Tagged: White Shirt
Harry Dean Stanton’s Cream Suit in Cockfighter
Harry Dean Stanton in Cockfighter (1974)
Vitals
Harry Dean Stanton as Jack Burke, country cockfighter
Georgia, Spring 1973
Film: Cockfighter
Release Date: July 30, 1974
Director: Monte Hellman
Wardrobe Credit: Carol Hammond & Patty Shaw
Background
The great character actor Harry Dean Stanton was born 98 years ago tomorrow on July 14, 1926. A familiar face among the supporting cast of classic movies for a career spanning more than a half-century, Stanton also shined in his rare leading roles in Paris, Texas (1984), Repo Man (1984), and Lucky (2017).
One of the lesser-known entries in Stanton’s filmography is Cockfighter, reuniting him with Two-Lane Blacktop director Monte Hellman and his friend and frequent co-star Warren Oates. Released 50 years ago this month, Cockfighter was controversial upon its release for its uncompromising portrayal of the titular bloodsport. Continue reading
Moonraker: Roger Moore’s Cream Suit in Rio
Roger Moore as James Bond in Moonraker (1979)
Vitals
Roger Moore as James Bond, suave and sophisticated British MI6 agent
Rio de Janiero, Brazil, February 1979
Film: Moonraker
Release Date: June 26, 1979
Director: Lewis Gilbert
Costume Designer: Jacques Fonteray
Tailor: Angelo Vitucci
WARNING! Spoilers ahead!
Background
Moonraker launched James Bond into orbit when it premiered 45 years ago today on June 26, 1979 as the fourth of Sir Roger Moore’s seven adventures as the dashing spy.
Before his out-of-this-world journey, 007 trots the globe from California to Italy and ultimately to Brazil, where he landed in Rio de Janiero during the annual Carnival festivities held in February. February is a summer month in Brazil, so Bond dresses for the warmth in a cream linen suit and open-neck brown shirt and matching pocket square as he alights from his plane. Continue reading
The Last of Sheila: Ian McShane’s White Lacoste Cardigan
Ian McShane as Anthony Wood in The Last of Sheila (1973)
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Ian McShane as Anthony Wood, controlling Hollywood husband and ex-convict
French Riviera, Late summer 1972
Film: The Last of Sheila
Release Date: June 14, 1973
Director: Herbert Ross
Costume Designer: Joel Schumacher
WARNING! Spoilers ahead!
Background
One of my favorite “summer vibes” movies is The Last of Sheila, which I first watched last summer after learning that it was among Rian Johnson’s inspiration for Glass Onion: A Knives Out Mystery. As the third Knives Out movie has commenced filming and we’re approaching another summer solstice, let’s revisit the Riviera style on parade in The Last of Sheila, released 51 years ago this month on Flag Day 1973.
Written by Stephen Sondheim and Anthony Perkins, The Last of Sheila boasts a fine ensemble cast portraying “six hungry failures” summoned by Hollywood producer Clinton Greene (James Coburn) to spend a week in the Ligurian Sea aboard his yacht, Sheila, named for his late wife who died exactly a year earlier in a mysterious hit-and-run.
After Clinton is murdered during his festivities, the six frenemies begin looking amongst each other for who would have had the means and opportunity to kill Clinton, though all had a motive—presumably to silence the gossip he knew about each of their pasts, revealed by the cards he had assigned to each on their first day at sea.
Perhaps the least connected of the six is the charismatic but shady Anthony Wood (Ian McShane), who fiercely promotes—and controls—the career of his glamorous actress wife Alice (Raquel Welch). When the “I am an EX-CONVICT” card held by the anxious Lee Parkman (Joan Hackett) is revealed to apply to Anthony’s dual convictions for assault, Lee’s writer husband Tom (Richard Benjamin) briefly focuses his interrogation on Anthony as the group tries to solve the mystery. Continue reading
Robert Redford’s Tuxedo in The Great Gatsby
Robert Redford as Jay Gatsby in The Great Gatsby (1974)
Vitals
Robert Redford as Jay Gatsby, enigmatic millionaire and eager romantic
Long Island, New York, Summer 1925
Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Clothes by: Ralph Lauren
Background
Today marks the 50th anniversary since the release of The Great Gatsby, directed by Jack Clayton from a screenplay by Francis Ford Coppola. This 1974 film was actually the third major adaptation of F. Scott Fitzgerald’s romantic Jazz Age novel to be brought to the big screen, following a now-lost silent film in 1926 and a 1949 update starring Alan Ladd, Betty Field, and Macdonald Carey.
