Tagged: Criminal
The Sopranos: Johnny Sack’s Tan Glen Plaid Sportcoat
Vincent Curatola as Johnny Sack on The Sopranos (Episode 3.04: “Employee of the Month”, 2001).
Vitals
Vincent Curatola as John “Johnny Sack” Sacrimoni, proud and urbane New York Mafia underboss
New Jersey, Fall 2000
Series: The Sopranos
Episodes:
* “Employee of the Month” (Episode 3.04, aired March 18, 2001, dir. John Patterson)
* “For All Debts Public and Private” (Episode 4.01, aired September 15, 2002, dir. Allen Coulter)
* “Watching Too Much Television” (Episode 4.07, aired October 27, 2002, dir. John Patterson)
* “Whitecaps” (Episode 4.13, aired December 8, 2002, dir. John Patterson)
* “Where’s Johnny?” (Episode 5.03, aired March 21, 2004, dir. John Patterson)
* “In Camelot” (Episode 5.07, aired April 18, 2004, dir. Steve Buscemi)
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
One of the most dapper characters on recent television is John “Johnny Sack” Sacrimoni, The Sopranos‘ enigmatic underboss of the New York-based Lupertazzi crime family. Johnny Sack remains one of the most fascinating and well-rounded characters on a show filled with them. Equal parts cool, menacing, and principled family man, Sacrimoni would prove to be as useful an ally to Tony as he would eventually be feared as a threat. Continue reading
The Untouchables: Capone’s Gray Suits
Robert De Niro as Al Capone in The Untouchables (1987).
Vitals
Robert De Niro as Al Capone, legendary Chicago mob boss
Chicago, October 1931
Film: The Untouchables
Release Date: June 3, 1987
Director: Brian De Palma
Costume Designer: Marilyn Vance
Wardrobe Consultant: Richard Bruno
Tailor: Henry Stewart
Background
Before Stephen Graham blazed into Capone’s shoes on Boardwalk Empire, Robert De Niro’s extremely method performance of Al Capone in The Untouchables was considered to be the epitome. De Niro infused his performance with the menacing charm that allowed a violent psychopath like Capone to rapidly climb his way up the ladder of the underworld. The extent of Capone’s criminal empire, culminating with the notorious St. Valentine’s Day Massacre in 1929, has lived on to define the Roaring Twenties… or more specifically, Prohibition era Chicago. Continue reading
Justified – Boyd Crowder’s Herringbone Sweater-Sportcoat
Walton Goggins as Boyd Crowder on Justified.
(Episode 4.05: “Kin”)
Vitals
Walton Goggins as Boyd Crowder, scrappy Harlan County criminal chieftain
Harlan County, Kentucky, Fall 2012
Series: Justified
Episode: “Kin” (Episode 4.05)
Air Date: February 5, 2013
Director: Peter Werner
Costume Designer: Patia Prouty
Background
For great fall attire, one needs look no further than Justified on FX. The show’s pragmatic anti-hero, Boyd Crowder, came a long way from being the thuggish white supremacist bank robber we met back in the pilot. By the middle of the fourth season, he’s shaping up his own criminal empire in Harlan County and enjoying a romance with his deceased older brother’s widow. (It should be noted that said widow had actually shot his older brother to death with a shotgun… Boyd is evidently the forgiving type.)
With his character transformation came a major costuming transformation. Boyd can’t be pigeon-holed into a particular stratum of the criminal underworld, and his wardrobe reflects that. He needs to look respectable enough for urban mobsters like Wynn Duffy while still keeping in touch with the good ol’ boys under his employ. The result is a mishmash of rustic formality that suits Boyd’s particular brand of dapper style. Continue reading
Jimmy Darmody’s Brown Striped Suit
Michael Pitt pours some brandy as Jimmy Darmody on Boardwalk Empire.
(Episode 1.12: “A Return to Normalcy)
Vitals
Michael Pitt as Jimmy Darmody, Atlantic City bootlegger and gangster
Atlantic City, Spring/Summer 1921
Series: Boardwalk Empire
Episodes:
– “A Return to Normalcy” (Episode 1.12, aired December 5, 2010, dir. Tim Van Patten)
– “21” (Episode 2.01, aired September 25, 2011, dir. Tim Van Patten)
– “A Dangerous Maid” (Episode 2.03, aired October 9, 2011, dir. Susanna White)
– “Two Boats and a Lifeguard” (Episode 2.08, aired November 13, 2011, dir. Tim Van Patten)
– “Georgia Peaches” (Episode 2.10, aired November 27, 2011, dir. Jeremy Podeswa)
– “To the Lost” (Episode 2.12, aired December 11, 2011, dir. Tim Van Patten)
Creator: Terence Winter
Costume Designer: John A. Dunn
Tailor: Martin Greenfield
WARNING! Spoilers ahead! Continue reading
The Sopranos: Tony’s Black Leather Blazer
James Gandolfini as Tony Soprano on The Sopranos.
