Tagged: Classic Hollywood
Gene Kelly in It’s Always Fair Weather
Gene Kelly in It’s Always Fair Weather (1955)
Vitals
Gene Kelly as Ted Riley, dancing gambler and World War II veteran
New York City, Fall 1955
Film: It’s Always Fair Weather
Release Date: September 2, 1955
Directed by: Gene Kelly & Stanley Donen
Costume Designer: Helen Rose
WARNING! Spoilers ahead!
Background
Happy first day of spring! As fairer weather sets in across the Northern Hemisphere, let’s flash back to the 1950s as the marvelously multi-talented Gene Kelly tap-danced on roller-skates in the MGM musical satire It’s Always Fair Weather.
Song of the Thin Man: William Powell’s Houndstooth Jacket as Nick Charles
William Powell as Nick Charles in Song of the Thin Man (1947)
Vitals
William Powell as Nick Charles, witty detective
New York City, September 1947
Film: Song of the Thin Man
Release Date: August 28, 1947
Director: Edward Buzzell
Costume Supervisor: Irene
Background
Across six films beginning with The Thin Man, William Powell and Myrna Loy channeled their remarkable screen chemistry into portraying Nick and Nora Charles, a married couple who work together to solve murders between martinis. On the 40th anniversary of William Powell’s death on March 5, 1984 at the age of 91, today’s post explores the debonair actor’s attire from his swan song as Nick Charles. Continue reading
Blast of Silence: Allen Baron’s Killer Style
Allen Baron in Blast of Silence (1961)
Vitals
Allen Baron as Frankie Bono, misanthropic Mafia hitman
New York City, Christmas 1959
Film: Blast of Silence
Release Date: March 20, 1961
Director: Allen Baron
WARNING! Spoilers ahead!
Background
Time to kill. 24 hours to stay faceless in the crowd. Get yourself lost in the city. Lose yourself in the Christmas spirit with the rest of the suckers.
I love Christmas movies—whether bona fide holiday classics like It’s a Wonderful Life, National Lampoon’s Christmas Vacation, or White Christmas, schlocky made-for-Hallmark holiday romances, or among of the many great movies set at yuletide even when the holiday isn’t central to the plot (looking at you, Die Hard, Lethal Weapon, On Her Majesty’s Secret Service, The Thin Man, Three Days of the Condor.)
When the Criterion Channel announced their Holiday Noir lineup this month, I was understandably thrilled. A few, like Lady in the Lake and They Drive By Night, I was already familiar with, but I had long wanted to see Blast of Silence, the stark neo-noir filmed guerilla-style on location in New York City during the 1959 holiday season, following Frankie Bono, a lonely killer working for the Cleveland mob who has returned to the Big Apple for a hit. Blast of Silence was written and directed by Allen Baron, who also starred as Frankie after his first choice—Peter Falk(!)—was hired instead for the similarly themed film Murder, Inc.
Days before Christmas, Frankie Bono steps off the train onto the platform in Manhattan, taking in his hometown through a cloud of cigarette smoke while a choir sings “Silent Night”. “The railroad company makes sure you don’t forget you’re coming to town on Christmas,” Frankie narrates. “It gives you the creeps, but that’s alright! Everyone on the goodwill kit, maybe they’ll leave you alone?” Continue reading
In a Lonely Place: Bogie’s Twill Sports Coat and Turtleneck
Humphrey Bogart as Dix Steele in In a Lonely Place (1950)
Vitals
Humphrey Bogart as Dixon “Dix” Steele, frustrated screenwriter
Los Angeles, Fall 1949
Film: In a Lonely Place
Release Date: May 17, 1950
Director: Nicholas Ray
Costume Designer: Jean Louis (credited for gowns only)
WARNING! Spoilers ahead!
Background
Today’s post wraps up #Noirvember on what would have been the 100th birthday of silver screen icon Gloria Grahame. Born November 28, 1923, Grahame’s film noir credits include Crossfire (1947) and The Big Heat (1953), though my favorite is In a Lonely Place (1950), directed by her then-husband Nicholas Ray and starring Humphrey Bogart.
Some of Bogie’s friends and acquaintances have described the character of cynical screenwriter Dixon Steele to be the closest that the actor ever came to projecting his true charismatic yet insecure persona onto the screen. Continue reading
Sunset Boulevard: William Holden’s Mini-Check Sport Jacket and “Dreadful Shirt”
William Holden as Joe Gillis in Sunset Boulevard (1950)
Vitals
William Holden as Joe Gillis, struggling screenwriter
Los Angeles, Fall 1949
Film: Sunset Boulevard
Release Date: August 10, 1950
Director: Billy Wilder
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Noirvember continues with Sunset Boulevard, one of the great films noir that shines a light—or, more appropriately, casts a shadow—on the darker side of Hollywood, a theme popular with contemporary dramas like In a Lonely Place (1950) and The Bad and the Beautiful (1952), with an added verisimilitude through mentions of real studios like 20th Century Fox and Paramount Pictures—who, of course, produced Sunset Boulevard—and cameos from Cecil B. DeMille, Hedda Hopper, and Buster Keaton.
William Holden stars as Joe Gillis, who describes himself in the opening narration as “a movie writer with a couple of B pictures to his credit.” On “the day when it all started,” Joe recounts living in a seedy one-room Hollywood apartment where he owes three months back rent, grinding out two original screenplays a week and fretting that he’s lost his touch. Three payments behind on his Plymouth, his screenplays aren’t selling, and his agent isn’t willing to help, instead insisting that “the finest things on the world have been written on an empty stomach,” though that may be just to get out of having to lend his client the $290 he needs to keep his car. Continue reading
Leave Her to Heaven: Cornel Wilde’s Brown Plaid Flannel Shirt
Cornel Wilde in Leave Her to Heaven (1945)
Vitals
Cornel Wilde as Richard “Dick” Harland, idealistic novelist
Northern Maine, August 1942
Film: Leave Her to Heaven
Release Date: December 25, 1945
Director: John M. Stahl
Costume Designer: Kay Nelson
WARNING! Spoilers ahead!
