Tagged: Tweed Suits and Jackets
Bogart in The Big Sleep: Gray Birdseye Wool Suit
Vitals
Humphrey Bogart as Philip Marlowe, archetypal hard-boiled private detective
Los Angeles, Fall 1945
Film: The Big Sleep
Release Date: August 23, 1946
Director: Howard Hawks
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
The Big Sleep is often considered the apex of American film noir. Plot becomes secondary (and often disregarded) in favor of colorful characters made of private eyes, floozy femme fatales, and pornographers spitting snappy dialogue at each other against the backdrop of both the glamorous and seamy sides of the city. The same plot and characters from Raymond Chandler’s 1939 source novel are here, with the anti-Code elements like pornography and homosexuality all but removed. Continue reading
Peaky Blinders – Tommy’s Gray Striped Herringbone Suit
Vitals
Cillian Murphy as Thomas “Tommy” Shelby, cunning Peaky Blinders gang leader and jaded WWI veteran
Birmingham, England, Fall 1919
Series: Peaky Blinders
Episodes: Episodes 1.01 – 1.05
Air Dates: September 12, 2013 – October 10, 2013
Directors: Otto Bathurst (Episodes 1.01 – 1.03) & Tom Harper (Episode 1.04 & 1.05)
Creator: Steven Knight
Costume Designer: Stephanie Collie
Tailor: Keith Watson
Background
BBC Two’s Peaky Blinders is often compared to Boardwalk Empire or The Wire, an unfair comparison as the show stands up excellently on its own and the creator – Steven Knight – has even admitted that he’s never seen either show. One could argue that Peaky Blinders would certainly appeal to watchers of both shows, taking the urban grit of The Wire and the post-WWI family gangsterdom of Boardwalk Empire and launching them both across the pond to settle in Birmingham, England. Continue reading
Chinatown – Gittes’ Tan Birdseye Tweed Sportcoat
Vitals
Jack Nicholson as J.J. Gittes, private investigator and ex-policeman
Los Angeles, Fall 1937
Film: Chinatown
Release Date: June 20, 1974
Director: Roman Polanski
Costume Designer: Anthea Sylbert
Background
When not donning a more businesslike gray for his investigations in the city, J.J. Gittes shows a clear preference for earth tones. He is seen earlier wearing a cream suit around the office, and he sports a nice sandy brown three-piece when visiting the Mulwray home.
Gittes heads to Catalina Island to meet Noah Cross, played by a charming yet sinister John Huston, for lunch. Following lunch, Gittes follows tip after tip, taking him from the hall of records to the San Fernando Valley orange groves to a dubiously administrated retirement home, accompanied now by our established femme fatale, Evelyn Mulwray (Faye Dunaway).
Nearly each step of Gittes’ journey is met with increasing resistance, but he is luckily dressed for his long day in arguably his most comfortable outfit in the movie. Continue reading
The Cincinnati Kid’s Gray Tweed Sportcoat
Vitals
Steve McQueen as Eric “the Kid” Stoner, hotshot poker player
New Orleans, Fall 1936
Film: The Cincinnati Kid
Release Date: October 15, 1965
Director: Norman Jewison
Costume Designer: Donfeld (Donald Lee Feld)
WARNING! Spoilers ahead!
Background
The World Series of Poker started yesterday, hosted by the Rio in Las Vegas. We already had a look at some Vegas cool with Monday’s post, so BAMF Style is gonna examine a look from one of the coolest poker movies of all time, The Cincinnati Kid.
The Cincinnati Kid was Steve McQueen’s first major starring role after kicking Nazi ass in The Great Escape two years earlier, and it also throws him back in time… to the Great Depression, in fact. McQueen plays Eric “the Kid” Stoner, a confident and talented young poker player bumming around the streets of New Orleans from one crooked card game to the next. His life is full of colorful characters including his sweet girlfriend Christian (Tuesday Weld), crooked aristocrat Mr. Slade (Rip Torn), The Kid’s ex-pro buddy “Shooter” (Karl Malden), and Shooter’s sultry wife Melba (Ann-Margret). Continue reading
Bonnie and Clyde (1967): Warren Beatty’s Brown Herringbone Bank Robbery Suit as Clyde Barrow
Vitals
Warren Beatty as Clyde Barrow, Depression-era bank robber and gang leader
Pilot Point, TX, Summer 1933
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
Background
It was around this time in late November 1932 that an awkward and maladjusted Texas hoodlum decided he wanted to make the jump from armed robber and spree killer to big-time bank-robbing gang leader. Now 23 years old, Clyde Barrow already had numerous arrests dating back to an aborted attempt to steal a rental car and impress a girlfriend (not Bonnie, in case you’re curious.) He’d spent two years in prison, having endured sexual and physical abuse for most of it, and now graced headlines of small Texas newspapers with the notoriety of a gutless killer with the blood of two shopkeepers and a deputy sheriff attributed to him (not to mention that of the most abusive inmate from his prison stretch).
