Tagged: Summer
Maestro: Bradley Cooper’s Tan Sport Suit as Leonard Bernstein
Bradley Cooper as Leonard Bernstein on the set of Maestro (2023)
Vitals
Bradley Cooper as Leonard Bernstein, acclaimed conductor
New York City, Summer 1977
Film: Maestro
Release Date: November 22, 2023
Director: Bradley Cooper
Costume Designer: Mark Bridges
WARNING! Spoilers ahead!
Background
Happy 50th birthday to Bradley Cooper! The actor followed his acclaimed 2018 directorial debut A Star is Born with Maestro, chronicling the life of iconic American conductor and composer Leonard Bernstein. In addition to directing and co-writing the screenplay, Cooper starred as Bernstein opposite Carey Mulligan as his stylish, talented, and outspoken wife, Felicia Montealegre.
Maestro was frequently nominated in the Best Picture, Best Original Screenplay, and acting categories recognizing Cooper’s and Mulligan’s performances by award bodies including the Academy Awards, BAFTAs, Critics’ Choice, Golden Globes, and Satellite Awards. Continue reading
Death on the Nile: Maggie Smith in Menswear-informed Black Tie
Maggie Smith in Death on the Nile (1978)
Vitals
Maggie Smith as Miss Bowers, dependable nurse and traveling companion
Egypt, September 1937
Film: Death on the Nile
Release Date: September 29, 1978
Director: John Guillermin
Costume Designer: Anthony Powell
WARNING! Spoilers ahead!
Background
Today would have been the 90th birthday of prolific English actress Dame Maggie Smith, who died three months ago in September 2024. Born December 28, 1934, Smith was a two-time Academy Award winner for her performances in The Prime of Miss Jean Brodie (1969) and California Suite (1978), later endearing herself to modern audiences for her roles in the Harry Potter film series and on Downton Abbey.
BAMF Style readers familiar with my appreciation for Agatha Christie novels and their screen adaptations may not be surprised to learn that I became a fan of hers following her appearances in the lavish Anthony Shaffer-penned adaptations of Death on the Nile and Evil Under the Sun, both of which starred Peter Ustinov as the fastidious Belgian detective Hercule Poirot. Continue reading
Fred Astaire’s Tuxedo in The Towering Inferno
Fred Astaire in The Towering Inferno (1974)
Vitals
Fred Astaire as Harlee Claiborne, charming con artist
San Francisco, Summer 1974
Film: The Towering Inferno
Release Date: December 14, 1974
Director: John Guillermin
Costume Designer: Paul Zastupnevich
WARNING! Spoilers ahead!
Background
The Towering Inferno was released 50 years ago this week—released in Canada on December 14, 1974, two days before its Los Angeles premiere and wider release across the United States on December 16th.
Despite his prolific career primarily known for singing and dancing in musicals like Top Hat (1935), Holiday Inn (1942), and Funny Face (1957), Fred Astaire received his sole competitive Academy Award nomination for his performance as Harlee Claiborne, an aging con man with a heart of gold. On the day that the titular fire erupts in the new Glass Tower, Harlee has begun a flirtation with one of its residents, Lisolette Mueller (Jennifer Jones), escorting her to the dedication party in its top-floor “Promenade Room”, 135 floors and nearly 1,600 feet above the ground.
Though set on the fourth of July, the red sash that Astaire’s character knots around the waistband of his rented dinner suit adds a dash of festivity also appropriate for yuletide style analysis.
Harlee takes a moment to appreciate his tuxedoed appearance.
Midnight Cowboy: Jon Voight as Joe Buck
Jon Voight as Joe Buck in Midnight Cowboy (1969)
Vitals
Jon Voight as Joe Buck, naïve Texan wannabe gigolo and Army veteran
New York City, Summer through Winter 1968
Film: Midnight Cowboy
Release Date: May 25, 1969
Director: John Schlesinger
Costume Designer: Ann Roth
WARNING! Spoilers ahead!
Background
Harry Nilsson recorded his cover of Fred Neil’s “Everybody’s Talkin'” 57 years ago this week on November 13, 1967. This Grammy-winning folk hit has since become inextricably linked with the 1969 drama Midnight Cowboy—which celebrated its 55th anniversary in May—after director John Schlesinger chose it as the film’s theme song.
