Tagged: White Shirt
Death on the Nile: Maggie Smith in Menswear-informed Black Tie
Maggie Smith in Death on the Nile (1978)
Vitals
Maggie Smith as Miss Bowers, dependable nurse and traveling companion
Egypt, September 1937
Film: Death on the Nile
Release Date: September 29, 1978
Director: John Guillermin
Costume Designer: Anthony Powell
WARNING! Spoilers ahead!
Background
Today would have been the 90th birthday of prolific English actress Dame Maggie Smith, who died three months ago in September 2024. Born December 28, 1934, Smith was a two-time Academy Award winner for her performances in The Prime of Miss Jean Brodie (1969) and California Suite (1978), later endearing herself to modern audiences for her roles in the Harry Potter film series and on Downton Abbey.
BAMF Style readers familiar with my appreciation for Agatha Christie novels and their screen adaptations may not be surprised to learn that I became a fan of hers following her appearances in the lavish Anthony Shaffer-penned adaptations of Death on the Nile and Evil Under the Sun, both of which starred Peter Ustinov as the fastidious Belgian detective Hercule Poirot. Continue reading
Murder on the Orient Express: Albert Finney as Hercule Poirot
Albert Finney as Hercule Poirot in Murder on the Orient Express (1974)
Vitals
Albert Finney as Hercule Poirot, meticulous Belgian detective
The Orient Express, December 1935
Film: Murder on the Orient Express
Release Date: November 21, 1974
Director: Sidney Lumet
Costume Designer: Tony Walton
WARNING! Spoilers ahead!
Background
Ladies and gentlemen, you are all aware that a repulsive murderer has himself been repulsively, and, perhaps deservedly, murdered…
The first prominent—and arguably still definitive—adaptation of Agatha Christie’s mystery Murder on the Orient Express premiered 50 years ago today on November 21, 1974. The star-studded cast was led by a nearly unrecognizable Albert Finney as Hercule Poirot, the fastidious Belgian detective tasked with solving the baffling murder of a gangster on a luxury train stuck in a snow drift. Continue reading
Stop Making Sense: David Byrne’s Big Suit
David Byrne models the famous “big suit” he introduced in Stop Making Sense (1984)
Vitals
David Byrne, eccentric Talking Heads frontman
Los Angeles, December 1983
Film: Stop Making Sense
Release Date: October 19, 1984
Director: Jonathan Demme
Costume Designer: Gail Blacker
Background
Widely regarded as one of the best concert films ever made, Stop Making Sense was released 40 years ago today on October 19, 1984. Independently produced by Gary Goetzman and directed by Jonathan Demme, Stop Making Sense captures Talking Heads performing over four nights in December 1983 at the Pantages Theater in Los Angeles, during their tour promoting the album Speaking in Tongues.
As the lead singer and chief songwriter, frontman David Byrne defined much of the band’s quirky personality, energetically dancing across the stage and rotating between his Martin D-35 acoustic guitar, sunburst ’63 Fender Stratocaster, and dual-humbucker Roland guitars.
In a 2020 Newsweek interview with Samuel Spencer, Byrne shared that he maintained a cohesive visual effect by “[asking] everyone to wear medium grey outfits, whatever style they preferred (a questionable decision there), but always in medium grey. It worked—this consistency meant the effects of the various lighting cues and gags were more seamless.” However, drummer Chris Frantz had to break from this neutral formula after his laundry wasn’t returned following the first night’s performance, opting for a turquoise-blue polo shirt each night to maintain continuity.
Still, it’s not Frantz’s splash of color that steals the sartorial spotlight in Stop Making Sense. After Tina Weymouth and Frantz perform “Genius of Love” from their side project Tom Tom Club, Byrne rejoins his band on stage ahead of “Girlfriend is Better”, now dressed in an absurdly oversized business suit. Continue reading
Pulp Fiction: Travolta’s Black Suit and Tie as Vincent Vega
John Travolta as Vincent Vega in Pulp Fiction (1994)
Vitals
John Travolta as Vincent Vega, laidback mob hitman and self-described “Elvis man”
Los Angeles, Summer 1992
Film: Pulp Fiction
Release Date: October 14, 1994
Director: Quentin Tarantino
Costume Designer: Betsy Heimann
WARNING! Spoilers ahead!
Background
Pulp Fiction was released 30 years ago today on October 14, 1994, establishing Quentin Tarantino’s trademarks like a nonlinear narrative, many references to older movies and TV, and even the “trunk shot” from the POV of an open car trunk.
