Tagged: Gangster
Kirk Douglas in The Brotherhood: Corduroy in Sicily
Vitals
Kirk Douglas as Frank Ginetta, Sicilian-American mob boss
Sicily, Spring 1968
Film: The Brotherhood
Release Date: December 25, 1968
Director: Martin Ritt
Costume Designer: Ruth Morley
Background
On what would have been Kirk Douglas’ 105th birthday, today’s post recognizes a unique passion project among the prolific actor’s varied filmography. Though he’d been an uncredited producer on more than a dozen movies, Douglas had only been listed as a producer on Spartacus before he selected The Brotherhood as the next production to carry his name. Despite some valid feedback that he may not be the right visual type for the leading role of Sicilian-born gangster Frank Ginetta, Douglas welcomed the acting challenge… and the help of some dye to darken a newly grown mustache in addition to his famous coiff. Continue reading
The Godfather, Part III: Pacino’s Brick-Red Cardigan
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Al Pacino as Michael Corleone, repentant mob boss and World War II veteran
New York City, Fall 1979
Film: The Godfather Part III
Release Date: December 25, 1990
Director: Francis Ford Coppola
Costume Designer: Milena Canonero
WARNING! Spoilers ahead!
Background
Just when he thought he was out, they pulled him back in.
Sixteen years after its masterpiece sequel told the parallel stories of Michael Corleone (Al Pacino) and his father Vito (Robert De Niro) building their crime families, Francis Ford Coppola returned to the Corleone clan with the polarizing coda, The Godfather, Part III. Continue reading
The Many Saints of Newark: Dickie Moltisanti’s Black Striped Knit Shirts
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Alessandro Nivola as Dickie Moltisanti, slick gangster
Newark, New Jersey, Summer 1967 through Summer 1971
Film: The Many Saints of Newark
Release Date: October 1, 2021
Director: Alan Taylor
Costume Designer: Amy Westcott
WARNING! Spoilers ahead!
Background
“Pain comes from wanting things,” Sal Moltisanti (Ray Liotta) explains to his nephew Dickie, though it could have also been meta-messaging from David Chase, creator of The Sopranos and a frequent critic of the fans and pundits always demanding more from his magnum opus, be it answers (What happened to the Russian? Did Tony die at Holsten’s?) or more stories to be told.
Regarding the latter, Chase had expressed interest in prequel stories—if anything—to continue building the Soprano-verse. He returned to a setting that had intrigued him as far back as his days in film school: the race riots that swept through Newark in July 1967.
While much excitement was garnered when it was announced that the late James Gandolfini’s son Michael would be playing a younger version of the role his father had immortalized on the series, the central character of Chase’s prequel would be Dickie Moltisanti, the smooth mafiosi whose death prior to the events of the series left the hotheaded young gangster Christopher Moltisanti (Michael Imperioli) desperately in search of a father figure.
After years of The Sopranos building up Dickie’s mythos, Alessandro Nivola delivers a charismatic and engaging performance that makes Dickie Moltisanti a particularly compelling character to finally meet, illustrating the magnetism that would have so entranced a young Tony as well as the internal demons that he would have transferred to Christopher.
The Sopranos: Johnny Boy’s Red Knit 1960s Shirt
Vitals
Joseph Siravo as “Johnny Boy” Soprano, gregarious gangster
Newark, New Jersey, Fall 1969
Series: The Sopranos
Episode: “Fortunate Son” (Episode 3.03)
Air Date: March 11, 2001
Director: Henry J. Bronchtein
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
The highly anticipated Soprano saga prequel, The Many Saints of Newark, will be released tomorrow, expanding on the universe of the fictional DiMeo crew in the late 1960s and early 1970s. Michael Gandolfini has already received impressive notices in his portrayal of a teenage version of the role originated by his father, with Jon Bernthal and Vera Farmiga playing the young future capo’s parents, Johnny Boy and Livia Soprano.
David Chase has acknowledged that the prequel will be retconning some of the timeline that had been outlined in episodes of The Sopranos, specifically the flashbacks in episodes like “Fortunate Son”, which starred Joseph Siravo and Laila Robins as the parents of a pre-teen Tony (Mark Damiano II).
A veteran of stage and screen, Siravo died just over five months ago on April 11, 2021, at the age of 66. The actor had appeared in five episodes of The Sopranos as Tony’s charming but violent father.
