Tagged: Film Noir
Sunset Boulevard: William Holden’s Mini-Check Sport Jacket and “Dreadful Shirt”
William Holden as Joe Gillis in Sunset Boulevard (1950)
Vitals
William Holden as Joe Gillis, struggling screenwriter
Los Angeles, Fall 1949
Film: Sunset Boulevard
Release Date: August 10, 1950
Director: Billy Wilder
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Noirvember continues with Sunset Boulevard, one of the great films noir that shines a light—or, more appropriately, casts a shadow—on the darker side of Hollywood, a theme popular with contemporary dramas like In a Lonely Place (1950) and The Bad and the Beautiful (1952), with an added verisimilitude through mentions of real studios like 20th Century Fox and Paramount Pictures—who, of course, produced Sunset Boulevard—and cameos from Cecil B. DeMille, Hedda Hopper, and Buster Keaton.
William Holden stars as Joe Gillis, who describes himself in the opening narration as “a movie writer with a couple of B pictures to his credit.” On “the day when it all started,” Joe recounts living in a seedy one-room Hollywood apartment where he owes three months back rent, grinding out two original screenplays a week and fretting that he’s lost his touch. Three payments behind on his Plymouth, his screenplays aren’t selling, and his agent isn’t willing to help, instead insisting that “the finest things on the world have been written on an empty stomach,” though that may be just to get out of having to lend his client the $290 he needs to keep his car. Continue reading
Leave Her to Heaven: Cornel Wilde’s Brown Plaid Flannel Shirt
Cornel Wilde in Leave Her to Heaven (1945)
Vitals
Cornel Wilde as Richard “Dick” Harland, idealistic novelist
Northern Maine, August 1942
Film: Leave Her to Heaven
Release Date: December 25, 1945
Director: John M. Stahl
Costume Designer: Kay Nelson
WARNING! Spoilers ahead!
Background
I began Noirvember this month by highlighting a costume from one of the rare classic examples of “color noir”—which is exactly what it sounds like, a crime-centered drama from the 1940s and ’50s that includes many of the same themes and techniques as the shadowy film noir but photographed in full color, rather than the typical black-and-white.
Arguably the first major example of color noir is Leave Her to Heaven, widely released on Christmas 1945 and starring Cornel Wilde opposite the ravishing Gene Tierney, whose performance resulted in the actress’ only Academy Award nomination. Tierney died 32 years ago today on November 6, 1991. Continue reading
Desert Fury: Burt Lancaster’s Colorful Noir Cowboy Style
Burt Lancaster in Desert Fury (1947)
Vitals
Burt Lancaster as Tom Hanson, affable deputy sheriff
Nevada, Spring 1947
Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head
Background
Born 110 years ago today on November 2, 1913, Burt Lancaster’s connection to film noir begins with his screen debut in The Killers (1946), followed by performances in Brute Force (1947), I Walk Alone (1947), Sorry, Wrong Number (1948), Criss Cross (1949), and Sweet Smell of Success (1957)—to name just a few of his noir credentials.
While the existence of “color noir” may sound contradictory, there were a handful of films made during the ’40s and ’50s that have been qualified as such, including the 1947 drama Desert Fury which maintains its noir techniques and themes but with lush Technicolor cinematography as opposed to the shadowy black-and-white typically associated with the style.
Let’s kick off #Noirvember in post-World War II Nevada, where Lancaster’s friendly Tom Hanson takes a break from serving as deputy sheriff in the fictional town of Chickawalla to practice his equestrian abilities. Continue reading
John Garfield in The Breaking Point
John Garfield as Harry Morgan in The Breaking Point (1950)
Vitals
John Garfield as Harry Morgan, cynical charter fishing boat captain and Navy veteran
Newport Beach, California and Ensenada, Mexico, Spring to Summer 1950
Film: The Breaking Point
Release Date: September 30, 1950
Director: Michael Curtiz
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
One of the most intense and talented actors of his generation, John Garfield was born 110 years ago today on March 4, 1913 in New York’s Lower East Side. His birth name was Julius Garfinkle, with Julius added as a middle name that resulted in his nickname “Julie” among friends and family.
Garfield delivered many excellent performances during his too-brief life and career, eventually citing his personal favorite to be in his penultimate film The Breaking Point, a more faithful retelling of Ernest Hemingway’s novel To Have and Have Not than the popular and stylish 1944 adaptation starring Humphrey Bogart and Lauren Bacall.
Lushly photographed and set against the docks of Newport Beach, The Breaking Point stars Garfield as self-described “boat jockey” Harry Morgan, a World War II veteran who makes a living for his supportive wife and daughter by chartering his fishing boat, Sea Queen, that ferries passengers back and forth from Mexico. Continue reading
Devil in a Blue Dress: Don Cheadle as Mouse Alexander
Don Cheadle as Raymond “Mouse” Alexander in Devil in a Blue Dress (1995)
Vitals
Don Cheadle as Raymond “Mouse” Alexander, smooth but dangerous gunsel
Los Angeles, Summer 1948
Film: Devil in a Blue Dress
Release Date: September 29, 1995
Director: Carl Franklin
Costume Designer: Sharen Davis
WARNING! Spoilers ahead!
Background
As #Noirvember comes to a close, I want to celebrate one of my favorite characters from neo-noir, the trigger-happy “Mouse” Alexander in Devil in a Blue Dress, played by Don Cheadle who was born November 29, 1964 and celebrates his 58th birthday today.