The lavish 1974 version stars Robert Redford as the eponymous millionaire who amassed his wealth and flaunts it through riotous parties all in the hopes of reuniting with his erstwhile love, the now-married Daisy (Mia Farrow).
Roaring ’20s standards like “Who?” and “Whispering” filter up from the jazz band out in the garden as Nick Carraway (Sam Waterston) is nervously led by a gun-toting bodyguard into a handsome wood-paneled office, where Nick finally meets the enigmatic host. Jay Gatsby is immediately charming, but his talent for first impressions sizzles out for a very stilted encounter as Gatsby awkwardly explains that he just felt the two neighbors should meet.
Mercifully interrupted by a business phone call (“I don’t give a damn what Philadelphia wants, I said a ‘small town’. If that’s his idea of a small town, he’s no use to us.”), Gatsby recovers his wits enough to ask Nick to join him for lunch the following day.
Though The Great Gatsby received a lukewarm critical reception upon its release 50 years ago this week, it grossed nearly four times its budget and was a major cultural phenomenon, with Nelson Riddle’s Oscar-winning score and Theoni V. Aldredge’s Oscar-winning costume design reviving interest in music and fashions of the 1920s. Continue reading
Richard Burton in Who’s Afraid of Virginia Woolf?
Richard Burton and Elizabeth Taylor in Who’s Afraid of Virginia Woolf? (1966)
Vitals
Richard Burton as George, weary but witty history professor
New England, Fall 1965
Film: Who’s Afraid of Virginia Woolf?
Release Date: June 21, 1966
Director: Mike Nichols
Costume Designer: Irene Sharaff
WARNING! Spoilers ahead!
Background
Hollywood icons Elizabeth Taylor and Richard Burton were married (for the first of two times) sixty years ago today on March 15, 1964. The A-list couple starred in 11 films over the span of a decade, with arguably the most acclaimed being Who’s Afraid of Virginia Woolf?, adapted by Ernest Lehman from Edward Albee’s play of the same name and the directorial debut for then-comedian Mike Nichols. Continue reading
Mad Men: Roger Sterling’s Red Plaid Smoking Jacket
John Slattery as Roger Sterling on Mad Men (Episode 7.03: “Field Trip”)
Vitals
John Slattery as Roger Sterling, Madison Avenue ad executive
New York City, Spring 1969
Series: Mad Men
Episode: “Field Trip” (Episode 7.03)
Air Date: April 27, 2014
Director: Christopher Manley
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Background
Four years ago, on Friday the 13th of March 2020, COVID-19 was officially declared a national emergency in the United States. After a week or two of being instructed to reminded to sing “Happy Birthday” twice while washing my hands, it was a very surreal Friday in the office as rumors swirled about how this newly classified pandemic would affect our reality.
As nationwide lockdowns set in across the United States, the following Monday started the first of what was initially intended to be a “two-week” work-from-home policy that ultimately stretched over nearly 15 months. While I applaud those who consistently dressed to work from home as though it were another day in the office, adjusting to this “new normal” for me—even as a style blogger—meant unprecedented levels in workday comfort, eventually finding an agreeable compromise of a presentable upper-half and comfortable lower-half that was best for my own personal productivity.
“What does this have to do with Mad Men?” you ask, in all fairness.
Aside from the fact that Mad Men was one of the first of my favorite shows that I rewatched in its entirety during the spring 2020 quarantine period, the stylish series also presented a look I’d long been wanting to revisit that reminded me of that odd lockdown period as I tried to blend loungewear with business attire.
At the start of Mad Men‘s seventh season, Don Draper (Jon Hamm) demonstrates a nearly half-century head-start on the WFH trend as the recently grounded ad man has been covertly working on accounts from his Manhattan penthouse, currently persona non grata at SC&P after getting a little too candid during a client pitch at the end of the previous season. His reputation resurged enough to secure a job offer from a rival company, Don pays a late visit to his former friend and colleague Roger Sterling (John Slattery), confronting him over feeling abandoned by the agency he co-founded—and, more specifically, his old pal. Continue reading
Succession: Connor Roy’s Velvet Wedding Jacket
Alan Ruck and Justine Lupe on Succession, Episode 4.03 (“Connor’s Wedding”). Sourced from Justine Lupe’s Instagram: @mejustinelupe.