Adapted by Waldo Salt from James Leo Herlihy’s 1965 novel of the same name, Midnight Cowboy received a controversial if critically acclaimed response upon its release. Six months earlier, the MPAA implemented its voluntary rating system to classify age suitability for major releases, replacing the increasingly outdated “Hays Code” that had been enforced since the early 1930s. Midnight Cowboy was one of the first mainstream movies to be rated “X”, which forbade any audience members under age 17 to be admitted and was reserved for movies demonstrating the most extreme sexual themes, graphic violence or language. Despite the stigma of this dramatically restrictive rating, Midnight Cowboy was the third highest-grossing American movie released in 1969 and won three of the seven Oscars for which it was nominated—Best Picture, Best Director, and Best Adapted Screenplay—and it remains the only movie with an X (or equivalent NC-17) rating to win the Academy Award for Best Picture. Continue reading
Pulp Fiction: Travolta’s Black Suit and Tie as Vincent Vega
John Travolta as Vincent Vega in Pulp Fiction (1994)
Vitals
John Travolta as Vincent Vega, laidback mob hitman and self-described “Elvis man”
Los Angeles, Summer 1992
Film: Pulp Fiction
Release Date: October 14, 1994
Director: Quentin Tarantino
Costume Designer: Betsy Heimann
WARNING! Spoilers ahead!
Background
Pulp Fiction was released 30 years ago today on October 14, 1994, establishing Quentin Tarantino’s trademarks like a nonlinear narrative, many references to older movies and TV, and even the “trunk shot” from the POV of an open car trunk.
In addition to establishing Tarantino as a serious filmmaker after his impressive debut Reservoir Dogs, the movie also revitalized John Travolta’s career. The actor received an Academy Award nomination for his performance as Vincent Vega, the canonical brother to Michael Madsen’s psychotic killer Vic Vega—aka “Mr. Blonde”—in Reservoir Dogs. Continue reading
Marcello Mastroianni in 8½
Marcello Mastroianni in 8½ (1963)
Vitals
Marcello Mastroianni as Guido Anselmi, disillusioned Italian film director
Rome, Summer 1962
Film: 8½
(Italian title: Otto e mezzo)
Release Date: February 13, 1963
Director: Federico Fellini
Costume Designer: Piero Gherardi
WARNING! Spoilers ahead!
Background
Italian screen and style icon Marcello Mastroianni was born 100 years ago today on September 28, 1924. A five-time winner of the David di Donatello Award for Best Actor and three-time Oscar nominee, Mastroianni may be best known for co-starring opposite Sophia Loren eight times and his half-dozen collaborations with director Federico Fellini, beginning with La Dolce Vita (1960) and including Fellini’s quasi-autobiographical 8½ (1963).
After cycling through a few titles more relevant to the fantastic chaos depicted on screen, Fellini reinforced the metafictional aspects with a title referring to the fact that this would be his eighth-and-a-half film—including six features, two shorts, and his 1951 directorial debut Luci del varietà, co-directed with Alberto Lattuada.
Often considered one of the best movies of all time by sources like the British Film Institute and director Martin Scorsese, 8½ centers around Guido Anselmi, an Italian filmmaker struggling with creative block amidst his romantic turmoil. Mastroianni was transformed for Guido to resemble Fellini himself, from his mannerisms and gait to his appearance with graying hair under that distinctive hat. Continue reading
Coup de Torchon: Philippe Noiret’s Khaki Uniform
Philippe Noiret in Coup de Torchon (1981)
Vitals
Philippe Noiret as Lucien Cordier, ineffective yet conniving colonial police chief
French West Africa, Summer 1938
Film: Coup de Torchon
(English title: Clean Slate)
Release Date: November 4, 1981
Director: Bertrand Tavernier
Costume Designer: Jacqueline Moreau
WARNING! Spoilers ahead!
Background
For the 12th anniversary of my first-ever BAMF Style post, today’s entry is a labor of love analyzing the style from the French adaptation of one of my favorite novels, Pop. 1280 by Jim Thompson. Born 118 years ago tomorrow on September 27, 1906, Thompson specialized in hardboiled crime fiction that has frequently been adapted into movies, including The Getaway, The Grifters, and The Killer Inside Me.
Published sixty years ago in 1964, Pop. 1280 is a darkly comic retread of the themes Thompson explored in The Killer Inside Me, following a southern sheriff whose mild-mannered persona masks his psychopathy. Set during the 1910s, Pop. 1280 is narrated by Nick Corey, the blissfully lazy “high sheriff of Potts County,” the 47th largest in an unnamed state of 47 counties. Nick presents himself as a dimwitted pushover, while secretly manipulating and murdering his way through his friends, family, and mistresses, all while nurturing delusions of being God’s agent sent to punish the sinful town of Pottsville.
Though there are rumors of a future adaptation directed by Yorgos Lanthimos (who seems well-suited for the material), the only major screen adaptation to date is Bertrand Tavernier’s Coup de Torchon, which earned ten César Award nominations and was nominated for Best Foreign Language Film at the 55th Academy Awards.
