2015).

Vitals

Aidan Turner as Philip Lombard, adventurer and ex-mercenary

Devon, England, August 1939

Series Title: And Then There Were None
Air Date: December 26-28, 2015
Director: Craig Viveiros
Costume Designer: Lindsay Pugh

WARNING! Spoilers ahead!

Background

Agatha Christie’s And Then There Were None has been one of my favorite books since my sister first innocuously tossed me a copy in fifth grade. She had been reading it for a high school English class and correctly deduced that I would like it. What followed was a night-long reading experience that deluged me into such a state of overwhelming psychological horror that I have been trying desperately to duplicate ever since. It set off a course of events that caused me to eagerly consume as much of Christie’s work as I could, although few works of fiction have ever been able to deliver quite the same effect.

I eagerly sought out a filmed adaptation and discovered—back in the pre-DVD days of the internet’s infancy—that a relatively straightforward English version had been released in 1945, truer to the source than the many remakes in the following decades. I immediately scooped it up and enjoyed the classic flick with its lighthearted gallows humor and romanticized ending that Christie herself had penned for the play adaptation, but I still yearned for the sense of hopeless dread that pervaded the original novel. Continue reading →

The Birds: Mitch’s Tweed Jacket and Drab Trousers

Rod Taylor as Mitch Brenner in The Birds (1963).

Rod Taylor as Mitch Brenner in The Birds (1963)

Vitals

Rod Taylor as Mitchell “Mitch” Brenner, smooth defense lawyer

Bodega Bay, California, Summer 1962

Film: The Birds
Release Date: March 28, 1963
Director: Alfred Hitchcock
Wardrobe Supervisor: Rita Riggs

WARNING! Spoilers ahead!

Background

I try to be very responsive to comments, e-mails, and suggestions on this blog, but sometimes life gets in the way. (Feel free to prod if you’re waiting for a response on something, of course!)

Three years ago, Teeritz (a wonderful commenter and blogger well-known to the BAMF Style community) suggested covering Rod Taylor’s outfits in The Birds, particularly the tweed suit jacket and side-pocket trousers worn for the day of the actual bird attack. I’m ashamed to admit that I had gone 26 years of life without seeing The Birds until last month, and my fellow Pittsburghers know that sharing the city with pigeons means that few things are more frightening than a potential avian mutiny. Continue reading →

Gene Hackman’s Tweed Suit as Buck Barrow

Gene Hackman and Estelle Parsons as Buck and Blanche Barrow in Bonnie and Clyde (1967).

Gene Hackman and Estelle Parsons as Buck and Blanche Barrow in Bonnie and Clyde (1967)

Vitals

Gene Hackman as “Buck” Barrow, bank robber, ex-convict, and family man

Texas, May 1933

Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle

Background

Happy birthday to Gene Hackman, who turns 86 years old today!

Bonnie and Clyde marked the first major role for Hackman, who had spent much of the ’60s as a struggling actor who shared rooms with fellow struggling actors Dustin Hoffman and Robert Duvall. 1967 turned out to be a banner year for the friends and roommates, earning Hackman and Hoffman their first Academy Award nominations.

Hackman brings an easygoing charm to the role of the more famous Clyde’s older brother Buck, and the film gets many of the “on paper” details right about Buck. As Clyde’s older brother, he had more experience tangling with the law and spent the first few months of Clyde’s criminal career in the Texas state prison. He had escaped once, but—as Hackman tells Warren Beatty’s Clyde—it was his new wife Blanche that talked him into returning to prison to serve out the rest of his sentence, and he would be pardoned 15 months later. Buck and Blanche journeyed to visit Bonnie and Clyde, ostensibly for a reunion and possibly for Buck to try and talk Clyde into following his good example. Of course, the murder of two Joplin policemen during this reunion meant Buck would be wanted again as well, and the brothers led the motley “Barrow Gang” in a string of small-town stickups and kidnappings over the next three months. Continue reading →