In addition to establishing Tarantino as a serious filmmaker after his impressive debut Reservoir Dogs, the movie also revitalized John Travolta’s career. The actor received an Academy Award nomination for his performance as Vincent Vega, the canonical brother to Michael Madsen’s psychotic killer Vic Vega—aka “Mr. Blonde”—in Reservoir Dogs. Continue reading
George Clooney and Brad Pitt as Wolfs in Leather and Cashmere
I’m pleased to again present a guest post contributed by my friend Ken Stauffer, who has written several pieces for BAMF Style previously and chronicles the style of the Ocean’s film series (and beyond!) on his excellent Instagram account, @oceansographer. Ken visited the set of Wolfs for three weeks of filming in early 2023 and attended its premiere at the Venice Film Festival earlier this month.
Brad Pitt and George Clooney in Wolfs (2024)
Photo credit: Scott Garfield
Vitals
George Clooney as Jack, a.k.a. Margaret’s Man, professional underworld fixer
Brad Pitt as Nick a.k.a. Pam’s Man, professional underworld fixer
New York, December 2024
Film: Wolfs
Release Date: September 20, 2024
Director: Jon Watts
Costume Designer: Amy Westcott
WARNING! Spoilers ahead!
Background
It’s been 16 years since the dynamic duo of George Clooney and Brad Pitt made a film together, but the wait is finally over! The pair star in Wolfs, written and directed by Jon Watts (Cop Car, Spider-Man: No Way Home), which is now streaming on Apple TV+ worldwide.
For over a year, the only description of the film was that it concerned “two lone wolf fixers who are unexpectedly assigned to the same job.” Unlike their Ocean’s characters who had years of history together, the aging duo of criminal cleaners played by Clooney and Pitt here have never met before the events of the movie. As Watts wrote in his Director’s Statement for the Venice Film Festival, “Le Samouraï, Blast of Silence, Ghost Dog, Collateral—I love films about solitary professionals dedicated to their craft and always wanted to see what would happen if two of those guys were forced to work together.”
Set entirely in New York City over the course of one long winter night, the film feels like a true throwback to crime films of the ’70s. The plot cleverly plays with well-trodden crime film tropes, while the dialogue recalls the buddy comedy rhythm of Midnight Run, 48 Hours, and Lethal Weapon. The difference here is that rather than being opposites who must find common ground, these characters are so alike that they can’t help but resent and insult one another. To quote Watts again, “It can be hard to make new friends as an adult, even if you have a lot in common.” Continue reading
Marcello Mastroianni in 8½
Marcello Mastroianni in 8½ (1963)
Vitals
Marcello Mastroianni as Guido Anselmi, disillusioned Italian film director
Rome, Summer 1962
Film: 8½
(Italian title: Otto e mezzo)
Release Date: February 13, 1963
Director: Federico Fellini
Costume Designer: Piero Gherardi
WARNING! Spoilers ahead!
Background
Italian screen and style icon Marcello Mastroianni was born 100 years ago today on September 28, 1924. A five-time winner of the David di Donatello Award for Best Actor and three-time Oscar nominee, Mastroianni may be best known for co-starring opposite Sophia Loren eight times and his half-dozen collaborations with director Federico Fellini, beginning with La Dolce Vita (1960) and including Fellini’s quasi-autobiographical 8½ (1963).
After cycling through a few titles more relevant to the fantastic chaos depicted on screen, Fellini reinforced the metafictional aspects with a title referring to the fact that this would be his eighth-and-a-half film—including six features, two shorts, and his 1951 directorial debut Luci del varietà, co-directed with Alberto Lattuada.
Often considered one of the best movies of all time by sources like the British Film Institute and director Martin Scorsese, 8½ centers around Guido Anselmi, an Italian filmmaker struggling with creative block amidst his romantic turmoil. Mastroianni was transformed for Guido to resemble Fellini himself, from his mannerisms and gait to his appearance with graying hair under that distinctive hat. Continue reading
Humphrey Bogart’s Blazer at Sea in Sabrina
Humphrey Bogart and Audrey Hepburn in Sabrina (1954)
Vitals
Humphrey Bogart as Linus Larrabee, industrious businessman
Long Island, New York, Summer 1954
Film: Sabrina
Release Date: September 3, 1954
Director: Billy Wilder
Costume Supervisor: Edith Head
WARNING! Spoilers ahead!