With the support of his vulnerable girlfriend, Bonnie Parker, and two Texas nobodies who shared his dreams of taking a major bank score, Clyde set out for the Farmers and Miners Bank in Oronago, Missouri on November 30, 1932. Bonnie had already visited the bank the previous day to case it, but the inexperienced girl drew only suspicious stares from its employees rather than a master plan for robbery. Undeterred by her lack of success, Clyde loaded his Browning Automatic Rifle—stolen from a Texas National Guard armory three months earlier—and charged into the bank around 11:30 a.m. with accomplice Frank Hardy. Things didn’t quite go according to plan. Continue reading
Popeye Doyle’s Peacoat and Pontiac
Vitals
Gene Hackman as Jimmy “Popeye” Doyle, rough but dedicated NYPD narcotics detective
Brooklyn, December 1970
Film: The French Connection
Release Date: October 9, 1971
Director: William Friedkin
Costume Designer: Joseph Fretwell III
Background
Car chases have been ingrained in American cinema since the early days of the Keystone Kops. As the interest in cars grew, auto manufacturers began highlighting their most innovative products through on-screen action. The James Bond franchise innovated the use of car chases with Goldfinger‘s gadget-laden Aston Martin DB5 and a conveniently placed Ford Mustang convertible. The Mustang poked its head out again for the seminal chase in Bullitt as Steve McQueen faced off against a black ’68 Dodge Charger in his Mustang GT-390. After Bullitt, filmmakers began exploring the possibilities of cars on film. New, exciting cars were showcased like the new Dodge Challenger in Vanishing Point to the new Mustang Mach 1 in Diamonds are Forever.
For The French Connection, William Friedkin’s 1971 film based on Robin Moore’s book about intrepid NYPD cops Eddie Egan and Sonny Grosso, the car chase formula was injected with something new. Rather than the super-cool hero coolly chasing a villain in his super-cool car, the film places its ragged protagonist off-duty cop in an ordinary sedan commandeered from a civilian. Not only that, but this villain isn’t in a car; rather, he has hijacked an elevated train as Popeye is forced to race the train to each stop. Continue reading
Dirty Harry’s Brown Tweed in Magnum Force
Vitals
Clint Eastwood as Insp. Harry Callahan, badass San Francisco Police Department inspector
San Francisco, Late Summer 1972
Film: Magnum Force
Release Date: December 25, 1973
Director: Ted Post
Costume Supervisor: Glenn Wright
Background
Magnum Force was originally developed by John Milius as Vigilance, a simple film about a group of young officers in the SFPD going rogue to exterminate the worst of the city’s crooks. Clint Eastwood quickly got his hands on the script and decided that the film would be a good vehicle to show that Harry Callahan may be harsh in his methods, but he isn’t a total vigilante who takes the law in his hands. (Although some would say the opposite about Eastwood during the film’s production.)
Due to Milius’ extensive knowledge and enthusiasm for firearms, the film included plenty of gun handling both on and off the job with extended scenes set during both practice and competition. Continue reading
The Sundance Kid’s Gray Wool Traveling Suit
Vitals
Robert Redford as Harry Longbaugh, aka “The Sundance Kid”, American outlaw and sharpshooter
Colorado to Bolivia (via New York City), Spring 1901
Film: Butch Cassidy and the Sundance Kid
Release Date: October 24, 1969
Director: George Roy Hill
Costume Designer: Edith Head
Background
For Throwback Tuesday (that’s a thing, right?), BAMF Style is focusing on another BAMF hero – Robert Redford, who celebrated his 78th birthday yesterday – in the role that arguably shot his career into megastardom.
As Harry Longbaugh, alias “The Sundance Kid”, Redford played a level-headed – if pessimisitc – ying to the optimistic dreamer Butch Cassidy played by Paul Newman. Butch and the Kid were outlaws, killers, and thieves, but William Goldman’s script, George Roy Hill’s direction, and Newman and Redford’s bickering chemistry reinvented the two bandits’ image. Continue reading
Dr. Watson’s Brown Houndstooth Suit
Vitals
Jude Law as Dr. John Watson, adventurous physician and amateur detective
London, August 1890
Film: Sherlock Holmes
Release Date: December 25, 2009
Director: Guy Ritchie
Costume Designer: Jenny Beavan
Background
While the current British series Sherlock offers more universally adaptable wardrobe options due to its contemporary setting, I unfortunately have yet to see the show (which I know I will love) or own it on a screencappable medium. Thus, to celebrate Sir Arthur Conan Doyle’s 155th birthday this week – May 22 – I’ll be offering a suit worn by Jude Law in the 2009 adaptation of Sherlock Holmes.
Dr. John Watson is the second-greatest invention of Conan Doyle, forever influencing the “active narrator” present in mysteries and thrillers. Throughout the years, Dr. Watson evolved from Conan Doyle’s stoic if somewhat stodgy man of action into a total dolt whose friendship with Holmes was the only thing keeping him alive. Continue reading
Moonraker: James Bond Hunts in Donegal Tweed
Vitals
Roger Moore as James Bond, British “secret” agent who carries a camera with his “secret” code number on it
“California”, Fall 1979
Film: Moonraker
Release Date: June 26, 1979
Director: Lewis Gilbert
Costume Design: Jacques Fonteray
Tailor: Angelo Vitucci
Background
Happy 86th birthday, Roger Moore!
By the time Moonraker rolled around, the realism of earlier James Bond films like From Russia With Love was gone, replaced by near-fantasy adventures of a man who practically introduces himself as a secret agent, is completely irresistible to every woman to every woman in the world, and even goes into outer space. Continue reading










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