Tagged: White Shirt
George Clooney and Brad Pitt as Wolfs in Leather and Cashmere
I’m pleased to again present a guest post contributed by my friend Ken Stauffer, who has written several pieces for BAMF Style previously and chronicles the style of the Ocean’s film series (and beyond!) on his excellent Instagram account, @oceansographer. Ken visited the set of Wolfs for three weeks of filming in early 2023 and attended its premiere at the Venice Film Festival earlier this month.
Brad Pitt and George Clooney in Wolfs (2024)
Photo credit: Scott Garfield
Vitals
George Clooney as Jack, a.k.a. Margaret’s Man, professional underworld fixer
Brad Pitt as Nick a.k.a. Pam’s Man, professional underworld fixer
New York, December 2024
Film: Wolfs
Release Date: September 20, 2024
Director: Jon Watts
Costume Designer: Amy Westcott
WARNING! Spoilers ahead!
Background
It’s been 16 years since the dynamic duo of George Clooney and Brad Pitt made a film together, but the wait is finally over! The pair star in Wolfs, written and directed by Jon Watts (Cop Car, Spider-Man: No Way Home), which is now streaming on Apple TV+ worldwide.
For over a year, the only description of the film was that it concerned “two lone wolf fixers who are unexpectedly assigned to the same job.” Unlike their Ocean’s characters who had years of history together, the aging duo of criminal cleaners played by Clooney and Pitt here have never met before the events of the movie. As Watts wrote in his Director’s Statement for the Venice Film Festival, “Le Samouraï, Blast of Silence, Ghost Dog, Collateral—I love films about solitary professionals dedicated to their craft and always wanted to see what would happen if two of those guys were forced to work together.”
Set entirely in New York City over the course of one long winter night, the film feels like a true throwback to crime films of the ’70s. The plot cleverly plays with well-trodden crime film tropes, while the dialogue recalls the buddy comedy rhythm of Midnight Run, 48 Hours, and Lethal Weapon. The difference here is that rather than being opposites who must find common ground, these characters are so alike that they can’t help but resent and insult one another. To quote Watts again, “It can be hard to make new friends as an adult, even if you have a lot in common.” Continue reading
Marcello Mastroianni in 8½
Marcello Mastroianni in 8½ (1963)
Vitals
Marcello Mastroianni as Guido Anselmi, disillusioned Italian film director
Rome, Summer 1962
Film: 8½
(Italian title: Otto e mezzo)
Release Date: February 13, 1963
Director: Federico Fellini
Costume Designer: Piero Gherardi
WARNING! Spoilers ahead!
Background
Italian screen and style icon Marcello Mastroianni was born 100 years ago today on September 28, 1924. A five-time winner of the David di Donatello Award for Best Actor and three-time Oscar nominee, Mastroianni may be best known for co-starring opposite Sophia Loren eight times and his half-dozen collaborations with director Federico Fellini, beginning with La Dolce Vita (1960) and including Fellini’s quasi-autobiographical 8½ (1963).
After cycling through a few titles more relevant to the fantastic chaos depicted on screen, Fellini reinforced the metafictional aspects with a title referring to the fact that this would be his eighth-and-a-half film—including six features, two shorts, and his 1951 directorial debut Luci del varietà, co-directed with Alberto Lattuada.
Often considered one of the best movies of all time by sources like the British Film Institute and director Martin Scorsese, 8½ centers around Guido Anselmi, an Italian filmmaker struggling with creative block amidst his romantic turmoil. Mastroianni was transformed for Guido to resemble Fellini himself, from his mannerisms and gait to his appearance with graying hair under that distinctive hat. Continue reading
Humphrey Bogart’s Blazer at Sea in Sabrina
Humphrey Bogart and Audrey Hepburn in Sabrina (1954)
Vitals
Humphrey Bogart as Linus Larrabee, industrious businessman
Long Island, New York, Summer 1954
Film: Sabrina
Release Date: September 3, 1954
Director: Billy Wilder
Costume Supervisor: Edith Head
WARNING! Spoilers ahead!
Background
The talent-laden Sabrina was released in the United States 70 years ago today on September 23, 1954, debuting in New York and Los Angeles twenty days after its Toronto premiere on September 3rd. Directed by the prolific Billy Wilder, the romantic comedy stars Audrey Hepburn as the titular Sabrina Fairchild who finds herself romanced by the opposing Larrabee brothers: playboy David (William Holden) and workaholic Linus (Humphrey Bogart). Continue reading
Trevor Howard’s Swiss Holiday Sportswear in The Passionate Friends
Trevor Howard in The Passionate Friends (1949)
Vitals
Trevor Howard as Steven Stratton, romantic biology professor
Switzerland, Summer 1948
Film: The Passionate Friends
Release Date: January 26, 1949
Director: David Lean
Costume Designer: Margaret Furse
WARNING! Spoilers ahead!
