Tagged: Sport Coat & Slacks
California Split: Elliott Gould’s Tan Sport Jacket and Printed Shirts
Elliott Gould in California Split (1974)
Vitals
Elliott Gould as Charlie Waters, garrulous gambler
Los Angeles to Reno, Winter 1973
Film: California Split
Release Date: August 7, 1974
Director: Robert Altman
Costumer: Hugh McFarland
WARNING! Spoilers ahead!
Background
If I had a nickel for every great 1974 movie where the male lead had a bandaged nose for a significant portion of its runtime… well, California Split and Chinatown would yield me only 10 cents, but it would be well worth it for their shared existence.
Robert Altman’s excellently chaotic meditation on gambling, California Split, was released 50 years ago today on August 7, 1974, starring Elliott Gould and George Segal as a pair of two-time losers who meet over an L.A. card game. Initially more of a recreational gambler, Segal’s Bill Denny grows increasingly addicted through his friendship with Gould’s Charlie Waters, a charismatic hustler constantly on the make between card games and the horse track for his next big score. Continue reading
Gone in 60 Seconds (1974): H.B. Halicki’s Glen Plaid Jacket and “Eleanor” Mustang
H.B. Halicki in Gone in 60 Seconds (1974)
Vitals
H.B. “Toby” Halicki as Maindrian Pace, insurance investigator and car thief
Long Beach, California, Spring 1974
Film: Gone in 60 Seconds
Release Date: July 28, 1974
Director: H.B. Halicki
WARNING! Spoilers ahead!
Background
Fifty years ago today on July 28, 1974, independent filmmaker and stunt driver H.B. “Toby” Halicki released Gone in 60 Seconds, a high-octane parade of car chases and crashes.
In addition to directing, writing, and producing the film on a $150,000 budget, Halicki also starred and did his own driving as Maindrian Pace, a curiously named car thief whose respectable day job as an insurance investigator covers his criminal activity.
Working with a ring of professionals, Pace is hired to steal 48 very specific cars ranging from limousines to semi-tractor trucks and even Parnelli Jones’ famous ’71 “Big Oly” Bronco. Each of the target cars is assigned a female codename, with the final car—a bumblebee-colored 1973 Ford Mustang—designated as “Eleanor”. Continue reading
The Italian Connection: Woody Strode’s Plaid Sports Coat
Woody Strode in The Italian Connection (1972)
Vitals
Woody Strode as Frank Webster, taciturn Mafia hitman
Milan, Italy, Spring 1972
Film: The Italian Connection
(Italian title: La mala ordina)
Release Date: September 2, 1972
Director: Fernando Di Leo
Costume Designer: Francesco Cuppini
WARNING! Spoilers ahead!
Background
Trailblazing actor and athlete Woody Strode was born 110 years ago today on July 25, 1914 in Los Angeles. Following his service in the U.S. Army Air Corps during World War II, Strode was one of four Black players to break the NFL’s postwar color barrier when he signed with the Rams in 1946. In the years to follow, Strode continued both wrestling and acting, though he became significantly better known for the latter and was also one of the first Black performers to be nominated for a Golden Globe, recognizing his performance in Spartacus (1960).
With a filmography that also includes The Ten Commandments (1956), Pork Chop Hill (1959), Sergeant Rutledge (1960), The Man Who Shot Liberty Valence (1962), Genghis Khan (1965), The Professionals (1966), and Once Upon a Time in the West (1968), it was difficult to find one of Strode’s prominent roles that wasn’t in a western, war film, or historical drama so that I could highlight the actor dressed in a contemporary wardrobe. (He did have a significant role in the 1960 disaster drama The Last Voyage, but his costume as the sinking ship’s crewman Hank Lawson consisted only of a neckerchief and dark jeans.)
Following his appearance Once Upon a Time in the West, Strode joined fellow other American actors—think the fictional Rick Dalton—by appearing in Italian films through the ’70s, including the 1972 “poliziottesco” The Italian Connection, starring alongside Henry Silva as New York mob hitmen Frank Webster and Dave Catania. Continue reading
Don’t Look Now: Donald Sutherland’s Glen Plaid Jacket
Donald Sutherland in Don’t Look Now (1973)
Vitals
Donald Sutherland as John Baxter, architect and grieving father
Venice, Italy, Winter/Spring 1973
Film: Don’t Look Now
Release Date: October 16, 1973
Director: Nicolas Roeg
Wardrobe Credit: Anna Maria Feo
WARNING! Spoilers ahead!
Background
Today’s post pays tribute to the late, great Donald Sutherland (1935-2024), the Canadian-born actor who died last week at the age of 88. One of the actor’s most-discussed films is Nicolas Roeg’s haunting horror tale Don’t Look Now, for which he received a BAFTA nomination. Continue reading
The Wicker Man: Christopher Lee’s Checked Jacket and Turtleneck on May Day
Christopher Lee as Lord Summerisle in The Wicker Man (1973)
Vitals
Christopher Lee as Lord Summerisle, charismatic pagan cult leader
The Hebrides, Scotland, Spring 1973
Film: The Wicker Man
Release Date: December 6, 1973
Director: Robin Hardy
Costume Designer: Sue Yelland
WARNING! Spoilers ahead!
Background
Hail the queen of the May!
