Tagged: OCBD Shirt
Purple Noon: Alain Delon’s Blue Ivy-Style OCBD, Cream Jeans, and Loafers
Alain Delon as Tom Ripley in Purple Noon (1960)
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Alain Delon as Tom Ripley, charming American con artist
Italy, Summer 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
French screen and style icon Alain Delon died one year ago this week on August 18, 2024. One of the actor’s most celebrated and stylish roles remains his portrayal of Tom Ripley in Purple Noon, René Clément’s adaptation of Patricia Highsmith’s psychological thriller The Talented Mr. Ripley.
The French/Italian co-production (released in France as Plein soleil) was the first cinematic adaptation of Highsmith’s novel, followed by Anthony Minghella’s 1999 film The Talented Mr. Ripley and Steven Zaillain’s 2024 Netflix miniseries Ripley. Clément was inspired to cast Delon after spotting the young actor in the 1959 comedy Women are Weak, and his enigmatic performance as Tom Ripley eventually launched him to wider global recognition.
Highsmith’s own opinion about the film ranged from cheers for Henri Decaë’s stunning cinematography to jeers against Clément’s bastardized ending, though the author fully praised Delon’s “excellent” portrayal of her devious creation. Continue reading
Rosemary’s Baby: John Cassavetes’ Light Blue Summer Sport Jacket
John Cassavetes and Mia Farrow in Rosemary’s Baby (1968). Photo by Paul Slade.
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John Cassavetes as Guy Woodhouse, ambitious actor
New York City, Summer 1965
Film: Rosemary’s Baby
Release Date: June 12, 1968
Director: Roman Polanski
Costume Designer: Anthea Sylbert
WARNING! Spoilers ahead!
Background
Happy Mother’s Day! In honor of one of cinema’s most infamous pregnancies, today’s post looks at the enduring style of Rosemary’s Baby—Roman Polanski’s 1968 adaptation of Ira Levin’s best-selling horror novel, which had been published less than six months before filming began.
Though the film’s fashion legacy largely belongs to Mia Farrow’s iconic pixie cut and stylish wardrobe as the titular Rosemary Woodhouse, her on-screen husband Guy—a struggling actor played by John Cassavetes—also exhibits a sharp and understated sense of style. Continue reading
Christmas Eve in The Holdovers: Paul’s Corduroy Three-Piece Suit and Duffel Coat
Paul Giamatti in The Holdovers (2023)
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Paul Giamatti as Paul Hunham, cantankerous boarding school professor
Massachusetts, Christmas Eve 1970
Film: The Holdovers
Release Date: October 27, 2023
Director: Alexander Payne
Costume Designer: Wendy Chuck
WARNING! Spoilers ahead!
Background
The release of The Holdovers last year filled a long-needed gap in theatrically released holiday canon, offering a fresh yet timeless addition to the roster of rewatchable Christmas movies. Directed by Alexander Payne, the movie is set during Christmas 1970 at the fictional Barton Academy boarding school in New England, where a group of students not going home for the holidays are chaperoned by a skeleton crew of the school’s staff.
After all but one are given the opportunity to leave before Christmas, the remaining student—the bright but troubled Angus Tully (Dominic Sessa)—remains behind under the watchful lazy eye of resentful classics professor Paul Hunham (Paul Giamatti). Paul’s few friends on staff include the cheerful administrator Lydia Crane (Carrie Preston) and the cafeteria manager Mary Lamb (Da’Vine Joy Randolph), who is mourning her son’s recent death in Vietnam.
Lydia invites them to spend Christmas Eve at her home, but Paul’s reluctance frustrates both Angus and Mary, who confronts him:
Mr. Hunham, if you are too chickenshit to go to this party, then just say that. But don’t fuck it up for the little asshole! What’s wrong with you? It’s just a party… what are you afraid of?
Richard Burton in Who’s Afraid of Virginia Woolf?
Richard Burton and Elizabeth Taylor in Who’s Afraid of Virginia Woolf? (1966)
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Richard Burton as George, weary but witty history professor
New England, Fall 1965
Film: Who’s Afraid of Virginia Woolf?
Release Date: June 21, 1966
Director: Mike Nichols
Costume Designer: Irene Sharaff
WARNING! Spoilers ahead!