Background
Based on H.G. Wells’ 1913 novel of the same name, The Passionate Friends was director David Lean’s second film in four years to star Trevor Howard as a dignified and dashing gentleman who sweeps a bored housewife off her feet. In this case, the woman in question is Mary Justin (Ann Todd), pleasantly—if dispassionately—married to respected financial advisor Howard Justin (Claude Rains).
The Passionate Friends begins with Mary’s arrival in Switzerland for a long overdue holiday, traveling with her husband’s dutiful secretary Miss Layton (Betty Ann Davies) with Howard himself to follow later. (Though set in Switzerland, these sequences were actually filmed just across the French border at Lac d’Annecy in Haute-Savoie.)
As Mary drifts to sleep in her luxurious suite at the Hotel Splendide, she recalls her previous romances with biology professor Steven Stratton (Trevor Howard), whom she last saw nine years earlier in London when their reunion resulted in an extramarital affair that nearly destroyed her marriage to Howard. Little does she know, coincidence—or fate—has brought Steven not only to the same lakeside luxury hotel but indeed the adjoining room. Continue reading
Dillinger (1973): Harry Dean Stanton’s Raccoon Coat as a Doomed Homer Van Meter
Harry Dean Stanton as Homer Van Meter in Dillinger (1973)
Vitals
Harry Dean Stanton as Homer Van Meter, doomed and desperate Depression-era bandit
Wisconsin, Spring 1934
Film: Dillinger
Release Date: July 20, 1973
Director: John Milius
Costume Designer: James M. George
Background
Ninety years ago today in the late afternoon of Sunday, August 23, 1934, a 28-year-old named Homer Van Meter was rushing to keep an appointment in St. Paul, Minnesota. The tall, slender Hoosier nicknamed “Wayne” had been arrested multiple times and was currently wanted for the string of armed robberies and murders committed during his tenure with the infamous John Dillinger gang, which had all but crumbled after its eponymous leader was killed in Chicago a month and a day earlier.
The saga of the Dillinger gang continues to inspire an abundance of books and films, including the fiercely entertaining 1973 movie Dillinger. Written and directed by John Milius in his directorial debut, Dillinger dramatizes the facts and folks associated with the gang, benefiting from the involvement of Clarence Hurt, a retired FBI agent who was part of ace agent Melvin Purvis’ team and present when Dillinger was killed in July 1934.
Led by Warren Oates and Ben Johnson as Dillinger and Purvis, respectively, Dillinger‘s cast includes some of the most recognizable and reliable supporting players of the ’70s filling out the ranks of Dillinger’s gang, including Steve Kanaly, Geoffrey Lewis, John P. Ryan, a young Richard Dreyfuss as “Baby Face” Nelson, and Harry Dean Stanton as Homer Van Meter. Continue reading
Cape Fear (1991): Robert De Niro’s White Terrycloth Shirt as Max Cady
Robert De Niro as Max Cady in Cape Fear (1991)
Vitals
Robert De Niro as Max Cady, psychopathic parolee
New Essex, North Carolina, Summer 1991
Film: Cape Fear
Release Date: November 15, 1991
Director: Martin Scorsese
Costume Designer: Rita Ryack
WARNING! Spoilers ahead!
Background
Happy birthday to Robert De Niro, born August 17, 1943. One of the prolific actor’s less-discussed but still acclaimed performances is his Academy Award-nominated characterization of the dangerously psychotic Max Cady in Cape Fear, Martin Scorsese’s 1991 remake of the 1962 thriller and the 7th of ten collaborations to date between De Niro and Scorsese. Continue reading
Harry Dean Stanton’s Cream Suit in Cockfighter
Harry Dean Stanton in Cockfighter (1974)
Vitals
Harry Dean Stanton as Jack Burke, country cockfighter
Georgia, Spring 1973
Film: Cockfighter
Release Date: July 30, 1974
Director: Monte Hellman
Wardrobe Credit: Carol Hammond & Patty Shaw
Background
The great character actor Harry Dean Stanton was born 98 years ago tomorrow on July 14, 1926. A familiar face among the supporting cast of classic movies for a career spanning more than a half-century, Stanton also shined in his rare leading roles in Paris, Texas (1984), Repo Man (1984), and Lucky (2017).