Vitals
Alan Ruck as Connor Roy, prospective groom and less-prospective presidential candidate
Jersey City, New Jersey, Fall 2020
Series: Succession
Episode: “Connor’s Wedding” (Episode 4.03)
Air Date: April 9, 2023
Director: Mark Mylod
Creator: Jesse Armstrong
Costume Designer: Michelle Matland
WARNING! Spoilers ahead!
Background
The Conheads made a strong showing to share how much they appreciated my first post featuring Alan Ruck’s style on Succession, so—in the spirit of Valentine’s Day tomorrow—”let’s just enjoy the sham marriage and the death of romance” as toasted by Connor’s younger half-sibling Roman (Kieran Culkin).
Despite the episode’s matter-of-fact title, the eldest son’s nuptials was hardly the most dramatic event in “Connor’s Wedding”, the third episode of Succession‘s fourth and final season. Continue reading
Moonraker: Roger Moore’s Double-Breasted Dinner Jacket
Roger Moore as James Bond in Moonraker (1979). Photo sourced from thunderballs.org archive.
Vitals
Roger Moore as James Bond, suave and sophisticated British MI6 agent
Rio de Janiero, Brazil, February 1979
Film: Moonraker
Release Date: June 26, 1979
Director: Lewis Gilbert
Costume Designer: Jacques Fonteray
Tailor: Angelo Vitucci
WARNING! Spoilers ahead!
Background
Happy 00-7th of February! To warm up, let’s join James Bond on assignment in Rio de Janiero, his last stop in Moonraker before an unexpected detour into outer space, following both our villain Hugo Drax (Michael Lonsdale) and the overall sci-fi trends of the late ’70s thanks to blockbusters like Star Wars.
Before strapping on a Drax Industries spacesuit, Bond dons a more characteristic suit with the tailored tuxedo he chooses to wear for Carnival, the annual Brazilian festival held every February—scheduled to start at the end of this week. Continue reading
American Psycho: Patrick Bateman’s Camel Coat and Navy Windowpane Suit
Christian Bale as Patrick Bateman in American Psycho (2000)
Vitals
Christian Bale as Patrick Bateman, investment banker and killer
New York City, Spring 1988
Film: American Psycho
Release Date: April 14, 2000
Director: Mary Harron
Costume Designer: Isis Mussenden
WARNING! Spoilers ahead!
Background
Happy 50th birthday to Christian Bale!
Prior to his blockbuster performances as Gotham’s caped crusader in Christopher Nolan’s Batman trilogy and his Academy Award-winning performance in The Fighter (2011), the Welsh-born actor’s breakthrough adult role was arguably as the sociopathic businessman—and suggested serial killer—Patrick Bateman in American Psycho, adapted by Mary Herron from Bret Easton Ellis’ dark satirical novel of the same name. Continue reading
The Godfather, Part II: Tom Hagen’s Gray Striped Suit
Robert Duvall as Tom Hagen in The Godfather, Part II (1974)
Vitals
Robert Duvall as Tom Hagen, levelheaded Mafia lawyer
Nevada and Washington, D.C., Winter 1958 through Spring 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Today is the 93rd birthday of Robert Duvall, the prolific actor born January 5, 1931 whose extensive filmography includes the first two films of The Godfather saga as Tom Hagen, the orphan informally adopted by the Corleone family—and whose cool head and legal savvy resulted in his position as the family’s trusted consigliere.
As this is the 50th anniversary year of The Godfather Part II, today’s post will explore Tom’s character and costume in this masterful second installment, set across the late 1950s as Michael Corleone (Al Pacino) continues consolidating his power and seeks to legitimatize the family’s interest as Tom had long advised him to do.
Although he’s been transitioned from consigliere to being the family’s lawyer in Las Vegas, Tom still serving as Michael’s right-hand man, with duties beyond legal counsel including everything from buying Christmas presents for the don’s children to blackmailing a senator whom they’ve framed for the murder for a prostitute. Continue reading
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