Background
The talent-laden Sabrina was released in the United States 70 years ago today on September 23, 1954, debuting in New York and Los Angeles twenty days after its Toronto premiere on September 3rd. Directed by the prolific Billy Wilder, the romantic comedy stars Audrey Hepburn as the titular Sabrina Fairchild who finds herself romanced by the opposing Larrabee brothers: playboy David (William Holden) and workaholic Linus (Humphrey Bogart). Continue reading
Trevor Howard’s Swiss Holiday Sportswear in The Passionate Friends
Trevor Howard in The Passionate Friends (1949)
Vitals
Trevor Howard as Steven Stratton, romantic biology professor
Switzerland, Summer 1948
Film: The Passionate Friends
Release Date: January 26, 1949
Director: David Lean
Costume Designer: Margaret Furse
WARNING! Spoilers ahead!
Background
Based on H.G. Wells’ 1913 novel of the same name, The Passionate Friends was director David Lean’s second film in four years to star Trevor Howard as a dignified and dashing gentleman who sweeps a bored housewife off her feet. In this case, the woman in question is Mary Justin (Ann Todd), pleasantly—if dispassionately—married to respected financial advisor Howard Justin (Claude Rains).
The Passionate Friends begins with Mary’s arrival in Switzerland for a long overdue holiday, traveling with her husband’s dutiful secretary Miss Layton (Betty Ann Davies) with Howard himself to follow later. (Though set in Switzerland, these sequences were actually filmed just across the French border at Lac d’Annecy in Haute-Savoie.)
As Mary drifts to sleep in her luxurious suite at the Hotel Splendide, she recalls her previous romances with biology professor Steven Stratton (Trevor Howard), whom she last saw nine years earlier in London when their reunion resulted in an extramarital affair that nearly destroyed her marriage to Howard. Little does she know, coincidence—or fate—has brought Steven not only to the same lakeside luxury hotel but indeed the adjoining room. Continue reading
Dillinger (1973): Harry Dean Stanton’s Raccoon Coat as a Doomed Homer Van Meter
Harry Dean Stanton as Homer Van Meter in Dillinger (1973)
Vitals
Harry Dean Stanton as Homer Van Meter, doomed and desperate Depression-era bandit
Wisconsin, Spring 1934
Film: Dillinger
Release Date: July 20, 1973
Director: John Milius
Costume Designer: James M. George
Background
Ninety years ago today in the late afternoon of Sunday, August 23, 1934, a 28-year-old named Homer Van Meter was rushing to keep an appointment in St. Paul, Minnesota. The tall, slender Hoosier nicknamed “Wayne” had been arrested multiple times and was currently wanted for the string of armed robberies and murders committed during his tenure with the infamous John Dillinger gang, which had all but crumbled after its eponymous leader was killed in Chicago a month and a day earlier.
The saga of the Dillinger gang continues to inspire an abundance of books and films, including the fiercely entertaining 1973 movie Dillinger. Written and directed by John Milius in his directorial debut, Dillinger dramatizes the facts and folks associated with the gang, benefiting from the involvement of Clarence Hurt, a retired FBI agent who was part of ace agent Melvin Purvis’ team and present when Dillinger was killed in July 1934.
Led by Warren Oates and Ben Johnson as Dillinger and Purvis, respectively, Dillinger‘s cast includes some of the most recognizable and reliable supporting players of the ’70s filling out the ranks of Dillinger’s gang, including Steve Kanaly, Geoffrey Lewis, John P. Ryan, a young Richard Dreyfuss as “Baby Face” Nelson, and Harry Dean Stanton as Homer Van Meter. Continue reading
Cape Fear (1991): Robert De Niro’s White Terrycloth Shirt as Max Cady
Robert De Niro as Max Cady in Cape Fear (1991)
Vitals
Robert De Niro as Max Cady, psychopathic parolee
New Essex, North Carolina, Summer 1991
Film: Cape Fear
Release Date: November 15, 1991
Director: Martin Scorsese
Costume Designer: Rita Ryack
WARNING! Spoilers ahead!
Background
Happy birthday to Robert De Niro, born August 17, 1943. One of the prolific actor’s less-discussed but still acclaimed performances is his Academy Award-nominated characterization of the dangerously psychotic Max Cady in Cape Fear, Martin Scorsese’s 1991 remake of the 1962 thriller and the 7th of ten collaborations to date between De Niro and Scorsese. Continue reading
You must be logged in to post a comment.