One of the lesser-known entries in Stanton’s filmography is Cockfighter, reuniting him with Two-Lane Blacktop director Monte Hellman and his friend and frequent co-star Warren Oates. Released 50 years ago this month, Cockfighter was controversial upon its release for its uncompromising portrayal of the titular bloodsport. Continue reading
Moonraker: Roger Moore’s Cream Suit in Rio
Roger Moore as James Bond in Moonraker (1979)
Vitals
Roger Moore as James Bond, suave and sophisticated British MI6 agent
Rio de Janiero, Brazil, February 1979
Film: Moonraker
Release Date: June 26, 1979
Director: Lewis Gilbert
Costume Designer: Jacques Fonteray
Tailor: Angelo Vitucci
WARNING! Spoilers ahead!
Background
Moonraker launched James Bond into orbit when it premiered 45 years ago today on June 26, 1979 as the fourth of Sir Roger Moore’s seven adventures as the dashing spy.
Before his out-of-this-world journey, 007 trots the globe from California to Italy and ultimately to Brazil, where he landed in Rio de Janiero during the annual Carnival festivities held in February. February is a summer month in Brazil, so Bond dresses for the warmth in a cream linen suit and open-neck brown shirt and matching pocket square as he alights from his plane. Continue reading
The Last of Sheila: Ian McShane’s White Lacoste Cardigan
Ian McShane as Anthony Wood in The Last of Sheila (1973)
Vitals
Ian McShane as Anthony Wood, controlling Hollywood husband and ex-convict
French Riviera, Late summer 1972
Film: The Last of Sheila
Release Date: June 14, 1973
Director: Herbert Ross
Costume Designer: Joel Schumacher
WARNING! Spoilers ahead!
Background
One of my favorite “summer vibes” movies is The Last of Sheila, which I first watched last summer after learning that it was among Rian Johnson’s inspiration for Glass Onion: A Knives Out Mystery. As the third Knives Out movie has commenced filming and we’re approaching another summer solstice, let’s revisit the Riviera style on parade in The Last of Sheila, released 51 years ago this month on Flag Day 1973.
Written by Stephen Sondheim and Anthony Perkins, The Last of Sheila boasts a fine ensemble cast portraying “six hungry failures” summoned by Hollywood producer Clinton Greene (James Coburn) to spend a week in the Ligurian Sea aboard his yacht, Sheila, named for his late wife who died exactly a year earlier in a mysterious hit-and-run.
After Clinton is murdered during his festivities, the six frenemies begin looking amongst each other for who would have had the means and opportunity to kill Clinton, though all had a motive—presumably to silence the gossip he knew about each of their pasts, revealed by the cards he had assigned to each on their first day at sea.
Perhaps the least connected of the six is the charismatic but shady Anthony Wood (Ian McShane), who fiercely promotes—and controls—the career of his glamorous actress wife Alice (Raquel Welch). When the “I am an EX-CONVICT” card held by the anxious Lee Parkman (Joan Hackett) is revealed to apply to Anthony’s dual convictions for assault, Lee’s writer husband Tom (Richard Benjamin) briefly focuses his interrogation on Anthony as the group tries to solve the mystery. Continue reading
Robert Redford’s Tuxedo in The Great Gatsby
Robert Redford as Jay Gatsby in The Great Gatsby (1974)
Vitals
Robert Redford as Jay Gatsby, enigmatic millionaire and eager romantic
Long Island, New York, Summer 1925
Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Clothes by: Ralph Lauren
Background
Today marks the 50th anniversary since the release of The Great Gatsby, directed by Jack Clayton from a screenplay by Francis Ford Coppola. This 1974 film was actually the third major adaptation of F. Scott Fitzgerald’s romantic Jazz Age novel to be brought to the big screen, following a now-lost silent film in 1926 and a 1949 update starring Alan Ladd, Betty Field, and Macdonald Carey.
The lavish 1974 version stars Robert Redford as the eponymous millionaire who amassed his wealth and flaunts it through riotous parties all in the hopes of reuniting with his erstwhile love, the now-married Daisy (Mia Farrow).
Roaring ’20s standards like “Who?” and “Whispering” filter up from the jazz band out in the garden as Nick Carraway (Sam Waterston) is nervously led by a gun-toting bodyguard into a handsome wood-paneled office, where Nick finally meets the enigmatic host. Jay Gatsby is immediately charming, but his talent for first impressions sizzles out for a very stilted encounter as Gatsby awkwardly explains that he just felt the two neighbors should meet.
Mercifully interrupted by a business phone call (“I don’t give a damn what Philadelphia wants, I said a ‘small town’. If that’s his idea of a small town, he’s no use to us.”), Gatsby recovers his wits enough to ask Nick to join him for lunch the following day.
Though The Great Gatsby received a lukewarm critical reception upon its release 50 years ago this week, it grossed nearly four times its budget and was a major cultural phenomenon, with Nelson Riddle’s Oscar-winning score and Theoni V. Aldredge’s Oscar-winning costume design reviving interest in music and fashions of the 1920s. Continue reading
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