(Episode 5.13, “All Due Respect”)
Vitals
James Gandolfini as Tony Soprano, Jersey mob boss and conflicted family man
New Jersey, Fall 2002-2007
Series: The Sopranos
Episodes: multiple episodes from “Mergers and Acquisitions” (4.08) through “The Blue Comet” (6.20)
Air Dates: November 3, 2002 (4.08) through June 3, 2007 (6.20)
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
James Gandolfini was born on September 18, 1961. On what would’ve been the late, great actor’s 54th birthday, BAMF Style is finally examining a favorite look of his most notorious character: Tony Soprano.
The Sopranos did a fine job of keeping its characters’ wardrobes consistent and contextually fashionable throughout the seasons. Just as in real life, clothing is repeated on a cycle, with certain items showing up more in the colder seasons and others on warmer days.
When autumn rolled around on the later seasons of The Sopranos, Tony could often be seen wearing a garment very frequently associated with Italian mobsters – a black leather blazer. Continue reading
The Sundance Kid’s Brown Corded Jacket
Robert Redford as The Sundance Kid in Butch Cassidy and the Sundance Kid (1969).
Vitals
Robert Redford as Harry Longbaugh, aka “The Sundance Kid”, laconic and sharp-shooting American outlaw
Colorado, Fall 1898
Film: Butch Cassidy and the Sundance Kid
Release Date: October 24, 1969
Director: George Roy Hill
Costume Designer: Edith Head
Background
Last year, we celebrated Robert Redford’s 78th birthday (and Throwback Tuesday, which I’ve decided can be a thing) by breaking down the Sundance Kid’s traveling suit when he and Butch Cassidy pack up and head to Bolivia. This year, for Bob’s 79th, we’ll look at his main outfit leading up to that – a badass assortment of Western wear that epitomize American outlaw style at the turn of the century.
What’d He Wear?
Although the film’s audience would be hard-pressed to call either Butch or Sundance a true villain despite their criminal vocations, Sundance is certainly the darker-demeanored of the two, reflected by his attire. In Bolivia, he wears a black suit and black hat. While still conducting his banditry in the U.S., he wears all black save for a brown corduroy jacket. By default, he becomes the film’s personification of the “black-hatted outlaw” trope although his easy charm differentiates him from more villianous contemporaries like Lee Van Cleef in The Good, the Bad, and the Ugly.
The one major non-black part of his American banditry outfit is the brown wide-waled corduroy jacket. The jacket looks as well-traveled as Sundance himself, providing him comfortable and surprisingly fashionable outerwear that allows a wide range of motion for a man whose job includes jumping on and off of moving trains. Continue reading
Gene Hackman in Bonnie and Clyde: Buck Barrow’s Leather Flight Jacket
Gene Hackman as Buck Barrow in Bonnie and Clyde (1967).
Vitals
Gene Hackman as “Buck” Barrow, Depression-era ex-convict looking to go straight
Joplin, Missouri, Spring 1933
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
Background
BAMF Style’s been focusing a lot on law-abiding BAMFs lately, and—while their behavior may be admirable—it’s always fun to shift back to characters with murkier legal histories. 1967’s Bonnie and Clyde is stylish in many regards, including the rugged outlaw style sported by Clyde’s older brother Buck, played charmingly by Gene Hackman in his first major on-screen role. Continue reading
To Catch a Thief: Cary Grant’s Gray Summer Blazer
Cary Grant and Grace Kelly in To Catch a Thief (1955).
Vitals
Cary Grant as John Robie, retired cat burglar and jewel thief
Cannes, French Riviera, Summer 1954
Film: To Catch a Thief
Release Date: August 5, 1955
Director: Alfred Hitchcock
Costume Designer: Edith Head
Background
Summer is officially here! Anyone looking for a way to stand out in your summer duds should take a cue from Cary Grant, which is never a bad idea when it comes to style. Continue reading
Scarface: Tony’s Tan Suit and Cadillac
Al Pacino stands next to a bright ’63 Caddy convertible as Tony Montana in Scarface (1983).
Vitals
Al Pacino as Tony Montana, hotheaded Cuban-American cocaine dealer
Miami, August 1981
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Background
BAMF Style is continuing Car Week with the second grand American convertible from the automotive golden era – the 1963 Cadillac Series 62 owned by Tony Montana in 1983’s Scarface. Ironically, we first see this Caddy while Tony is actually shopping for a different luxury car, the silver 1979 Porsche 928 4.5L that he adds to his growing collection.
The ’63 Caddy convertible is clearly Tony’s favorite, though, driving it to show off his status even though Elvira pointedly tells him:
It looks like somebody’s nightmare.
Goodfellas – Henry’s Herringbone Fleck Sportcoat
Ray Liotta as Henry Hill in Goodfellas (1990)
Vitals
Ray Liotta as Henry Hill, New York mob associate and club owner
New York City, Spring 1964
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
Background
It’s gonna be a good summer!
…as Jimmy Conway tells Henry Hill after watching him split up the take from a recent robbery at the JFK’s Air France terminal. Cargo thefts had always been a mob tradition, but the April 1967 heist of $420,000 in cash set a new high mark for the mob as the proceeds were all in “totally, totally untraceable”. No need for shady fences or risky transactions of stolen goods.
Henry dresses fashionably for the robbery, wearing a herringbone sports coat that shows up a few times over the course of Goodfellas. It’s a fine primer on how one can dress for a date, a heist, or even burying a mob murder victim. (Not that BAMF Style condones that sort of thing…) Continue reading
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