Fledgling private eye Ezekial “Easy” Rawlins (Denzel Washington) calls his old pal Mouse for some high-caliber help as the stakes climb but soon regrets his decision: “You ain’t been in my house five minutes and you gone and shot somebody already, Mouse!” Continue reading
Out of the Past: Robert Mitchum’s Suede Fishing Jacket
Robert Mitchum as Jeff Markham in Out of the Past (1947)
Vitals
Robert Mitchum as Jeff Markham, aka Jeff Bailey, laconic gas station owner and former private detective
Bridgeport, California, Fall 1946
Film: Out of the Past
Release Date: November 25, 1947
Director: Jacques Tourneur
Costume Credit: Edward Stevenson
WARNING! Spoilers ahead!
Background
Today marks the 75th anniversary since the release of Out of the Past, often considered among the best of classic film noir, the shadowy sub-genre known for its murky morals, gat-toting gumshoes, and double-crossing dames.
We begin in the small northern California town of Bridgeport, where laconic gas station owner Jeff Bailey enjoys a quiet fishing date with his girlfriend Ann Miller (Virginia Huston) until he’s silently interrupted by his deaf employee, “The Kid” (Dickie Moore), signing for Jeff to return. Back in town, Jeff is greeted by Joe Stefanos (Paul Valentine), a mob torpedo sent to invite Jeff—whom we learn is actually an ex-private investigator named Jeff Markham—to Lake Tahoe to meet a mysterious figure from… out of his past. Continue reading
Alan Ladd in This Gun for Hire
Alan Ladd and Veronica Lake in This Gun for Hire (1942)
Vitals
Alan Ladd as Philip Raven, cold-blooded, cat-loving contract killer
San Francisco to Los Angeles, Spring 1942
Film: This Gun for Hire
Release Date: April 24, 1942
Director: Frank Tuttle
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
I had already been planning to write about This Gun for Hire this month when I realized that today would have been the 100th birthday of Veronica Lake, who was born in Brooklyn on November 14, 1922 with the decidedly less glamorous name of Constance Ockelman. Lake was still in her teens when cast in her first starring role in Sullivan’s Travels (1941), the success of which convinced Paramount to cast her in their upcoming thriller, which would also be a vehicle to launch their next up-and-comer, Alan Ladd. Continue reading
Desert Fury: Wendell Corey’s Herringbone Tweed Suit
Wendell Corey as Johnny Ryan in Desert Fury (1947)
Vitals
Wendell Corey as Johnny Ryan, stone-cold mob enforcer
Nevada, Spring 1947
Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head
Background
In the spirit of #Noirvember, I want to celebrate an entry in the relatively rare “color noir” category as well as the career of Wendell Corey, the Massachusetts-born actor and one-time AMPAS President who died on this day in 1968.
Corey was a familiar face in classic film noir like I Walk Alone (1948), Sorry, Wrong Number (1948), and The File on Thelma Jordon (1950) before his perhaps most recognized performance as the skeptical Detective Tom Doyle assisting Jimmy Stewart‘s peeping amateur crime-solver in Rear Window (1954). It had been an impressive rise for an actor whose feature film debut had only been a few years earlier, appearing in Desert Fury (1947) as the gay-coded mob killer Johnny Ryan, right-hand man to smooth racketeer Eddie Bendix (John Hodiak).
Also starring Lizabeth Scott and Burt Lancaster, with whom Corey would again co-star in I Walk Alone, Desert Fury joins contemporaries like Leave Her to Heaven (1945) and Niagara (1953) as the rare examples of full-color movies that maintain enough of the themes, style, and sinister story elements of traditional film noir to still qualify for this classification. Continue reading
The Hot Spot: Don Johnson’s Gray Linen Jacket and Studebaker
Don Johnson as Harry Madox in The Hot Spot (1990)
Vitals
Don Johnson as Harry Madox, drifter and used car salesman
Texas, Summer 1990
Film: The Hot Spot
Release Date: October 12, 1990
Director: Dennis Hopper
Costume Designer: Mary Kay Stolz
Background
I’m wrapping up this summer’s #CarWeek with the under-discussed neo-noir The Hot Spot, made among the wave of sweaty erotic crime dramas of the ’80s and ’90s exemplified by movies like Body Heat through Basic Instinct.
Don Johnson was nearing the end of his star-making tenure on Miami Vice when he was tapped for The Hot Spot‘s leading role as Harry Madox, an enigmatic drifter whose arrival in the quiet Texas berg of Landers sets forth a series of events straight out of James M. Cain or Jim Thompson’s poison pen.
The Hot Spot comes by its pulp credentials honestly, adapted from Charles Williams’ 1952 novel Hell Hath No Fury and originally intended to be adapted as a Robert Mitchum vehicle in the early ’60s. Though set in the present, The Hot Spot retains much of this retro style inspired by the era of its original conception, as seen in many of the costumes and cars, most specifically Harry’s black ’59 Studebaker Silver Hawk that he drives into town. Continue reading
John Garfield in He Ran All the Way
John Garfield as Nick Robey in He Ran All the Way (1951)
Vitals
John Garfield as Nick Robey, desperate small-time thief
Los Angeles, Summer 1951
Film: He Ran All the Way
Release Date: June 19, 1951
Director: John Berry
Wardrobe Credit: Joe King
Background
John Garfield, one of the most talented and naturalistic actors of Hollywood’s “golden age”, died 70 years ago today on May 21, 1952. Garfield had long been troubled with heart health issues, but it’s been argued that the resulting stress brought on by harassment from the notorious House Un-American Activities Committee contributed to his early death at the age of 39, nearly a year after the release of his final film, He Ran All the Way (1951).
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