The folk horror classic The Wicker Man is set on the fictional Hebridean island of Summerisle, where the well-meaning blockhead police sergeant Neil Howie (Edward Woodward) investigates a missing teenager’s likely death amidst the island’s annual May Day celebrations led by its magnetic leader, Lord Summerisle (Christopher Lee). Continue reading
Jaws: Mayor Vaughn’s Colorful Striped Blazer
Murray Hamilton as Mayor Larry Vaughn in Jaws (1975)
Vitals
Murray Hamilton as Larry Vaughn, ineffective mayor of Amity Island
Amity Island, July 1974
Film: Jaws
Release Date: June 20, 1975
Director: Steven Spielberg
Costume Design: Louise Clark, Robert Ellsworth, and Irwin Rose
Background
Today would have been the 101st birthday of Murray Hamilton, the marvelous character actor whose talents were perhaps best showcased as the hopelessly stubborn mayor of Amity Island, the fictional New England beach town being terrorized by a great white shark in Steven Spielberg’s iconic 1975 blockbuster Jaws. Continue reading
Song of the Thin Man: William Powell’s Houndstooth Jacket as Nick Charles
William Powell as Nick Charles in Song of the Thin Man (1947)
Vitals
William Powell as Nick Charles, witty detective
New York City, September 1947
Film: Song of the Thin Man
Release Date: August 28, 1947
Director: Edward Buzzell
Costume Supervisor: Irene
Background
Across six films beginning with The Thin Man, William Powell and Myrna Loy channeled their remarkable screen chemistry into portraying Nick and Nora Charles, a married couple who work together to solve murders between martinis. On the 40th anniversary of William Powell’s death on March 5, 1984 at the age of 91, today’s post explores the debonair actor’s attire from his swan song as Nick Charles. Continue reading
In a Lonely Place: Bogie’s Twill Sports Coat and Turtleneck
Humphrey Bogart as Dix Steele in In a Lonely Place (1950)
Vitals
Humphrey Bogart as Dixon “Dix” Steele, frustrated screenwriter
Los Angeles, Fall 1949
Film: In a Lonely Place
Release Date: May 17, 1950
Director: Nicholas Ray
Costume Designer: Jean Louis (credited for gowns only)
WARNING! Spoilers ahead!
Background
Today’s post wraps up #Noirvember on what would have been the 100th birthday of silver screen icon Gloria Grahame. Born November 28, 1923, Grahame’s film noir credits include Crossfire (1947) and The Big Heat (1953), though my favorite is In a Lonely Place (1950), directed by her then-husband Nicholas Ray and starring Humphrey Bogart.
Some of Bogie’s friends and acquaintances have described the character of cynical screenwriter Dixon Steele to be the closest that the actor ever came to projecting his true charismatic yet insecure persona onto the screen. Continue reading
Sunset Boulevard: William Holden’s Mini-Check Sport Jacket and “Dreadful Shirt”
William Holden as Joe Gillis in Sunset Boulevard (1950)
Vitals
William Holden as Joe Gillis, struggling screenwriter
Los Angeles, Fall 1949
Film: Sunset Boulevard
Release Date: August 10, 1950
Director: Billy Wilder
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Noirvember continues with Sunset Boulevard, one of the great films noir that shines a light—or, more appropriately, casts a shadow—on the darker side of Hollywood, a theme popular with contemporary dramas like In a Lonely Place (1950) and The Bad and the Beautiful (1952), with an added verisimilitude through mentions of real studios like 20th Century Fox and Paramount Pictures—who, of course, produced Sunset Boulevard—and cameos from Cecil B. DeMille, Hedda Hopper, and Buster Keaton.
William Holden stars as Joe Gillis, who describes himself in the opening narration as “a movie writer with a couple of B pictures to his credit.” On “the day when it all started,” Joe recounts living in a seedy one-room Hollywood apartment where he owes three months back rent, grinding out two original screenplays a week and fretting that he’s lost his touch. Three payments behind on his Plymouth, his screenplays aren’t selling, and his agent isn’t willing to help, instead insisting that “the finest things on the world have been written on an empty stomach,” though that may be just to get out of having to lend his client the $290 he needs to keep his car. Continue reading
Arrested Development: GOB’s Powder-Blue Sports Coat
Will Arnett as GOB Bluth on Arrested Development (Episode 1.01: “Pilot”)
Vitals
Will Arnett as George Oscar “GOB” Bluth II, magician (part-time)
Orange County, California, Fall 2003
Series: Arrested Development
Episodes:
– “Pilot” (Episode 1.01, dir. Anthony Russo & Joe Russo, aired 11/2/2003)
– “Altar Egos” (Episode 1.17, dir. Jay Chandrasekhar, aired 3/17/2004)
Creator: Mitchell Hurwitz
Costume Designer: Katie Sparks
WARNING! Spoilers ahead!
Background
TV audiences first met the Bluth family 20 years ago this week when Arrested Development premiered on November 2, 2003. As Ron Howard narrates over each episode’s opening credits, it’s the story of a wealthy family who lost everything and the one son who had no choice but to keep them all together… it’s arrested development.
The son in question is Michael (Jason Bateman), arguably the most responsible of the four Bluth siblings, though it could be argued his sensibility extends into self-righteousness as he seeks to maintain a sense of normalcy while raising his son, the anxious George Michael Bluth (Michael Cera)—named after his father and grandfather and not the singer-songwriter.
In addition to Michael, the avaricious George Sr. (Jeffrey Tambor) and Lucille (Jessica Walter) also raised the absurd GOB (Will Arnett), the spoiled Lindsay (Portia di Rossi), and the sheltered Buster (Tony Hale).
Like his fellow “eldest son” Connor Roy, GOB—pronounced “jobe”, though not everyone in-universe has received the message—harbors some resentment that his smarter and more ambitious little brother has been tapped to succeed their corrupt father’s footsteps in taking over the family’s real estate firm. Instead, GOB is left to defend his magic tricks illusions against his family’s disapproval and mockery. Continue reading
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