As the first episode set after Livia’s death, “Fortunate Son” focuses on the respective roles of young men reacting to new responsibilities, including the recently “made” Christopher Moltisanti, Jackie Aprile Jr. trying to live in the shadows of his late “fawtha”, A.J. Soprano seemingly inheriting his father’s panic attacks, and Tony himself recalling the moment in his childhood when he was first made aware of his own father’s dangerous profession. Continue reading
Once Upon a Time in America: De Niro’s Herringbone for a Heist
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Robert De Niro as David “Noodles” Aaronson, mob bootlegger and ex-convict
Detroit, Fall 1932
Film: Once Upon a Time in America
Release Date: May 23, 1984
Director: Sergio Leone
Costume Designer: Gabriella Pescucci
Background
After premiering at Cannes in May and undergoing a truncated release stateside that summer, Sergio Leone’s controversial mob saga Once Upon a Time in America was finally released in the Italian-born director’s home country on this day in 1984. Leone’s final film, and the first he had directed in 13 years, Once Upon a Time in America marked the conclusion to his unofficial “Once Upon a Time…” trilogy.
Atlantic City: Burt Lancaster’s White Vintage Sport Jacket
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Burt Lancaster as Lou Pascal, aging numbers runner
Atlantic City, Fall 1979
Film: Atlantic City
Release Date: September 3, 1980
Director: Louis Malle
Costume Designer: François Barbeau
WARNING! Spoilers ahead!
Background
Burt Lancaster kicked off his final decade on the silver screen with Louis Malle’s well-received romantic crime drama, Atlantic City. In addition to securing Lancaster’s fourth and final Academy Award nomination, Atlantic City also earned nomination across all “Big Five” categories, though the film was shut out at the Oscars with Henry Fonda taking home the trophy for his performance in On Golden Pond.
Lancaster plays Lou Pascal, a long-in-the-tooth numbers runner who proudly walks the boardwalk of the titular town, waxing poetic to anyone who’ll listen about the golden age of gangsterdom in America’s Playground, when “it used to be beautiful, whatwith the rackets, whoring, guns.”
Atlantic City had floy floy coming out of its ears in those days. Now it’s all so goddamn legal. Howard Johnson running a casino. Tutti-frutti ice cream with craps don’t mix.
Lou’s comfort among criminality results in a botched cocaine deal that results in a dead dealer and plenty of blow left over for Lou to sell for his own profit as he endeavors to seduce the dealer’s estranged—and now widowed—wife, an attractive and ambitious casino waitress named Sally (Susan Sarandon). Continue reading
The Sopranos: Tony’s Taupe Rhombus-Print Shirt
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Fall 2000 and Spring 2002
Series: The Sopranos
Episodes:
– “Proshai, Livushka” (Episode 3.02, dir. Tim Van Patten, aired 3/4/2001)
– “Whitecaps” (Episode 4.13, dir. John Patterson, aired 12/8/2002)
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
As spring gets warmer during the march toward summer, I wanted to revisit some of the festive fashions worn by TV’s favorite mob boss on #MafiaMonday with the help of my friend Gabe, who curates the must-follow Instagram account @tonysopranostyle.
Tony Soprano’s Golf Club-Printed Shirt in “House Arrest”
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Spring 2000
Series: The Sopranos
Episode: “House Arrest” (Episode 2.11)
Air Date: March 26, 2000
Director: Tim Van Patten
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
It’s been almost six months since we last checked in on some of James Gandolfini’s costumes as the powerful mob boss at the center of The Sopranos. Considering that the 2021 Masters Tournament begins one week from today, which also happens to be the day Wallace Beery was born in 1885, I think the time is right to look at how Tony Soprano dresses for hobnobbing on the green during the Garden State Carting Association’s 13th Annual Couples Invitational Golf Classic!
Bugsy’s Houndstooth Sports Coat
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Warren Beatty as Benjamin “Bugsy” Siegel, “celebrity” gangster and casino builder
Los Angeles, Spring 1945 and Las Vegas, Fall 1946
Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky
WARNING! Spoilers ahead!
Background
Everybody deserves a fresh start once in a while.
At least three times while wearing this outfit alone, Warren Beatty’s Bugsy Siegel pontificates on the power of fresh starts. While the real Siegel may not have been quite as forgiving, Beatty plays him with the actor’s characteristic charisma to better communicate to audiences how a violent gangster could have charmed the stars of “golden age” Hollywood.
The Godfather, Part II: Michael Corleone’s Navy Jacket and Cravats
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Al Pacino as Michael Corleone, calculating Mafia boss
Havana, December 1958, and Lake Tahoe, Spring 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
When “gangster style” comes to mind, you may think first of the silk suits from Goodfellas or tracksuits of The Sopranos, but Michael Corleone established an aristocratic sense of style as he grew into his leadership role in accordance with his reserved nature. Continue reading