Adapted by Tavernier and Jean Aurenche, Coup de Torchon maintains the story’s center around a lazy lawman living with his domineering wife and her overly affectionate and slow-witted, uh, “brother”, in a small town where he’s the constant target of bullies, from those in his own household to a boastful fellow lawman who works several towns away. However, the setting is shifted to the fictional French West African town of Bourkessa on the eve of World War II, and the protagonist is reimagined as Lucien Cordier, played by Philippe Noiret, a two-time César Award-winning actor born in Lille on October 1, 1930.
“Doing nothing is my job, I’m paid for it,” Cordier explains to the two snappily dressed pimps who regularly torment him, adding with some earnestness: “At times—not always—I think I’ve found paradise on Earth.” Continue reading
The Great Gatsby: Sam Waterston’s Tan Shawl-collar Cardigan
Sam Waterston as Nick Carraway in The Great Gatsby (1974)
Vitals
Sam Waterston as Nick Carraway, impressionable bachelor and bond salesman
Long Island, New York, Summer 1925
Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Clothes by: Ralph Lauren
Background
Born on this day in 1896, F. Scott Fitzgerald left an indelible mark on American literature with his classic novel The Great Gatsby, which has been adapted for the screen at least a half dozen items—including Jack Clayton’s iconic 1974 film.
Celebrating its 50th anniversary this year, this lush adaptation stars Robert Redford, Mia Farrow, and Sam Waterston as Nick Carraway, the narrator and ostensibly a surrogate for Fitzgerald himself—though the author also reflected elements of himself in the romantic hero Jay Gatsby.
A knitwear-clad F. Scott Fitzgerald in the third-floor bedroom of his parents’ residence at 599 Summit Avenue in St. Paul, where he wrote This Side of Paradise. (Source: Twin Cities Pioneer Press)
After hosting the reunion between his married cousin Daisy and her old flame, Nick’s wealthy neighbor Gatsby, Nick spends the rest of the summer observing the couple retreat into furtive seclusion, dodging not only Daisy’s prideful husband but also the gossip of Gatsby’s now-dismissed household staff and newspaper reporters showing up at Nick’s door.
When curiosity about Gatsby was at its highest, the lights in his house failed to go on one Saturday night.
Humphrey Bogart’s Blazer at Sea in Sabrina
Humphrey Bogart and Audrey Hepburn in Sabrina (1954)
Vitals
Humphrey Bogart as Linus Larrabee, industrious businessman
Long Island, New York, Summer 1954
Film: Sabrina
Release Date: September 3, 1954
Director: Billy Wilder
Costume Supervisor: Edith Head
WARNING! Spoilers ahead!
Background
The talent-laden Sabrina was released in the United States 70 years ago today on September 23, 1954, debuting in New York and Los Angeles twenty days after its Toronto premiere on September 3rd. Directed by the prolific Billy Wilder, the romantic comedy stars Audrey Hepburn as the titular Sabrina Fairchild who finds herself romanced by the opposing Larrabee brothers: playboy David (William Holden) and workaholic Linus (Humphrey Bogart). Continue reading
Battle of Britain: Christopher Plummer’s RCAF Uniform and Flying Jacket
Christopher Plummer in Battle of Britain (1969)
Vitals
Christopher Plummer as RAF Squadron Leader Colin Harvey
France and England, Spring to Summer 1940
Film: Battle of Britain
Release Date: September 15, 1969
Director: Guy Hamilton
Wardrobe Credit: Bert Henrikson
Background
Battle of Britain Day is commemorated in England on September 15th and in Canada on the third Sunday of September. Both dates coincide this year, making it the perfect time to review the dashing style of Canadian actor Christopher Plummer’s portrayal of a Royal Canadian Air Force officer in Guy Hamilton’s 1969 war epic, Battle of Britain.
Plummer stars as Squadron Leader Colin Harvey, whom we meet while commanding Squadron No. 188’s retreat from France in May 1940. After finding out the following month that he’s been assigned to a position in Scotland, he joins his wife, Section Officer Maggie Harvey (Susannah York) at a country pub in Denton to discuss the opportunity. He enjoys a “large Scotch”, perhaps to get into the spirit of his upcoming command, but it’s hard for him to feel spirited rather than disappointed when he learns that Maggie can’t apply for a job near him, responding to her with “What have we got? What the hell is this? Is it a marriage or a flaming Air Force committee?”
Colin’s new command distinguishes itself in battle after Adlertag (“Eagle Day”), the first day of the Luftwaffe’s attempted air invasion of the United Kingdom, though he and Maggie fail to reconcile before he’s badly burned during the climactic air battle over London on September 15, 1940, 84 years ago today.
The resulting British victory that day likely prevented a full-scale German invasion of the UK, prompting Prime Minister Winston Churchill to famously declare:
Never in the field of human conflict was so much owed by so many to so few.
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