Background
I began Noirvember this month by highlighting a costume from one of the rare classic examples of “color noir”—which is exactly what it sounds like, a crime-centered drama from the 1940s and ’50s that includes many of the same themes and techniques as the shadowy film noir but photographed in full color, rather than the typical black-and-white.
Arguably the first major example of color noir is Leave Her to Heaven, widely released on Christmas 1945 and starring Cornel Wilde opposite the ravishing Gene Tierney, whose performance resulted in the actress’ only Academy Award nomination. Tierney died 32 years ago today on November 6, 1991. Continue reading
Desert Fury: Burt Lancaster’s Colorful Noir Cowboy Style
Burt Lancaster in Desert Fury (1947)
Vitals
Burt Lancaster as Tom Hanson, affable deputy sheriff
Nevada, Spring 1947
Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head
Background
Born 110 years ago today on November 2, 1913, Burt Lancaster’s connection to film noir begins with his screen debut in The Killers (1946), followed by performances in Brute Force (1947), I Walk Alone (1947), Sorry, Wrong Number (1948), Criss Cross (1949), and Sweet Smell of Success (1957)—to name just a few of his noir credentials.
While the existence of “color noir” may sound contradictory, there were a handful of films made during the ’40s and ’50s that have been qualified as such, including the 1947 drama Desert Fury which maintains its noir techniques and themes but with lush Technicolor cinematography as opposed to the shadowy black-and-white typically associated with the style.
Let’s kick off #Noirvember in post-World War II Nevada, where Lancaster’s friendly Tom Hanson takes a break from serving as deputy sheriff in the fictional town of Chickawalla to practice his equestrian abilities. Continue reading
Shadow of a Doubt: Uncle Charlie’s Navy Blazer
Joseph Cotten in Shadow of a Doubt (1943)
Vitals
Joseph Cotten as Charles Oakley, attentive uncle and enigmatic “Merry Widow Murderer”
Santa Rosa, California, Summer 1941
Film: Notorious
Release Date: January 12, 1943
Director: Alfred Hitchcock
Costume Design: Vera West
Background
A vintage pin I purchased at a thrift store several years ago commemorates July 26 as Uncle’s Day, a day I’ve discovered has been inclusively expanded to become Aunt and Uncle’s Day. As I chose to celebrate Mother’s Day last year with a post from Psycho, your Uncle BAMF again returns to the Master of Suspense’s oeuvre for today’s observance, specifically the mysterious “Uncle Charlie” in Alfred Hitchcock’s 1943 masterpiece Shadow of a Doubt.
Often cited by Hitch himself as a personal favorite of his filmography, Shadow of a Doubt was released 80 years ago in January, starring Teresa Wright and Joseph Cotten, the latter having recently made his screen debut across a trio of films directed by his pal Orson Welles: Citizen Kane, The Magnificent Ambersons, and Journey Into Fear. Continue reading
Cat on a Hot Tin Roof: Paul Newman’s Pajamas
Paul Newman as Brick Pollitt in Cat on a Hot Tin Roof (1958)
Vitals
Paul Newman as Brick Pollitt, bitter and repressed ex-athlete
Mississippi, Summer 1958
Film: Cat on a Hot Tin Roof
Release Date: August 27, 1958
Director: Richard Brooks
Wardrobe Credit: Helen Rose
WARNING! Spoilers ahead!
Background
April 16 is traditionally National Wear Your Pajamas to Work Day, designed as a sartorial reprieve after the stress of meeting a late-night deadline to file taxes by April 15. As it felt incongruous to celebrate that “holiday” on a Sunday, I waited until today to celebrate a Hollywood icon who had the good fortune to wear pajamas for the majority of his screen-time in his first Oscar-nominated performance.
Thanks to movies like Somebody Up There Likes Me and The Long, Hot Summer, Paul Newman’s career was on the rise through the late 1950s when he was cast as Brick Pollitt alongside Elizabeth Taylor in the cinematic adaptation of Tennessee Williams’ play Cat on a Hot Tin Roof. Continue reading
John Garfield in The Breaking Point
John Garfield as Harry Morgan in The Breaking Point (1950)
Vitals
John Garfield as Harry Morgan, cynical charter fishing boat captain and Navy veteran
Newport Beach, California and Ensenada, Mexico, Spring to Summer 1950
Film: The Breaking Point
Release Date: September 30, 1950
Director: Michael Curtiz
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
One of the most intense and talented actors of his generation, John Garfield was born 110 years ago today on March 4, 1913 in New York’s Lower East Side. His birth name was Julius Garfinkle, with Julius added as a middle name that resulted in his nickname “Julie” among friends and family.
Garfield delivered many excellent performances during his too-brief life and career, eventually citing his personal favorite to be in his penultimate film The Breaking Point, a more faithful retelling of Ernest Hemingway’s novel To Have and Have Not than the popular and stylish 1944 adaptation starring Humphrey Bogart and Lauren Bacall.
Lushly photographed and set against the docks of Newport Beach, The Breaking Point stars Garfield as self-described “boat jockey” Harry Morgan, a World War II veteran who makes a living for his supportive wife and daughter by chartering his fishing boat, Sea Queen, that ferries passengers back and forth from Mexico. Continue reading
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