Background
Hollywood icons Elizabeth Taylor and Richard Burton were married (for the first of two times) sixty years ago today on March 15, 1964. The A-list couple starred in 11 films over the span of a decade, with arguably the most acclaimed being Who’s Afraid of Virginia Woolf?, adapted by Ernest Lehman from Edward Albee’s play of the same name and the directorial debut for then-comedian Mike Nichols. Continue reading
The Godfather, Part II: Tom Hagen’s Gray Striped Suit
Robert Duvall as Tom Hagen in The Godfather, Part II (1974)
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Robert Duvall as Tom Hagen, levelheaded Mafia lawyer
Nevada and Washington, D.C., Winter 1958 through Spring 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Today is the 93rd birthday of Robert Duvall, the prolific actor born January 5, 1931 whose extensive filmography includes the first two films of The Godfather saga as Tom Hagen, the orphan informally adopted by the Corleone family—and whose cool head and legal savvy resulted in his position as the family’s trusted consigliere.
As this is the 50th anniversary year of The Godfather Part II, today’s post will explore Tom’s character and costume in this masterful second installment, set across the late 1950s as Michael Corleone (Al Pacino) continues consolidating his power and seeks to legitimatize the family’s interest as Tom had long advised him to do.
Although he’s been transitioned from consigliere to being the family’s lawyer in Las Vegas, Tom still serving as Michael’s right-hand man, with duties beyond legal counsel including everything from buying Christmas presents for the don’s children to blackmailing a senator whom they’ve framed for the murder for a prostitute. Continue reading
The Holdovers: Paul Giamatti’s Tan Corduroy Suit and Sweater Vest
Paul Giamatti in The Holdovers (2023)
Vitals
Paul Giamatti as Paul Hunham, cantankerous boarding school professor
Massachusetts, Winter 1970/1971
Film: The Holdovers
Release Date: October 27, 2023
Director: Alexander Payne
Costume Designer: Wendy Chuck
WARNING! Spoilers ahead!
Background
One of my favorite new releases in 2023 is The Holdovers, Alexander Payne’s comedy-drama centered around the skeleton staff chaperoning a group of boarding school students who aren’t going home for the holidays.
Set through the 1970 winter break, The Holdovers centers around the cranky classics professor Paul Hunham (Paul Giamatti), an odorous, lazy-eyed loner whose few friends among the Barton Academy staff include cafeteria manager Mary Lamb (Da’Vine Joy Randolph) and administrator Lydia Crane (Carrie Preston). After four of the five students are given the opportunity to leave Barton days before Christmas, Paul and the remaining student—the bright but troubled Angus Tully (Dominic Sessa)—transform their mutual dislike into a surprising bond.
As many are returning to work and school this week after the holidays, let’s take a deeper look at Paul’s classic Ivy fashions that he wears to bookend the Barton Academy holiday break. Continue reading
The Fugitive: Samuel Gerard’s Navy Blazer and Jeans
Tommy Lee Jones as Samuel Gerard in The Fugitive (1993)
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Tommy Lee Jones as Samuel Gerard, intrepid Deputy U.S. Marshal
Chicago, Spring 1993
Film: The Fugitive
Release Date: August 6, 1993
Director: Andrew Davis
Costume Designer: Aggie Guerard Rodgers
WARNING! Spoilers ahead!
Background
Today is the 30th anniversary since the release of The Fugitive, Andrew Davis’ 1993 update of the 1960s TV series that followed a doctor wrongly accused of his wife’s murder as he travels the country in the hopes of clearing his name by finding the one-armed man he believes to be guilty.
Pursuing the innocent Dr. Richard Kimble (Harrison Ford) through the Midwest is Samuel Gerard (Tommy Lee Jones), the determined Deputy U.S. Marshal leading the hunt with his team of trusted pros. Though a snarky master of caustic wit, Gerard is serious about doing his job—and only his job—as established during the memorable scene when Kimble tries to dissuade his persuader by assuring him of his innocence.
Dr. Kimble: I didn’t kill my wife!
Gerard: I don’t care!
The Seven Year Itch: Tom Ewell’s Beige Silk Summer Suit
Tom Ewell and Marilyn Monroe in The Seven Year Itch (1955)
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Tom Ewell as Richard Sherman, imaginative publishing executive and a self-described “foolish, well-to-do married man”
New York City, Summer 1955
Film: The Seven Year Itch
Release Date: June 3, 1955
Director: Billy Wilder
Costume Designer: Travilla
Wardrobe Director: Charles Le Maire
Men’s Wardrobe: Sam Benson
WARNING! Spoilers ahead!
Background
Born 97 years ago today on June 1, 1926, Hollywood icon Marilyn Monroe may be indelibly associated with the iconic image of the star’s white dress being blown upwards by a subway grate on Lexington Avenue. The much-photographed moment was part of a scene in The Seven Year Itch, which premiered on Monroe’s 29th birthday before its wider release later that month.
The title and concept were inspired by a then-common psychological term for the period in a marriage when a partner’s eye supposedly begins to wander, aligned with the mid-20th century practice of wives and children traveling to the country or seaside for the summer while their husbands remain in the city to work… though The Seven Year Itch proposes that their work was more focused on bedrooms than boardrooms. (Mad Men fans may recall a relevant plot from the first season episode “Long Weekend”, set during Labor Day 1960.)
After shipping his wife Helen and son Ricky up to Maine, our protagonist Richard Sherman seems to think he’s above that level of sleaze… until a falling tomato plant introduces him to The Girl, a voluptuous blonde living upstairs in a neighboring couple’s apartment for the summer:
Boy, if anybody were to walk in here right now, would they ever get the wrong idea… cinnamon toast for two, strange blonde in the shower, you go explain that to someone. Don’t tell ’em you spent the whole night wrapping a paddle!
Inexplicably billed as “Tommy Ewell”, Tom Ewell reprised the role he originated on Broadway as Richard Sherman. Viennese-born actress Vanessa Brown (who had an IQ of 165 and whose family fled Europe in 1937 to avoid Nazi persecution) had played The Girl on stage, but the part was recast for the screen, in turn providing Marilyn Monroe with one of her most enduring performances. Interestingly, there were several actors considered to play Richard before the part went to Ewell, who had already won a Tony for his stage portrayal and wasn’t expecting to be cast. Despite that, there was never any question that The Girl would be played on screen by anyone but Monroe. Continue reading
The Ivy Newlywed — Robert Redford’s Gray Suit in Barefoot in the Park
Robert Redford as Paul Bratter in Barefoot in the Park (1967)
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Robert Redford as Paul Bratter, newlywed lawyer
New York City, February 1967
Film: Barefoot in the Park
Release Date: May 25, 1967
Director: Gene Saks
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
With Valentine’s Day a few days behind us, I want to focus on a movie that takes a lighthearted look at that awkward period in a new marriage between the “honeymoon phase” and the hard truths of reality setting in. Adapted from Neil Simon’s play of the same name, Barefoot in the Park was an early star-making role for Robert Redford, reprising the role of Paul Bratter that he had played in more than 1,500 performances over nearly four years on Broadway. Continue reading
Cary Grant in The Bishop’s Wife
For this holiday treat, I again welcome BAMF Style contributor Ken Stauffer (@oceansographer on Instagram), here sharing his thoughtful analysis of a screen icon in a holiday classic.
Cary Grant and Loretta Young in The Bishop’s Wife (1947)
Vitals
Cary Grant as Dudley, debonair angel
New York City, December 1947
Film: The Bishop’s Wife
Release Date: December 9, 1947
Director: Henry Koster
Costume Designer: Irene Sharaff
Background
Happy holidays, BAMF Style readers! To celebrate the season, we’re looking back at the Christmas classic The Bishop’s Wife, which premiered at the Astor Theater in Times Square exactly 75 years ago today. Interestingly, general audiences would not have a chance to see the movie until the following February, an odd marketing decision that shows how much the film industry has evolved over the years.
The film stars Cary Grant as Dudley, a literal angel on Earth, assigned to help Manhattan-based Episcopalian Bishop Henry Brougham, drolly performed by David Niven. While acting as the bishop’s assistant, Dudley finds himself drawn to his eponymous wife Julia, played by Loretta Young in an enchanting turn. Continue reading